Read our 452nd NEWSLETTER and find out who is the 2025 Nobel laureate in literature.
10 October 2025
A book about motherhood by Sheila Heti. Or is it? Heti’s ‘novel’, much like her excellent How Should A Person Be? is much less novel and more a series of not-quite-true but ever-so-true deliberations, and an existential rant — but the best kind: indulgent, prescient, intimate (unnervingly so at times) and extremely funny in a strange sideways glimpse at herself and others like her. Although she would almost believe she is the only one obsessing over the question, To have a child or not? It’s a book about motherhood, about being a parent, and what that relationship means or could provide a person, as much as it is a book about writing and the obsessive nature of creative practice and the need for this self-awareness to be a good creative — an 'art monster' (Jenny Offill, Dept. of Speculation). Yet Heti is torn between her desire to write and the pleasure, the satisfaction this brings her, and the confusion that swirls in her head about being a mother and whether this will bring her a different completion. As she obsesses about motherhood she questions everyone and observes her friends and family about this elusive — to her — state of being. She wrongly or rightly presumes that she should have a child, that she wants a child, and on the other hand, she does not. Her dilemma is mired in expectations, both external and internal, and the 'ticking clock', of which women are constantly reminded. Are you past the age of being a worthwhile contributor? Even in 2020, we are judged on our reproductive choices (think about women’s rights over their own bodies in regard to abortion laws), and somehow procreating, even in times of crisis (environmental and economic), is still way up there on people’s to-do lists. Not that Heti is overly concerned about the politics of reproduction or motherhood: her focus is on the intensely personal — on her experience and where these thoughts, these deliberations, take her and the reader. She’s irrational and highly emotional, and this makes her book one of the best about motherhood and the questioning of its function, on an intellectual as well as emotional level. Her book is, in the end, is as much a look at what it means to be someone's child as it is to have a child. Her deliberations take her on a journey of understanding her own mother and her grandmother and their roles as parents and individuals — a revelation that we don’t clearly think about. We know how we are as a child of our parents, but when do we consider what that relationship means from the other view — who we are, what we mean, to the mother (or father)? And if you can’t address your existential question about whether to have a child or not, you can do what Shelia Heti does and consult the coin — heads for yes, tails for no — and ask yourself a series of questions (often ridiculous and very amusing) about yourself, your intimates and your writing.
It seemed sometimes that they were even wanting the worst to happen, if only to be relieved of the terrible anticipation that the worst may happen. It seemed sometimes that the worst thing sucks everything else towards it, even our resistance to the worst thing, and the closer we get to the worst thing it seems the less we resist it, just when we would be better to resist it more, until we are drawn over the acquiescence horizon, so to call it, until we are drawn past the point at which the possibility of relief from the effort to resist is stronger than our exhausting effort to resist, the point at which we either try to resist more, which just increases the degree of relief offered by giving up, or we resist less, which draws us closer to giving up. We give up. Of course, we don’t want to be seen to be giving up, not even by ourselves, what we want is a way to be seen to be resisting when in fact we are giving up, what we want is some mechanism that will make it appear that, when the worst happens, it might not have been as bad as it could have been even though it is worse than we could have imagined. How could that they have become a we so easily? A threat presses unrelentingly on the narrator of Krasznahorkai’s text, the threat of the worst thing, the nullification of that narrator, the narrator knows there are assassins on the narrator’s trail, they from whom the narrator flees, they whom the narrator has never seen and may never see, no matter, this just makes the fleeing more urgent, the threat more imminent, the worst that could happen always just on the point of happening if never actually happening. “I know they’ll never relent,” the narrator writes, “it’s as if their orders aren’t to make quick work of me … but rather to keep pursuing me.” The narrator must keep fleeing so as to continue being what a narrator is, the narrator must flee nullification, the narrator must flee into the new. “I have no memories whatever … the past doesn’t exist for me, only what’s current exists … and I rush into this instant, an instant that has no continuation.” The narrator flees in the present tense, the narrator flees by narrating. The text we read is the result of the narrator’s resistance to their own nullification, or, rather, the text is the narrator’s resistance to their own nullification. Obviously. “Life is forever merely the incalculable consequence facing the oncoming process, because there’s nothing that lurks behind the process … for me nothing exists that goes beyond the situation that happens to be at hand,” states the narrator, and if fate, or, rather, the causal mechanisms that we mistakenly label as fate, is nothing but an ineluctable process of destruction, if nullification is a corollary of being, then we can only exist in our errors, we can only exist to the extent that we make a mistake. “The decisions I make must be the utterly wrong ones.” the narrator states, “that’s how I can confound my pursuers.” Great forces grapple through the text, through the narrator caught within themselves. We all share this pressure upon us that many would mistake for paranoia, no such luck, we all share this problem with time, this snagging in the moment, this agony of being forced on but this terror of no longer going on. “If I were to divine a plan of action of some kind, it would be all over for me,” the narrator states, though, really, is the threat coming from within or from without? But the narrator does divine a plan of action, the narrator is seduced by story, the narrator does start to abrade against their surroundings and against the people in those surroundings by the very fact of their interaction with those surroundings and with those people. The narrator passes the acquiescence horizon without being aware that they are passing the acquiescence horizon. All is lost. Giving up is no less fatal for looking like merely a change of plan.
There could be no more suitable Nobel laureate for the end of the world than László Krasznahorkai, whose astounding, frequently book-length sentences trace human thought’s struggle against the forces that would ultimately erase it. Although poised always on some sort of cultural event-horizon, Krasznahorkai’s books verbally resist the pull towards annihilation posed by the infinite gravity of social, political, historical, environmental and purely existential impossibilities, and provide glimmers of human authenticity in an increasingly depersonalising world. Pulling a dark literary thread backwards through Bernhard to Kafka, Krasznahorkai’s books have a profoundly hypnotic effect, shot with moments of beauty, exhilaration and clarity.
All your choices are good! Choose your next books from our selection of NEW RELEASES. Click through to our website (or just email us) to secure your copies, and we will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
The Loft by Marlen Haushofer (translated from German by Amanda Prantera) $38
An Austrian housewife sits in her loft intent on her drawings of birds and insects. The loft is a retreat where she can work undisturbed. It is also a retreat from her dull and dissatisfied husband, a man who sighs unhappily even when she sneezes. Their grown-up children are living independent lives and the house is very quiet. Her dreams are filled with domestic drudgery. Then one day, a package arrives containing extracts from the narrator's diary, written twenty years before. Back then she had been sent away to a remote cottage in a bid to 'cure' her from unexplained sudden deafness. More mysterious packages containing old diary entries arrive. Who is sending them? And what did happened all those years ago in the forest? [Hardback]
”A thrilling novel. What gives this book its tremendous power? First the voice is charming, with a skittish beauty throughout. But there is also disarming honesty, and a lack of vanity, which appeals as only truth can.” —John Self, Guardian
”It is the skilful juxtaposition of internal loneliness and isolation with a mysterious, chilling past that brings such emotional power to this unusual book.” —Daily Mail
”Her prose is a model of simplicity and concision; but the pictures which her sentences paint are enigmatic, overdetermined, elusive. We can claim her books for feminism, for eco-politics, for existentialism or psychoanalysis, or we can take them as thrillers or dreams.” —London Review of Books
>>Read an extract.
>>Human life everywhere.
>>Read Thomas’s review of The Wall.
All Her Lives: Nine stories by Ingrid Horrocks $35
All Her Lives follows women across generations as they resist, nurture and transform. These are lives shaped by love and politics, motherhood and memory, constraint and defiance. From girls raised in the garden of Plunket founder Truby King, to a queer university student at a mid-2000s Berlin rave, to a mother facing the cost of her son's climate rebellion, the women of All Her Lives are complex, resilient and deeply human. Shadowing their stories is the early feminist writer Mary Wollstonecraft, whose journey of grief and revolution will become a vessel for what endures — and for finding hope. Vast and intimate, All Her Lives explores the layered selfhood of women — all that they inherit, sacrifice, imagine and carry forward — and the power found in unravelling and reweaving those selves on their own terms. [Paperback]
”A wonderful collection that swims in and out of women's lives across time, exploring the struggle for freedom and love. I'll be thinking about it for a long time — a book of quiet force.” —Emily Perkins
Good and Evil and Other Stories by Samanta Schweblin (translated from Spanish by Megan McDowell) $35
The strange and explosive new collection from the incomparable imagination of Samanta Schweblin, a master of the short story. A gripping blend of the raw, the astonishing and the tragic, every story is as perfectly unexpected as a snare: tightly, exquisitely wound, ready to snap at a touch. Here, a young father is haunted by the consequences of a moment of distraction; tragedy is complicated by the inexplicable appearance of an injured horse; an attempted poisoning leads two writers to startling conclusions; a lonely woman’s charity is rewarded with home-invasion. And in the shocking opening story, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring. Guilt, grief and relationships severed permeate this mesmerizing collection — but so do unspeakable bonds of family, love and longing, each sinister and beautiful. Step by step these unnerving stories lure us into the shadows to confront the monsters of everyday life — ourselves. [Paperback with French flaps]
”Remarkably taut, clear, precise, and yet capable of capturing the extent of our human messiness, these stories are perfect for the times we dwell inside.” —Colum McCann
”No one writes like Samanta Schweblin. Her narratives are sui generis — wonderfully unpredictable and invitingly strange.” —Lorrie Moore
”Samanta Schweblin combines the urgent propulsion that characterizes all great storytelling with precise, if uncanny, descriptions of human feelings that often go unnamed, those ambiguous zones of human reality where awe, dread, and desire mingle.” —Siri Hustvedt
>>Paying attention to what others ignore.
He Puāwai: A natural history of New Zealand flowers by Philip Garnock-Jones $80
One hundred native flowers of Aotearoa revealed in extraordinary 3D photography. Aotearoa has at least 2,200 native species of flowering plants that have evolved in our unique conditions, and the vast majority of them grow nowhere else on earth. This has made New Zealand a natural laboratory for studies of flower biology. He Puāwai is a natural history of New Zealand flowers, focusing on 100 native species to represent the full range of flower phenomena of Aotearoa — from familiar iconic flowers of kōwhai, mānuka and pōhutukawa to oddities like the water-pollinated flowers of eelgrass, bat-pollinated blossoms of kiekie, and the world’s smallest flowers, Wolffia. Each flower’s text describes and explains its structure and functions, alongside over 500 remarkable photographs that enable the reader (with the viewer included in the book) to view the flowers miraculously in 3D. [Large-format hardback]
”Remember when you were small, and the minute details of everything — shapes, colours patterns — were so absorbing. I suspect Phil Garnock-Jones never lost that wonder at all, and here he shares it generously. It's impossible to pore through the pages of He Puawai without feeling amazement rekindled — and realising there are infinitely more ways than you imagined to greet, observe and learn from these tiny taonga, the flowers of Aotearoa.” —Johanna Knox, author of The Forager's Treasury
”This book, like no other, opens a microscopic window to appreciate native plants. The luscious detail, both in the crisp stereo imagery and in the carefully descriptive text, captures and holds the attention of anyone who has enjoyed the attraction provided by flowers. I predict this book will inspire another generation of botanists and nature lovers in Aotearoa. Not many books deserve their place as a textbook (which deepens our understanding of native plants) and equally as a (stunningly captivating) coffee table book.” —Tim Park, Manager, Otari Wilton's Bush
>>Look inside!
The Meeting Place: Māori and Pākehā encounters, 1642—1840 by Vincent O’Malley $50
Vincent O’Malley’s account of the first meeting between Ngāti Tūmatakōkiri and Abel Tasman’s crew sets the scene for how two peoples navigated fraught beginnings to find a ‘meeting place’ in pre-Treaty Aotearoa. O’Malley’s important book tells the story of encounters between Māori and Pākehā in a turbulent landscape still shaped by Māori authority and evolving relationships. Early misunderstandings and violence gradually gave way to mutual accommodation and adaptation. In this middle ground, people traded, intermarried, forged alliances and shaped each other’s ways of life — until this fragile balance was undone in the decades after 1840. Through people’s stories, O’Malley brings to life a time of extraordinary change. This new edition expands on the original with new research, including material on Te Waipounamu and an enriched visual narrative. [Paperback]
”Vincent O’Malley’s new edition of The Meeting Place is a timely and important work. His reflections on the whakataukī ‘I ngā rā o mua — the past in front of us’ resonate deeply with current realities, reminding us of the optimism and resilience embedded in our histories. This book powerfully illustrates how early Māori and Pākehā overcame conflict to create middle grounds of respect, sharing and mutual tolerance — a history we need to remember today.” —Melissa Matutina Williams, author of Panguru and the City: Kāinga Tahi, Kāinga Rua
>>Read the Introduction.
Chris Knox: Not Given Lightly, A biography by Craig Robertson $60
‘I’ve got things I can’t recall Like the colours of my bedroom wall Oh, I can’t decide if I Want to know these things or why They bother me and tantalise me so’ — from ‘I’ve Left Memories Behind’
In the mid-1990s, the Village Voice described Chris Knox as ‘indie rock’s premier oddball singer songwriter’ and, when Knox suffered a stroke a decade later, music icons such as Yo La Tengo, Bill Callahan, Neil Finn and Shayne Carter all showed up for concerts and a tribute album. Who is this epileptic, opinionated, shorts-and-jandals-wearing, endlessly creative musician and artist from New Zealand? This is his story — from a childhood in ‘flat, rectangular and boring’ Invercargill to years of creative experimentation in Dunedin to family life in Auckland; from The Enemy’s first gig at Dunedin’s Beneficiaries Hall to Toy Love’s tour of Australia and on to Tall Dwarfs’ escapades around the globe; from tape loops and crashing cutlery recorded on a TEAC 4-track to the biting satire of Jesus on a Stick comics and Listener opinion pieces; and from home-recorded LPs delivered by hand to the ubiquitous voice on ads for Vogels and Heineken. Chris Knox: Not Given Lightly tells the story of one extraordinarily creative man’s journey from the obscurity of punk rock to the heart of New Zealand culture. No-one has dome more to raise doing-things-badly to an effective artform. Fully illustrated. Includes discography. [Flexibound]
>>Trailer.
>>Pull Down the Shades.
>>Squeeze.
>>Nothing’s Going to Happen.
>>Not Given Lightly.
Understanding Hauora: A handbook of basic facts about te Tiriti o Waitangi and the Health System by Rooimata Smail $25
Understanding Hauora is the second book in the #1 bestselling ‘Understanding Te Tiriti’ series by human rights lawyer and educator Roimata Smail. This short, accessible guide explains what hauora really means — not just healthcare, but the wellbeing of body, mind, spirit, and whānau, grounded in the whenua — and how Te Tiriti o Waitangi guaranteed Māori authority over it. It covers the history, the harm caused when those promises were broken, and the hope we see when Māori lead solutions to improve health outcomes for everyone. Whether you’re a student, educator, health professional, policymaker, or simply want to understand the facts, Understanding Hauora gives you a confident grounding in Te Tiriti and health equity. [Booklet]
>>See also Understanding Te Tiriti.
Feeding Ghosts: A graphic memoir by Tessa Hulls $55
An astonishing, deeply moving graphic memoir about three generations of Chinese women, exploring love, grief, exile, and identity. Tessa Hulls's grandmother, Sun Yi, was a Shanghai journalist swept up by the turmoil of the 1949 Communist victory. After fleeing to Hong Kong, she wrote a bestselling memoir about her persecution and survival — then promptly had a mental breakdown from which she never recovered. Growing up with Sun Yi, Tessa watches both her mother and grandmother struggle beneath the weight of unexamined trauma and mental illness, and bolts to the most remote corners of the globe. But once she turns thirty, roaming begins to feel less like freedom and more like running away. Feeding Ghosts is Tessa's homecoming, a vivid, heartbreaking journey into history that exposes the fear and trauma that haunt generations, and the love that holds them together. [Paperback]
>>Look inside!
>>A compulsive genre-hopper.
>>A DJ in Antarctica.
No Friend to this House by Natalie Haynes $38
An extraordinary reimagining of the myth of Medea. This is what no one tells you, in the songs sung about Jason and the Argo. This part of his quest has been forgotten, by everyone but me . . . Jason and his Argonauts set sail to find the Golden Fleece. The journey is filled with danger, for him and everyone he meets. But if he ever reaches the distant land he seeks, he faces almost certain death. Medea — priestess, witch, and daughter of a brutal king — has the power to save the life of a stranger. Will she betray her family and her home, and what will she demand in return? Medea and Jason seize their one chance of a life together, as the gods intend. But their love is steeped in vengeance from the beginning, and no one — not even those closest to them — will be safe. [Paperback]
”Natalie Haynes is a once-in-a-generation storyteller, and No Friend to This House is her masterpiece. Haynes does not so much retell the myth of Medea as excavate it, layer by devastating layer, for truths both timeless and timely. This is a stunning novel that cuts to the bone.” —Dr. Amanda Foreman
>>The mystery of Medea.
Domination: The fall of the Roman Empire and the rise of Christianity by Alice Roberts $40
This is the story of the fall of an Empire — and the rise of another. Who spread Christianity, how, and why? In her quest to find the answer, Roberts takes us on a gripping investigative journey. From a secluded valley in south Wales to the shores of Brittany; from the heart of the Roman Empire in a time of political turmoil to the ancient city of Corinth in the footsteps of the apostle Paul; from Alexandria in the fourth century to Constantinople. As the Roman Empire crumbled in Western Europe, a shadow of power remained, almost perfectly mapping onto its disappearing territories. And then, it continued to spread. Unearthing the archaeological clues and challenging long-established histories, Roberts tells a remarkable story about the relationship between the Roman Empire and Christianity. Lifting the veil on secrets that have been hidden in plain sight, this story is nothing short of astonishing. Domination is a page-turning exploration of power and its survival. [Paperback]
Start With a Teapot: An unexpected guide to the art of drawing by Enric Lax $35
Drawing is not very different from riding a bicycle, whistling, or cooking a tortilla: learning any of these things just takes a little practice and a sense of humour. For example, to draw an elephant, you start with a teapot. Next add eyes and tusks, finish with a tail and four legs . . . ta-da, you've got your elephant! And how do you draw a horse? First, draw an elephant. Start with a Teapot is utmost nonsense and unarguable logic. How do you draw a snail, a stapler, a butterfly, a eukaryotic cell? Enric Lax inspires his readers to observe, transform, tell stories and make mistakes--that's how to draw. [Hardback]
>>Look inside!
>>Draw along!
A selection of books from our shelves. Click through to find out more:
All your choices are good! Choose your next books from our selection of NEW RELEASES. Click through to our website (or just email us) to secure your copies, and we will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
Moral Abdication: How the world failed to stop the destruction of Gaza by Didier Fassin $25
Consent to the obliteration of Gaza has created an enormous gulf in the global moral order. History will record how Western governments and large sections of their elites have supported the war waged by Israel against Palestinians after Hamas s attack on 7 October 2023 and silenced voices calling for a ceasefire, a just peace and a respect of international law. Not only buildings have been devastated and civilians massacred, but also language and thought have been damaged. Providing an archive of the first six months of the war nourished by multiple sources, the book examines how the past of occupation and oppression of Palestine has been negated, how a vocabulary and a grammar of facts have been imposed, how accusations of antisemitism have produced censorship and self-censorship, how mainstream media have been restrained and biased. It addresses the acceptance of the unequal worth of lives and the differential treatment of deaths. It questions the invocation of the existential threat for Israel and the debt contracted because of the Holocaust. It analyses how the geopolitical and economic stakes in the Middle East and the growing rejection of Muslims and Arabs have contributed to the abdication of values and principles claimed as foundational. [Paperback]
"One of the outcomes of the ongoing genocide in Gaza has been a total collapse of any semblance of moral authority on the part of the West. Didier Fassin's book surveys this moral abdication, focusing on how many western states and institutions have actively consented to the destruction of Gaza, particularly by obstructing and criminalising Palestinian solidarity. By foregrounding students and other activists who have defended the basic rights of Palestinians, the book also seeks to 'attest to the existence of a refusal, shared by many, of consent to the obliteration of Gaza'." —Irish Times
"A powerful book. How is it possible, Fassin asks, that with rare exceptions, 'for political leaders and intellectual personalities of the principal Western countries the lives of Palestinian civilians are worth several hundred times less than the lives of Israeli civilians'? How do we explain why 'demonstrations and meetings demanding a just peace are banned'? Why is it that 'without independent confirmation, most of the mainstream Western media quasi-automatically reproduce the version of events relayed by the camp of the occupiers, while incessantly casting doubt on that recounted by the occupied'? Why do 'so many of those who could have spoken, not to say stood up in opposition, avert their eyes from the annihilation of a territory, its history, its monuments, its hospitals, its schools, its housing, its infrastructure, its roads, and its inhabitants-in many cases, even encouraging its continuation'?" —Omer Bartov, The New York Review of Books
The Loneliness of Sonia and Sunny by Kiran Desai $38
In this long-awaited, exquisitely written novel from the author of The Inheritance of Loss, two young people navigate the many forces that shape their lives — country, class, race, history, and the complicated bonds that link one generation to the next. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world. [Paperback]
“This novel about Indians in America becomes one about westernised Indians rediscovering their country, and in some ways a novel about the Indian novel’s place in the world. Vast and immersive, the book enfolds a magical realist fable within a social novel within a love story. We loved the way in which no detail, large or small, seems to escape Desai’s attention, every character (in a huge cast) feels fully realised, and the writing moves with consummate fluency between an array of modes: philosophical, comic, earnest, emotional, and uncanny.” —2025 Booker Prize judges’ citation
>>Find out more!
Fusão: Untraditional recipes inspired by Brasil by Ixta Belfrage $70
Belfrage takes her Brazilian heritage and experiences as bases from which to build fusion recipes that expand the cuisine into new realms of flavour. Interesting writing, intelligent recipes, and photographs of food ‘happening’ in Brazil make this a stimulating and enjoyable book for any kitchen shelves. [Hardback]
”Ixta Belfrage's focus on the Brazilian food of her heritage bears the bold stamp of her characteristic, rambunctious creativity, espousing a jubilant fusion that's both coherent and convincing, but above all delicious.” —Nigella Lawson
”I love how Ixta's food takes you on a journey of discovery into the uncharted universe of fusion flavours — an experience we should all, and absolutely must, embrace.” —Sami Tamimi
”There is this thing — a style, a flavour, a hue — which is so unmistakably Ixta and so downright delicious. Her kind of creativity is both a one-off and, at the same time, deeply grounded in the cultures that produced her. Not many cooks can come up with this kind of magic with such incredible flair.” —Yotam Ottolenghi
”I was lucky enough to work alongside Ixta for some years - her cooking style always did and continues to strike me as compelling, innovative and unapologetically unique. Fusao is the book Ixta has always wanted to write, and she does it beautifully - straddling all the truest parts of herself, the diversity of her culture and of course, the bold flavours that make Ixta's food so special. I want to learn and devour it all.” —Noor Murad
>>Look inside!
>>All food is fusion.
>>A taste of Brazil.
What We Can Know by Ian McEwan $38
2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost. Tom Metcalfe, an academic at the University of the South Downs, part of Britain's remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well. [Paperback]
”What We Can Know may well have created a new genre: the postapocalyptic campus novel. Imagine A.S. Byatt's Possession crossed with Cormac McCarthy's The Road. Dark academia meets the big ideas novel, all conveyed in McEwan's trim, beautifully ordered sentences.” —Johanna Thomas-Corr, Sunday Times
People With No Charisma by Jente Posthuma (translated from Dutch by Sarah Timmer Harvey) $35
A darkly humorous novel about multigenerational family dynamics and individuality in Dutch suburbia. An unnamed narrator grows up overshadowed by her unconventional mother, an ex-Jehovah's witness and former television star with an inferiority complex. Her father is the head of a psychiatric institution, whose only form of parenting is to offer his daughter the same life advice he dispenses to his patients. Reserved and somewhat aloof, he chooses not to intervene when his wife obsesses about charisma, calorie counting, and turning their daughter into a child prodigy. Their daughter strives to meet her mother's expectations and bond with her father while secretly worrying she lacks the drive or charisma to do anything significant with her life. When her mother is diagnosed with terminal cancer, she begins to address their generational trauma, forge a new relationship with her father, and discover life on her terms. In twelve chapters — each reflecting a different phase of life — Posthuma expertly dissects a fraught family history, exposing the absurdity that often lies at the heart of life's most poignant and challenging moments. From the author of What I’d Rather Not Think About. [Paperback]
”Posthuma examines life with an anthropologist's sense of the absurd. She sets her sights on mundane family life, finding it both nightmarishly farcical and full of human warmth.” —Declan Fry
Embers of the Hands: Hidden histories of the Viking age by Eleanor Barraclough $30
A comb, preserved in a bog, engraved with the earliest traces of a new writing system. A pagan shrine deep beneath a lava field. A note from an angry wife to a husband too long at the tavern. Doodles on birch-bark, made by an imaginative child. From these tiny embers, Eleanor Barraclough blows back to life the vast, rich and complex world of the Vikings. These are not just the stories of kings, raiders and saga heroes. Here are the lives of ordinary people: the merchants, children, artisans, enslaved people, seers, travellers and storytellers who shaped the medieval Nordic world. Immerse yourself in the day-to-day lives of an extraordinary culture that spanned centuries and spread from its Scandinavian heartlands to the remote fjords of Greenland, the Arctic wastelands, the waterways and steppes of Eurasia, all the way to the Byzantine Empire and Islamic Caliphate. [Now in paperback]
”Eleanor Barraclough's splendid new book offers an introduction to the ordinary people of a time best known for its kings and warlords, getting up close and personal with the things that mattered to them. In lively prose she ranges from Greenland to Baghdad, showing us bar-rooms and bedrooms, daydreaming children at their lessons, gossiping neighbours, the scars of war, and much more besides. An intimate portrait of the Viking Age that is thoughtful, vivid and warm, while ignoring none of its hardships — highly recommended.” —Neil Price, author of The Children of Ash and Elm
Fierceland by Omar Musa $38
After many years abroad, Roz and Harun return to Malaysian Borneo for the funeral of their father Yusuf — and to reckon with their inheritance. A renowned palm-oil baron during Malaysia's economic rise, Yusuf built the family's immense wealth by destroying huge tracts of rainforest. What his children know is that he was also responsible for the violent disappearance of a man who stood in his way. Harun has become a successful tech entrepreneur in Los Angeles, Roz is an artist struggling to stay afloat in Sydney. Now they want to return something their father stole from the forests of their homeland. In their quest for redemption they grapple with the legacy of power and corruption, dreamers and exiles, thugs and zealots. Most dangerous of all, they are haunted — by the ghosts of colonialism, the ghosts of family, the ghosts of language, and the ghosts of the forest itself. [Paperback]
”An impressive, urgent novel by a talented and courageous writer.” —Mohsin Hamid
”Exhilarating, melodious, smart, resonant about the fragility of our times. A revolutionary novel of consciousness with Borneo at its core. This is the novel I've been waiting for.” —Ellen Van Neerven
”Potent and powerful, Fierceland is a shapeshifting novel of great reckoning; a brutal, beautiful study of wilderness within and without, of the ghosts that afflict and follow in the wake of family, legacy and complicity.” —Hannah Kent
Freedom: A disease without a cure by Slavoj Žižek $22
We are all afraid that new dangers pose a threat to our hard-won freedoms, so what deserves attention is precisely the notion of freedom. The concept of freedom is deceptively simple. We think we understand it, but the moment we try and define it we encounter contradictions. In this new philosophical exploration, Slavoj Žižek argues that the experience of true, radical freedom is transient and fragile. Countering the idea of libertarian individualism, Žižek draws on philosophers Hegel, Kierkegaard and Heidegger, as well as the work of Kandinsky and Agatha Christie to examine the many facets of freedom and what we can learn from each of them. Today, with the latest advances in digital control, our social activity can be controlled and regulated to such a degree that the liberal notion of a free individual becomes obsolete and even meaningless. How will we be obliged to reinvent (or limit) the contours of our freedom? Tracing its connection to everything from capitalism and war to the state and environmental breakdown, i ek takes us on an illuminating and entertaining journey that shows how a deeper understanding of freedom can offer hope in dark times. [Paperback]
Stone & Sky (A ‘Rivers of London’ novel) by Ben Aaronovitch $38
”This isn't London. The rules are different up here, and so are the allegiances.” Detective Sergeant Peter Grant takes a much-needed holiday in Scotland. And he'll need one when this is over. If more's the merrier, then it's ecstatic as his partner Beverley, their young twins, his mum, dad, his dad's band and their dodgy manager all tag along. Even his boss, DCI Thomas Nightingale, takes in the coastal airs as he trains Peter's cousin Abigail in the arcane arts. And they'll need them too, because Scotland's Granite City has more than its fair share of history and mystery, myth... and murder. When a body is found in a bus stop, fresh from the sea, the case smells fishy from the off. Something may be stirring beyond the bay — but there's something far stranger in the sky. [Paperback]
The Arguers by Corinna Luyken $37
A preposterous original fairy tale about a community that forgets how to get along. The first argument was over a brush and a comb, and which would be better for taking a tangle out of the king's beard. Next came the argument over letters, and then over spoons . . . and soon they argued all the time, and no one could remember when the arguing had started or over what or by whom. They only knew that they had always argued, and that they did it well. Very, very well. And so it was that the king and queen decided to hold a contest to choose the very best arguer in the land. But what will happen when everyone is so busy arguing that they can't even hear the queen announce the start of the contest? [Hardback]
>>Look inside!
Mutual Aid: Building solidarity during this crisis (and the next) by Dean Spade $22
Around the world, people are faced with crisis after crisis, from the COVID-19 pandemic and climate change-induced fires, floods, and storms to the ongoing horrors of mass incarceration, brutal immigration enforcement, endemic gender violence, and severe wealth inequality. As governments fail to respond to or actively engineer each crisis, ordinary people are finding innovative ways to share resources and support vulnerable members of their communities. This survival work, when done alongside social movement demands for transformative change, is called mutual aid. This book is about mutual aid — why it is so important, what it looks like, and how to do it. It provides a grassroots theory of mutual aid, describes how mutual aid has been a part of all larger, powerful social movements, and offers concrete tools for organizing, such as how to work in groups, decision-making process, how to prevent and address conflict, and how to deal with burnout. Mutual aid isn't charity — it's a form of organising where people get to create new systems of care and generosity so we can survive. [Paperback]
”Peter Kropotkin called mutual aid a ‘factor in evolution’. The Black Panther Party called it ‘survival pending revolution’. Dean Spade tells us that mutual aid is fundamental to making revolution. It is about building solidarity, preparing for battle, and creating a culture of collective care to displace the atomising culture of individualism and the market. An indispensable guide for our moment, this book teaches us that effective social movements are impossible without mutual aid. Read every page. Carry it everywhere. Share it with everyone. Change everything.” —Robin D. G. Kelley, author of Freedom Dreams
Read our latest newsletter and find out what you’ll be reading next.
3 October 2025
“When I take Wolfsegg and my family apart, when I dissect, annihilate and extinguish them, I am actually taking myself apart, dissecting, annihilating and extinguishing myself. I have to admit that this idea of self-dissection and self-annihilation appeals to me, I told Gambetti. I’ll spend my life dissecting and extinguishing myself, Gambetti, and if I’m not mistaken I’ll succeed in this self-dissection and self-extinction. I actually do nothing but dissect and extinguish myself.” In the first of the two relentless paragraphs that comprise this wonderfully claustrophobic novel, the narrator, Murau, has received a telegram informing him that his parents and brother have been killed in a car accident. While looking at some photographs of them at his desk in Rome, he unleashes a 150-page stream of invective directed personally at the members of his family, both dead and living. Murau is alone, but he addresses his rant to his student Gambetti in Gambetti’s absence or recounts, however accurately or inaccurately, addressing Gambetti in person at some earlier time. Gambetti, in either case, is completely passive and non-contributive, and this passivity and non-contribution acts — along with Murau’s over-identification with his ‘black sheep’ Uncle Georg, an over-identification that sometimes confuses their identities — as a catalyst for Murau’s invective, as an anchor for the over-inflation of Murau’s hatred for, and difference from, his family. Without external contributions that might mitigate Murau’s opinions, his family appear as horrendous grotesques, exaggerations that here cannot be contradicted due to absence or death. Being dead puts an end to your contributions to the ideas people have of you: stories concerning you are henceforth the domain entirely of others and soon become largely expressions of their failings, impulses and inclinations. We can have no definite idea of ourselves, though: we exist only to others, unavoidably as misrepresentations, as caricatures. Murau states that he intends to write a book, to be titled Extinction: “The sole purpose of my account will be to extinguish what it describes, to extinguish anything that Wolfsegg means to me, everything that Wolfsegg is, everything. My work will be nothing other than an act of extinction.” Murau has not been able to even begin to write this account because his hatred gets in the way of beginning, or, rather, what we soon suspect to be the inauthenticity of his hatred gets in the way of beginning. There is no loathing without self-loathing. As Murau’s invective demonstrates, there can be no statement that is not an overstatement: every statement tends towards exaggeration as soon as it is expressed or thought. By exaggeration a statement exhausts its veracity and immediately begins to incline towards its opposite, just as every impulse, as soon as it is expressed, inclines towards its opposite. Only a passive witness, a witness who does not contradict but, by witnessing, in effect affirms, Gambetti in Murau’s case, allows an otherwise unsustainable idea to be sustained. In the second half of the book, Murau returns to Wolfsegg in Austria for the funeral of his parents and brother. Until this point, Murau’s ‘character’ has been defined entirely by his exaggerated opposition to, or identification with, his ideas of others, but when he is brought into situations in which others have a contributing role, Murau’s portrayal of others and of himself in the first section is undermined at every turn. Without the ‘Gambetti’ prop, he is responded to, and, in response to these responses, he overturns many of his opinions — about his parents, his brothers, his sisters, his mother’s lover, the nauseatingly perfectly false Spadolini that Murau had hitherto admired, and about himself — and reveals his fundamental ambivalence, an ambivalence that is fundamental to all existence but which is usually, for most of us, almost entirely suppressed by praxis, by the passive anchors, the Gambettis to which we affix our desperate attempts at character. We resist — through exaggeration — indifference and self-nullification. “We’re often led to exaggerate, I said later, to such an extent that we take our exaggeration to be the only logical fact, with the result that we don’t perceive the real facts at all, only the monstrous exaggeration. I’ve always found gratification in my fanatical faith in exaggeration, I told Gambetti. On occasion I transform this fanatical faith in exaggeration into an art, when it offers the only way out of my mental misery, my spiritual malaise. Exaggeration is the secret of great art, I said, and of great philosophy. The art of exaggeration is in fact the secret of all mental endeavour.” In this second part, Murau reveals his connection with Wolfsegg and his suppressed feelings of complicity in what it represents. “I had not in fact freed myself from Wolfsegg and made myself independent but maimed myself quite alarmingly.” Separation, or, rather, the illusion of separation, is only achieved by ‘art’, that is to say, by exaggeration, by the denial of ambivalence, by the denial of complicity, by suppression: a desperate negative act of self-invention. Once his hatred of his sisters, and of his parents and brothers, has been undermined by his presence and contact with others at Wolfsegg, and without a Gambetti or Georg in his mind to sustain this hatred, the underlying reason for his hatred, a fact that he has suppressed since his childhood as too uncomfortable, the fact that has made “a gaping void” of his childhood, of his whole past, the fact to which he was a passive witness, a complicit witness, namely that Wolfsegg hid and sheltered Nazi war criminals after the war (Gauleiters and members of the Blood Order, who now attend the funeral of Murau’s father) in the so-called ‘Children’s Villa’ (which “affords the most brutal evidence that childhood is no longer possible. All you see when you look back is this gaping void. You actually believed that your childhood could be repainted and redecorated, as it were, that it could be refurbished and reroofed like the Children’s Villa, and this in spite of hundreds of failed attempts at restoring your childhood.”), can now be faced, and, on the final page of the book, at last in some way addressed. Murau also attains the necessary degree of remove to write Extinction before his own death, either from illness or, more likely, suicide. This, his last, is the only Bernhard novel I can think of in which the protagonist makes anything that resembles an effective resolution.
If you haven’t come across Maira Kalman’s work, you’re in for a treat. These seemingly ‘nice’ paintings are loaded with meanings, and double meanings, with irreverence and wit. They can also be morose or mundane, profound and sorrowful; Kalman’s wry humour keeping the darkest emotions at bay. They capture the full gamut of human life and interactions. And within all these complex emotions that Kalman’s picture and text publications provoke, there is a remarkable lightness which is exhilarating, making her books the ones you want to keep close. In Still Life With Remorse: Family Stories Kalman unpicks her own and other family histories. Here are the famous, mercilessly poked at. The Tolstoys’ disfunction, Chekov’s misery; Kafka and Mahler both bilious, driven by regret (and family) to create; and here is Cicero, regretting everything. But these are mere interludes, along with the musical intervals, to the stories at the heart of this collection of writings and paintings. Here are the empty chairs, the tablecloths, the people gathered, the hallway, the death bed, the flowers in vases and the fruit in bowls, all triggering a memory, all resting not so quietly. Here are the parents, the uncle, the sister. Here is the aging, the forgetting and the not forgiving. Stepping back to the Holocaust, to Jaffa, to those who left and to those who were erased. Here are the choices and the impossible sitting-around-the-room, still living. Walking through one door and into another place, remorse following. Despite it all, there is a way to step out of one’s shoes and walk free. Still Life With Remorse is, in spite of itself, life, that is, merriment.
In this long-awaited, exquisitely written novel from the author of The Inheritance of Loss, two young people navigate the many forces that shape their lives — country, class, race, history, and the complicated bonds that link one generation to the next. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration. Sunny, a struggling journalist resettled in New York City, is attempting to flee his imperious mother and the violence of his warring clan. Uncertain of their future, Sonia and Sunny embark on a search for happiness together as they confront the many alienations of our modern world.
“This novel about Indians in America becomes one about westernised Indians rediscovering their country, and in some ways a novel about the Indian novel’s place in the world. Vast and immersive, the book enfolds a magical realist fable within a social novel within a love story. We loved the way in which no detail, large or small, seems to escape Desai’s attention, every character (in a huge cast) feels fully realised, and the writing moves with consummate fluency between an array of modes: philosophical, comic, earnest, emotional, and uncanny.” —2025 Booker Prize judges’ citation
Read what the judges said about each of the books on this year’s short list, and then click through to our website to find out more and to get your copies. We will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
Flashlight by Susan Choi
Judges’ citation: ”Flashlight is a sprawling novel that weaves stories of national upheavals with those of Louisa, her Korean Japanese father, Serk, and Anne, her American mother. Evolving from the uncertainties surrounding Serk’s disappearance, it is a riveting exploration of identity, hidden truths, race, and national belonging. In this ambitious book that deftly criss-crosses continents and decades, Susan Choi balances historical tensions and intimate dramas with remarkable elegance. We admired the shifts and layers of Flashlight’s narrative, which ultimately reveal a story that is intricate, surprising, and profound.”
The Loneliness of Sonia and Sunny by Kiran Desai
Judges’ citation: ”This novel about Indians in America becomes one about westernised Indians rediscovering their country, and in some ways a novel about the Indian novel’s place in the world. Vast and immersive, the book enfolds a magical realist fable within a social novel within a love story. We loved the way in which no detail, large or small, seems to escape Desai’s attention, every character (in a huge cast) feels fully realised, and the writing moves with consummate fluency between an array of modes: philosophical, comic, earnest, emotional, and uncanny.”
Audition by Katie Kitamura
Judges’ citation: ”This novel begins with an actress meeting a young man in a Manhattan restaurant. A surprising, unsettling conversation unfolds, but far more radical disturbances are to come. Aside from the extraordinarily honed quality of its sentences, the remarkable thing about Audition is the way it persists in the mind after reading, like a knot that feels tantalisingly close to coming free. Denying us the resolution we instinctively crave from stories, Kitamura takes Chekhov’s dictum — that the job of the writer is to ask questions, not answer them – and runs with it, presenting a puzzle, the solution to which is undoubtedly obscure, and might not even exist at all.”
The Rest of Our Lives by Benjamin Markovitz
Judges’ citation: ”When Tom Layward’s wife cheated on him, he stayed for the children but promised to leave when his youngest turned eighteen. Twelve years later, Tom drops his daughter off at college, but instead of driving back to New York he heads west. What follows is a remarkably satisfying road trip full of strangers, friends, and self-discovery. It’s clear author Ben Markovits has spent time teaching. This novel speaks like a much-loved professor, one whose classes have a terribly long waitlist. It’s matter of fact, effortlessly warm, and it uses the smallest parts of human behaviour to uphold bigger themes, like mortality, sickness, and love. The Rest of Our Lives is a novel of sincerity and precision. We found it difficult to put it down.”
The Land in Winter by Andrew Miller
Judges’ citation: ”In the depths of Britain’s coldest winter, two neighbouring women forge a friendship in the countryside. It’s 1962 and they have both just become pregnant. Around them, the men are struggling: maimed by father figures, haunted by the past, hampered by the destructiveness of their own desires. As a winter storm wreaks havoc on their lives, these characters become pivotal figures in a community precariously balanced between history and future: between the damage wrought by the war and the freedom for women that lies ahead. In beautifully atmospheric prose, Andrew Miller brings suspense and mystery to this seemingly inconsequential chapter in British history.”
Flesh by David Szalay
Judges’ citation: ”David Szalay’s fifth novel follows István from his teenage years on a Hungarian housing estate to borstal, and from soldiering in Iraq to his career as personal security for London’s super-rich. In many ways István is stereotypically masculine – physical, impulsive, barely on speaking terms with his own feelings (and for much of the novel barely speaking: he must rank among the more reticent characters in literature). But somehow, using only the sparest of prose, this hypnotically tense and compelling book becomes an astonishingly moving portrait of a man’s life.”
All your choices are good! Choose your next books from our selection of NEW RELEASES. Click through to our website (or just email us) to secure your copies, and we will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
The Threshold and the Ledger by Tom McCarthy $32
Since her death in 1973, Ingeborg Bachmann has come to be regarded as one of the twentieth century's most important writers. Unpacking a single Bachmann poem, novelist Tom McCarthy latches onto two of its central terms — the eponymous threshold and ledger — and takes off on a line of flight: through the work of Franz Kafka, David Lynch, Anne Carson, Sappho and Shakespeare. Can writing be understood as an experience of the threshold, a limit — or boundary — state? A condition of ecstasy or ec-stasis, standing outside of oneself? With identity ruptured and surpassed, how and by whom might such experience be recorded? Appearing on the eve of Bachmann's centenary year, McCarthy's book argues for the centrality of her vision to the very act of literature itself. [Paperback]
”A dizzying invitation to explore the poetry and prose of German author Ingeborg Bachmann. McCarthy’s work is an invigorating and inspiring incantation: Readers will not only marvel at how the author reads but also at his ability to articulate that experience into something both erudite and accessible.” —Kirkus
>>Read an excerpt.
>>Style is also substance.
So in the Spruce Forest by Ali Smith $45
Then the voice from nowhere carried on talking about Munch, like my mother of all people knew about Munch, like she knew I was looking at a picture right now, like she knew about the power crisis and the international unrest and the climate ruination in a world she'd left thirty years ago. Like she knew it all.
In Ali Smith's So in the Spruce Forest, the author's deceased mother returns as a persistent voice, intent on sharing with her daughter insights into Edvard Munch's intense renderings of trees and stones charged with life. Through an imaginative essayistic format, Smith weaves together probing visual analyses, personal stories and reflections on ecology and politics, linking Munch's art to both the present moment and other realities. With 20 colour artworks by Edvard Munch. [Cloth-bound hardback]
>>Look inside.
>>So much more than ‘The Scream’.
Kings of this World by Elizabeth Knox $30
When Vex and her friends are kidnapped and held to ransom it sets off a terrifying chain of twists and turns as they struggle to survive and try to find a way to escape. Vex is used to people being afraid of her power, the ability to persuade others to do what she wants. But when she arrives at a new school, it is packed with people who have the same power, and who might even like her. There is her roommate Ronnie, a coolheaded high achiever; and Ronnie's friend Taye, who is recovering from a brain injury. There is witty, lordly Hannu, whose father happens to be a billionaire. And then there's Ari: troubled, blessed, honourable, terrifying Ari. Vex is enchanted by her new friends when, five weeks into term one, they are kidnapped. They find themselves chained in the basement of an abandoned factory, trying to figure out how to escape, all the while tormented by questions like: Why were they taken? Why do the kidnappers seem to hate Vex, and at the same time want to recruit her? Can Vex and her friends save themselves? And if they do, will they ever feel safe again? What kind of reckoning will they face afterwards? And will Vex once again feel responsible for all the bad things that happened? Knox’s gripping new YA novel is full of ideas, speculations and pivotal experiences. [Paperback]
”Elizabeth Knox's Kings of This World is at once a boarding school story, a crime thriller, and a complex fantasy, all shaped by the star-busting imagination of a singular mind. It's a brilliant return to the Southland of Dreamhunter and Mortal Fire, with both a new era and an expanded world, sure to attract a new generation of fans.” —Rachael King
”The world is lucky to have Elizabeth Knox. Once again she's given us an entirely unique, thrilling, deeply thoughtful book that is alive with P for precision. Kings of this World is a thrilling return to the world of Southland where questions of power are entangled with questions of volition, and questions of seclusion, and questions of fear. Knox's young adult characters are alive, electrifying and as nuanced and complex as their readers are. A punchy addition to the genre of dark academia: sleek, unwavering and unputdownable.” —Claire Mabey
”Any new Elizabeth Knox novel feels like breaking into the house of a great enchanter, only to hear the front door lock behind you, as you realise you have stumbled upon something much deeper and more dangerous than you bargained for. Kings of This World is magic at its deepest. A psychologically forensic campus thriller, which keeps you guessing until the very last page. P for perfection.” —Hera Lindsay Bird
>>Both dangerous and dreamy.
The Deserters by Mathias Énard (translated from French by Charlotte Mandell) $37
A filthy and exhausted soldier emerges from the Mediterranean wilderness — he is escaping from an unspecified war, trying to flee incessant violence and find refuge in solitude. Meanwhile, on September 11, 2001, aboard a small cruise ship, a scientific conference takes place to pay tribute to renowned East German mathematician Paul Heudeber, a committed communist and anti-fascist, and a survivor of the camps at Buchenwald.The tension grows between these two narrative threads, and — pulled together in Mathias Énard's enchanting, brilliant, erudite prose — time itself seems to become tightly interwoven, drawn together by the immense stakes of love and politics, loyalty and belief, hope and survival. [Paperback with French flaps]
”All of Énard's books share the hope of transposing prose into the empyrean of pure sound, where words can never correspond to stable meanings. He's the composer of a discomposing age.” —Joshua Cohen
>>Walking on two legs.
>>The time of return.
Gertrude Stein: An afterlife by Francesca Wade $45
”Think of the Bible and Homer, think of Shakespeare and think of me,” wrote Gertrude Stein in 1936. Admirers called her a genius, sceptics a charlatan: she remains one of the most confounding — and contested — writers of the twentieth century. In this literary detective story, Francesca Wade delves into the creation of the Stein myth. We see her posing for Picasso's portrait; at the centre of Bohemian Parisian life hosting the likes of Matisse and Hemingway; racing through the French countryside with her enigmatic companion Alice B. Toklas; dazzling American crowds on her sell-out tour for her sensational Autobiography — a veritable celebrity. Yet Stein hoped to be remembered not for her personality but for her work. From her deathbed, she charged her partner with securing her place in literary history. How would her legend shift once it was Toklas's turn to tell the stories — especially when uncomfortable aspects of their past emerged from the archive? Using astonishing never-before-seen material, Wade uncovers the origins of Stein's radical writing, and reveals new depths to the storied relationship which made it possible. This is Gertrude Stein as she was when nobody was watching: captivating, complex and human. [Hardback]
"Wade on Stein is a perfect miracle. I feel like I have been waiting for this book my entire life." —Sheila Heti
"Francesca Wade's great coup here is to make us understand that there are as many Steins as readers of Stein; that her non-essential essence resides in the relays between her, Toklas, a gaggle of male modernists, a media that wanted a personality but not the challenge of her prose, and a posterity that's only just beginning to find labels for what she was doing. It's a double-coup: to track these shifts and, in their very transpositions, their reflections and diffractions and inversions, to coax an image sharply into view, clear as the lucid if continually morphing picture inside a kaleidoscope." —Tom McCarthy
>>Devotion to the cut.
>>Charlatan or genius?
>>Not everyone got the joke.
That’s All I Know by Elisa Levi (translated from Spanish by Christina MacSweeney) $28
Nineteen-year-old Lea is from a village that is out of time, out of jobs and out of hope. She and her friends, however, are vivid and electric with life. They yearn, they dance, they fuck, they fight. And around them, a world that isn't quite our own vibrates with strangeness and threat. Now Lea is here, sitting on a bench, telling a silent stranger her life story. Because yesterday, change was finally unavoidable. A novel of rural entrapment and coming of age, Elisa Levi's That's All I Know bears the traces of Beckett and Lorca, rings with the echo of folktales and has a fierce, unapologetic vitality at its heart. Startlingly odd and deeply moving, it is the work of a profound and singular talent. [Paperback with French flaps]
”Funny and strange, quirky and heartbreaking, voice-driven and philosophical, magical and very real. As Little Lea tells her tale of family, home, and the end of the world, she casts a quiet spell over me.” —Rebekah Bergman
”A brilliant feat of authorial control; Elisa Levi has created a devastating delight.” —Maya Binyam
”A book about the inability to leave the place where you were born. It reminded me of Miguel Delibes's The Way and Carson McCullers's The Member of the Wedding. it is very beautiful.” —Miqui Otero
The Possession by Annie Ernaux (translated from French by Anna Moschovakis) $25
”The strangest thing about jealousy is that it can populate an entire city — the whole world — with a person you may never have met.” These first words set the framework for The Possession, a striking portrait of a woman after a love affair has ended. Annie Ernaux pulls the reader through every step of jealousy, of her need to know who has replaced her in a lost beloved's life. Ernaux's writing, characteristically gorgeous in its precision, depicts the all too familiar human tendency to seek control and certainty after rejection. [Paperback with French flaps]
”Ernaux writes not in the heat of desire but in retrospect. The translation by Anna Moschovakis is chicly austere. Like concrete poetry, small paragraphs sit adrift on the page; the text is as unmoored as our protagonist. While she dances on the edge of insanity, she revels in the pain of feeling alive. Being numb is worse than being in agony.” —Genevieve Gaunt, The Spectator
”The most intimate human experiences — grief, greed, fear, sickness and lust, along with other kinds of private ‘primordial savagery’ — are laid bare throughout the prolific French author's works, sometimes in shudderingly explicit detail, and The Possession is no exception. Far from seeming dated, this tiny tome is even more pertinent in our digital age, capturing the exact feeling brought on by a social media algorithm producing the precise thing you want to ignore.” —Ceci Browning, The Times
”Raw and resonant, Annie Ernaux's newly translated novella The Possession offers up a stream of fixations and divulgences that the narrator treats with utmost openness. Ernaux creates a voyeuristic world that briefly but totally immerses readers and shares a piece of herself through the primary emotion that drives this book: jealousy. Through a stream of confessions and recollections, Ernaux weaves experiences of obsession, addiction and insecurity into the human fabric of being.” —Maria Farsoon, The Skinny
>>Other remarkable books by Ernaux.
Mad World: The politics of mental health by Micha Frazer-Carroll $31
Mental health affects us all, and yet it remains elusive as a concept. Does getting a diagnosis help or hinder? How is mental wellbeing, which is often incredibly personal, driven by widespread societal suffering? Can it be a social construct and real at the same time? These are some of the big questions Micha Frazer-Carroll asks as she reveals mental health to be a political issue that needs deeper understanding beyond today's 'awareness raising' campaigns. Exploring the history of asylums and psychiatry; the relationship between disability and broader liberation movements; alternative models of care; the relationship between art and mental health; law and the decarceration of mental health, Mad World is a radical and hopeful antidote to pathologisation, gatekeeping and the policing of imagination. [Paperback]
”Wow! An honest, urgent and lovingly researched invitation to rethink our assumptions about madness. Mad World is an invaluable toolkit, not just for dismantling oppressive health structures, but for building the systems of care we desperately need. This book is a gift and that gift is hope.” — Aisha Mirza
”An urgent introduction to a new radical politics of mental health which embraces the messy, unruly nature of our collective vulnerability and interdependence. Frazer-Carroll exposes the underlying truth that capitalism is fundamentally incompatible with our wellbeing. Mad World teaches us how to transform the ways we understand madness, illness, and disability to build a better world.” —Beatrice Adler-Bolton
>>Read an excerpt.
>>A lot of baggage.
The Intersectional Environmentalist: How to dismantle systems of oppression to protect people + planet by Leah Thomas $28
We cannot save the planet without uplifting the voices of its people — especially those most often unheard. Leah Thomas coined the term 'intersectional environmentalism' to describe the inextricable link between climate change, activism, racism and privilege. The fight for the planet should go hand in hand with the fight for civil rights. In fact, one cannot exist without the other. This book is a call to action, a guide to instigating change for all and a pledge to work toward the empowerment of all people and the betterment of the planet — an indispensable primer for activists looking to create meaningful, inclusive and sustainable change. Driven by Leah Thomas's expert voice and complemented by the words of young activists from around the globe, it is essential reading on the issue — and the movement — that will define a generation.
[New paperback edition]
Mohua Gold: The history of the Golden Bay goldfields, 1864—1880 by Mike Johnston $100
Mohua Gold is the second of the planned three volumes providing a comprehensive account of the history of the western Nelson goldfields. This volume documents the small-scale diggings in both the Aorere and Takaka valleys. It also covers the advent of reef mining, a largely speculative boom with several promising leads but ultimately mostly proved to yield disappointing returns. The on-going exploration of the rugged hinterland is well outlined, with much of this being the search for a new goldfield. The better fortunes of gold seekers in the Maori-owned Te Tai Tapu, particularly at the Golden Ridge Mine, are documented. This enterprise was developed by the miners themselves rather than by companies based in Nelson or further afield. Other chapters detail the efforts to find a payable coalfield in the western bay, which culminated in the formation of the Parapara Iron and Coal Company and their ambitious plans to create a major industrial complex. This work is the product of over 25 years research and writing, and is generously illustrated with both old black and white and contemporary colour photographs, along with colour paintings, drawings and a wide range of maps. [Paperback with French flaps]
The Kerfuffle by Clotilde Perrin $33
A picture book in which flaps and die-cuts tell a story about getting on together. Kitty and Pup were happy living next door until a misunderstanding caused a real kerfuffle! Now they can't stand each other any longer so start to build a wall between their gardens. The wall goes up and up and up. One day a funny rabbit pops its head over. But whose garden will this new friend play in? Here’s another cause for chaos between neighbors! Finally a better idea for how to use the bricks finds three happy friends sharing the garden after all — until some pigs move in next door… [Hardback]
>>Look inside!
>>Other fun books by Clotilde Perrin.
A selection of books from our shelves.
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26 September 2025
Meet Tara Selter. Antiquarian book dealer. Married to Thomas, who is also her business partner. Lives in a small town not far from Lille. Life is good. On a buying trip to Paris, the day of the 18th of November has gone pretty much to plan, with the only mishap a burn on her hand from a top of a heater. She rings Thomas in the evening, heads to bed — ice cubes against her hand — and wakes in the morning …..of the 18th of November. We meet Tara on #121 of the 18th of November. She is describing listening to Thomas in the house as he goes about his daily routine (extremely routine for her, as she has been listening to this same sequence of events for over 100 days!). Tara has decamped to the guest room — hiding from Thomas, tired of explaining to him again why she is home, unwilling to disturb his peace of mind even though he believes her — when she explains each day that time is repeating. Hiding in her own house, coming out to wash, to grab some food and get clean clothes, or even sit in the house when Thomas is out — she knows exactly when he leaves the house and the time he will return — she turns over the reasons why, the what of time, the sense that if she can only find a chink or a door (not that she believes in portals), she could find a way out of this strange situation. The day for everyone else never changes, for it has not been yet. For Tara she is caught in limbo, in some liminal space. She observes everything, intensely looking at objects, people, the night sky — looking for any changes and trying to decipher whether there is an exact time of repetition. When she was still telling Thomas they would sit together with paper, books and diagrams nutting out theories and debating philosophical explanations. (All of which would, of course, be forgotten by Thomas the next same day.) There is a wonder and a dread in her puzzling. She writes to record, to write herself into existence. “Because I am trying to remember. Because the paper remembers. And there may be healing in sentences.” As time goes by for Tara, there are inconsistencies — her hair grows, what she eats does not return to the cupboard or to the supermarket, some things stay with her, others return to their day. Why some objects stay close is a mystery. It’s fascinating to observe Tara in all her many reactions to her predicament. There is shock, then paralysis, philosophical delvings, experiments (some aimed at tricking time), rationalising, despair — the days are fog, abandonment and carefree enjoyment of being outside of time’s restraints, but mostly a desire to harness this strange beast. She contemplates herself as a monster, then maybe a ghost. She sees Thomas as a ghost, finally unreachable. Despite the times when they are intensely together, she senses the chasm that has opened between them. As the year turns, she returns to Paris to seek a resolution. We stand at the edge, waiting for Volume 2. Balle’s writing is brilliant; hypnotic. The pacing in the book changes to fit Tara’s mood, the revelations build through each sentence, through the episodic pieces, which often repeat and loop enhancing this sense of time being elusive. And like Tara, you are thinking what is this existence? Who am I in my everyday life? If I started to observe, like this woman, what would I see, sense? Is time real or a fabrication? Are we really all going along together in sync or are we each in our own world or one of the many possibilities? As you read On the Calculation of Volume: 1 questions bubble away, ideas surface and you will find yourself trying to look around edges attempting to fathom the question of individual existence and the relationships we have to each other and in the wider world.
“Art is always an overreaction,” writes Yoko Tawada in her lithe and compact novel Paul Celan and the Trans-Tibetan Angel ); this statement being in itself an overstatement, as all statements are overstatements. Did we not learn at school, he pondered, that every overreaction provokes an equal and opposite overreaction, that the impact of each overstatement causes another overstatement to leap out at the end of the line, and so forth back and forth until the Newton’s cradle of the mind is finally still if it ever can be still. Does any movement towards certainty destroy the very certainty towards which it moves? Is that for which we reach inevitably destroyed by the reaching? This is no way to start a review, he thought; in his search for clarity he has produced a wash of vague sensations barely distinguishable from life itself, so to call it, a fractality of precisions more complicated than disorder; what is literature for, after all, if not to make life more wieldable, or our thinking about it more wieldable at least? No such luck. If the words for things can be used as substitutes for things, they are subject to linguistic forces and relations to which the things themselves are not subject. There’s an illness in all of this, a linguistic illness, or an illness of consciousness, that blurs, ultimately, or penultimately, or by something preceding the penultimate by one or several or many steps, the distinctions between words and their objects and between words and other words, a blurring that allows for or entails the febrile reconfiguration of language into new forms, he was going to write new and less useful forms, but the utility of language is no measure of its other functions (its other pathologies, he almost wrote). The narrator of Tawada’s novel refers to himself as ‘the patient’ and refers to himself in the third person (“third person is a form of salvation” (as we know)) and gives an account of the stayings-in and goings-out that are constrained by the vagaries of his illness and the vagaries of the illness of the world at large, if these are not one and the same: “The patient leaves the house as seldom as possible, and every time he is forced to go out, he first checks to see if the coast is clear. The coast is seldom clear, hardly ever.” If he ever does go out. He meets and befriends one Leo-Eric Fu, who shares with Patrik (Patrik is the name attached by others to the one who calls himself the patient; the patient's name as he approaches the collective world (plausibly a kind of healing (“A person who can continue to distance himself from home, one step farther each day, is no longer a patient.”))) a love and knowledge of the work of Paul Celan, a poet who made from German, a language broken by the trauma of hosting the Holocaust, a new language of beauty and possibility made entirely of the marked, traumatised and broken pieces of that language, and with whose work this novel is a form of conversation (please note that it is not necessary to the appreciation of the novel to be familiar with the other pole of that conversation, though the novel may lead a reader towards that pole). For the patient it is, we assume from the deliberately inconclusive evidence, the trauma of the Covid 19 pandemic that has broken language, either because of the collective circumstances in which he finds himself or also because he himself is actually in addition to metaphorically ill. I am not unfamiliar, he thought, as he attempted to continue with what was intended as a review but was suffering from an illness which made it both not really a review and very hard to sustain, with the linguistic deliria induced by fever, with the disintegrative and recombinatory compulsions that reveal something about language and are in fact structurally inherent in language but usually suppressed for reasons of utility or ‘health’. Any illness will remake language, given the chance to spread. In the delirium of the novel, the patient’s illness (“an autoimmune disorder of the mind”) attacks the distinctions between the binaries it posits: isolation/connection, illness/health, internal/external, uncertainty/comprehension, experience/identity; and attacks all borders generally: those between persons individually and those set between groups and nations. There are no contradictions. “People say I'm sick because I can simultaneously leave the house and stay home.” The forms of thought that gave rise to the illness, whatever it is, are broken and remade: “I prefer a not-yet-knowing or a no-longer-knowing to actual knowledge. These are the fields in which I'll find my role.” It is possible, even probable, he thought, that the entire book takes place within the patient’s head, if such a place exists (“What if Leo-Eric isn't really sitting here and this is all just taking place in my imagination?”), although, towards the end, the Patrik-impulse begins to gain a little ground from the patient-impulse, and the possibility that the idea of Patrik and also the ideas of Patrik could exist in the minds of others begins at last to emerge. Language, ravaged by trauma and isolation, begins to adopt new forms. Is this healing? Illness, we begin to see, is entangled in time: “The present is a constant deferment.”
Arundhati Roy's first work of memoir is a soaring account, both intimate and inspirational, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to Mary Roy, the extraordinary, singular mother she describes as "my shelter and my storm”. "Heart-smashed" by her mother's death in 2022 yet puzzled and "more than a little ashamed" by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age eighteen, "not because I didn't love her, but in order to be able to continue to love her”. And so begins this astonishing, sometimes disturbing, and surprisingly funny memoir of the author's journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prizewinning novels and political essays, through today.
All your choices are good! Choose your next books from our selection of NEW RELEASES. Click through to our website (or just email us) to secure your copies, and we will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
Hiding Places by Lynley Edmeades $35
Hiding Places is a compelling and beautifully written meditation on early motherhood and creativity. Told through a series of fragments that range from raw and troubled to delightful and hilarious, this remarkable book responds to the unexpected shocks and discoveries of becoming a mother, drawing on excerpts from family letters and secretive medical records, and advice contained in Truby King’s 1913 tract, Feeding and Care of Baby. Partly a slowly unfurling unsent love letter to an admired writer, partly a “book of essays that is a notebook about trying to write a book of essays”, and partly an attempt to simply hang on through tumultuous times, Hiding Places deftly blends personal reflection with family history, social critique and literary analysis. The result is a fresh, funny and deeply moving look at what it means to care and to create – at what gets lost or hidden in the process, and what is found or revealed. “It’s not what she says,” writes Edmeades, “but how she says it that reveals what hides beneath.” Resonant with, yet distinct from, the works of writers like Maggie Nelson, Kate Zambreno, Olga Ravn and Chris Kraus, Hiding Places is an inspiring read for anyone interested in the dangerous yet fruitful zones where life and art overlap. [Paperback]
No Straight Road Takes You There: Essays for uneven terrain by Rebecca Solnit $40
This book's title is an evocation and a declaration. Highways tend to be built across the easy routes and flat places, or the landscape is cleared away — logged, graded, levelled, tunnelled through — but to stick to these roads is to miss what else is out there. In her writing and activism, Rebecca Solnit has sought the pathless places in order to celebrate indirect and unpredictable consequences, and to embrace slowness and imperfection, which, she argues, are key to understanding the possibilities of change. In her latest essay collection, she explores responses to the climate crisis, as well as reflections on women's rights, the fight for democracy, the trends in masculinity, and the rise of the far right in the West. Incantatory and poetic, positive and engaging, these essays argue for the long-term view and the power of collective action, making a case for seeding change wherever possible. [Hardback]
”A book of fierce and poetic thinking — and a guide for navigating a rapidly changing, non-linear, living world.” —Merlin Sheldrake
”With her deep sense of the movement of history, her agile intellect, hope in the possibilities of action and nimble prose, Solnit continues to surprise and delight. This new collection of essays is a tonic in dark times.” —Lisa Appignanesi
>>Flair and capacity.
>>Indirect consequences.
>>Other books by Rebecca Solnit.
The City Changes Its Face by Eimear McBride $38
”So, all would be grand then, as far as the eye could see. Which it was, for a while. Up until the city, remembering its knives and forks, invited itself in to dine.” It's 1995. Outside their grimy window, the city rushes by. But in the flat there is only Stephen and Eily. Their bodies, the tangled sheets. Unpacked boxes stacked in the kitchen and the total obsession of new love. Eighteen months later, the flat feels different. Love is merging with reality. Stephen's teenage daughter has re-appeared, while Eily has made a choice, the consequences of which she cannot outrun. Now they face a reckoning for all that's been left unspoken - emotions, secrets and ambitions. Tonight, if they are to find one another again, what must be said aloud? Love rallies against life. Time tells truths. The city changes its face. [Paperback]
"An immersive battle between the faultlines dividing us and the bonds which unite us. McBride is a cartographer of the secret self, guiding us towards hidden treasure." —Claire Kilroy
"The natural heir to Joyce and Beckett: she is one of the finest writers at work today." —Anne Enright
"Supple, unexpected, funny, libidinous. A work of fierce intimacy, fearless in its descriptions of the inner lives of its characters, racked as they are by desire and hurt." —Naomi Booth
"McBride is a writer with the courage to reinvent the sentence as she pleases, and the virtuosity required to pull it off." —Literary Review
"[This is] McBride at the pinnacle of her craft. McBride is at her most virtuosic in this novel when excavating forbidden emotional depths too dark to be confronted outside the pages of fiction. With its vividly realised characters, lurid plot and lyrically compacted prose, The City Changes Its Face is a typical McBride work. Praise doesn't come much higher." —Financial Times
"It's a rare feat to encounter a writer whose work feels both entirely original and timeless, but Eimear McBride is just that." —AnOther
>>Space. thought, and sanity.
>>Each book has its own requirements.
>>Radical empathy.
>>Other books by Eimear McBride.
Misinterpretation by Ledia Xhoga $28
In New York City, an Albanian interpreter cannot help but become entangled in her clients' struggles, despite her husband's cautions. When she reluctantly agrees to work with Alfred, a Kosovar torture survivor, during his therapy sessions, his nightmares stir up her own buried memories; while an impulsive attempt to help a Kurdish poet leads to a risky encounter and a reckless plan. As ill-fated decisions stack up, jeopardising the nameless narrator's marriage and mental health, she takes a spontaneous trip to reunite with her mother in Albania, where her life in the United States is put into stark relief. When she returns to face the consequences of her actions, she must question what is real and what is not. Ruminative and propulsive, Misinterpretation interrogates the darker legacies of family and country, and the boundary between compassion and self-preservation. [Paperback with French flaps]
”Absolutely gorgeous. Taut as a thriller, lovely as a watercolour.” —Jennifer Croft
”Deft and insightful. Exceptional.” —Idra Novey
”Xhoga interprets our brave, new multicultural world with a sly, benign wit. Read her novel. You'll be glad you did.” —Tom Grimes
”A heart-stopping, emotional thriller. Violence hovers in the book's borders. I loved it.” —Rita Bullwinkel
”Compelling, startling, original.” —Priscilla Morris
>>There is nothing you can see that is not a flower.
>>Read an extract.
>>Other books long-listed for the 2025 Booker Prize.
Homeland: The War on Terror in American life by Richard Beck $69
To see America through the lens of this important book is to understand the United States like never before. For years after 9/11, the war on terror was simultaneously everywhere and nowhere. Americans found themselves living in two worlds at the same time, with all of the military violence occurring overseas even as the threat of sudden mass death permeated life at home. Richard Beck grippingly explores how life took on all kinds of unfamiliar shapes, changing people s sense of themselves, their neighbours and the strangers they sat next to on planes. He describes the NFL games fortified like military bases in enemy territory. The surging sales of guns, SUVs and pickup trucks. The racism and xenophobia, erosion of free speech and normalisation of mass surveillance. A war launched to avenge an attack committed by two dozen people quickly came to span much of the globe. Beck searchingly asks why those Americans who excused or endorsed the worst abuses of the war on terror also had the easiest time under standing themselves as patriots. It is a drastic oversimplification to say that the war on terror betrayed US values. In many respects, it embodied them. This is a fascinating and defining account of the meaning of twenty-first-century America. [Hardback]
”Homeland is an expansive tome about how Americans became the anxious, hateful and paranoid citizens of a permanent security state. It is impossible not to admire the nerve and scope pf Beck’s treatise.” —Washington Post
”Describes, with a beguiling mix of intellectual precision and passion, and from a novel perspective, the sinister mutations in American life induced by the war on terror. Everyone interested in the fate of democracy, or simple how violence abroad comes home, should read it.” —Pankaj Mishra
>>The righteous community.
Love Forms by Claire Adams $38
Trinidad, 1980: Dawn Bishop, aged 16, leaves her home and journeys across the sea to Venezuela. There, she gives birth to a baby girl, and leaves her with nuns to be given up for adoption. Dawn tries to carry on with her life - a move to England, a marriage, a career, two sons, a divorce - but through it all, she still thinks of the child she had in Venezuela, and of what might have been. Then, forty years later, a woman from an internet forum gets in touch. She says that she might be Dawn's long-lost daughter, stirring up a complicated mix of feelings: could this be the person to give form to all the love and care a mother has left to offer? [Paperback]
”The story, heartbreaking in its own right, comes second to its narration. Dawn’s voice haunts us still, with its beautiful and quiet urgency. Love Forms is a rare and low-pitched achievement. It reads like a hushed conversation overheard in the next room.” —Booker Prize judges’ citation
”Reads like a Claire Keegan short story expanded by Elizabeth Strout.” —The Times
”From very first page, I knew I was in the hands of a master storyteller. An utterly arresting tale of love and grief, of the wounding and healing powers of family, of the many guises of a mother's love. It's an absolute triumph.” —Sara Collins
”Exquisitely written. A compelling and tender story of what-and who-is hidden in almost every family that feels as old as the hills and yet acutely contemporary.” —Monique Roffey
”An arresting voice that made me think of silk: its delicate beauty belies its intrinsic strength.” —Claire Kilroy
>>Missing pieces.
>>A deeply mysterious bond.
>>Read an extract.
>>Other books long-listed for the 2025 Booker Prize.
I Gave You Eyes and You Looked toward Darkness by Irene Solà (translated from Catalan by Mara Faye Lethem)
Nestled among rugged mountains, in a remote part of Catalonia frequented by wolf hunters, bandits, deserters, ghosts, beasts and demons, sits the old farmhouse called Mas Clavell. Inside, an impossibly old woman lies on her deathbed while family and caretakers drift in and out. All the women who have ever lived and died in that house are waiting for her to join them. They are preparing to throw her a party. As day turns to night, four hundred years' worth of memories unspool, and the house reverberates with the women's stories. Stories of mysterious visions, of those born without eyelashes and tongues or with deformed hearts. But it begins with the story of the matriarch Joana who double-crosses the devil, heedless of what the consequences might be. I Gave You Eyes and You Looked Toward Darkness is a formally daring and entrancing novel in which Irene Sol explores the duality and essential link between light and darkness, life and death, oblivion and memory. [Hardback]
”A heady, exhilarating, compact tale that seems as old as the Catalan mountains and as fresh as a newly plucked chicken. Solà beautifully aligns past and present. Exuding a kind of alt-magical realism, the novel refuses to distinguish between bewitcher and bewitched: this is its triumph.” —Financial Times
”The prose has the demonic excess of a Hieronymus Bosch painting. Solà's serious attention to the nonhuman makes most contemporary realist literary fiction feel narrow and timid, wilfully deaf to the other forms of life with which all human drama is interdependent.” —Guardian
”Forged from the deepest and truest stories about the perversity of the body, the sheer drama of the natural world, and the vengeful side of the divine. A fecund and daring book.” —Catherine Lacey
”Irene Sola is unlike any other writer — she storms her own path, setting fire to all our preconceived notions of what a novel can do while she goes. I adored this book.” —Daisy Johnson
”Solà's imagery is beyond arresting — it burns itself into your retina as you read.” —The Skinny
>>Memory and oblivion.
>>Rural damnation.
>>”The tide carries my books from my head.”
Good Things: Recipes to share with people you love by Samin Nosrat $70
The much-anticipated new book from the author of the transformative Salt, Fat, Acid, Heat.
”Once I hand them off to you, these recipes are no longer mine. They're yours, to do with as you please. And maybe, in the act of receiving, a little thread of connection will be woven between me and each of you.”
How can a recipe express the joy of sharing a meal in person? This is the feeling that Samin Nosrat sets out to capture in Good Things, offering more than 125 recipes for the things she most loves to cook. You'll find go-to recipes for ricotta custard pancakes, chicken braised with apricots and harissa, a crunchy Calabrian chili crisp, super-chewy sky-high focaccia and a decades-in-the-making, childhood-evoking yellow cake. Nosrat also shares tips and techniques, from how to buy olive oil (check the harvest date) to when to splurge on the best ingredients (salad dressing) to the one acceptable substitute for Parmigiano Reggiano (Grana Padano, if you must). Good Things captures, with Samin's trademark blend of warmth and precision, the essence of what makes cooking such an important source of comfort and delight, and invites you to join her at the table. [Hardback]
>>Look inside!
A Wilder Way: How gardens grow us by Poppy Okotcha $45
A Wilder Way is a memoir of a relationship with an ever-changing garden, of setting down roots and becoming embedded in nature, and of how tending to a patch of land will not only grow us as individuals, but can also help to grow a better world. Join Poppy Okotcha in her wild little garden in Devon, where, over the course of a year, she shares the inspiring, the mundane and the magical moments that arise from tending a garden through the seasons, and what they can teach us about living more sustainably. Alongside tips for sowing and growing, wild ingredients to be found and delicious seasonal recipes to make, she shows us how the small joys of engaging with the natural world are imperative for our physical and emotional wellbeing. How the more we look at the world around us, the more we learn and the more we care. Woven throughout are folktales from her English and Nigerian heritage stories with nature at their heart that have inspired her, and will inspire us to live a little more wildly. [Hardback]
”Poppy's fresh-eyed look at her own little corner of the county gave me a renewed sense of wonder and delight at the joys and challenges of loving and (on good days) living off a small patch of land. Plus some truly brilliant ideas for getting the most from it. She had me at worm tea.” —Hugh Fearnley-Whittingstall
>>”Plants taught me about myself.”
>>Loving winter.
Is It Asleep? by Olivier Tallec $30
Squirrel and his best friend, Pock the mushroom, sit on the old stump, watching birds fly by. When they’re tired of this, they take the path to the yellow meadow to listen to the blackbird sing. But today, the bird’s not there. The friends look everywhere. Finally they find it on the path, all stretched out and quite still. It must be sleeping. They sit down quietly and wait for the bird to wake. This true-to-child story of a natural encounter with an animal that has died is both dryly humorous and a profound example of how to manage the comings and goings of life. The book ends with birdsong. [Hardback]
>>Look inside!
My Bohemian Kitchen: A nostalgic guide to modern Czech cooking by Evie Harbury $45
My Bohemian Kitchen is a charming collection of Czech recipes with roots in nostalgia and a surprisingly modern take on seasonality and sustainability in the kitchen. Welcome to the food of Evie Harbury, whose Bohemian kitchen bridges the Czech Republic of her heritage and her home in East London. The book brings to life her long summers spent at her granny's mill in South Bohemia with her personal stories about Czech food and culture. As Evie's childhood memories simmered alongside more recent days spent with friends and family in Bohemian kitchens, Evie realised how much of the Bohemian spirit lives through hospitality and knew she had to write about the cultural ties between this unique country and its relationship with food. Alongside the snapshots of this food are her deliciously simple recipes that capture the influences of the Czech Republic's neighbouring countries. Even if you know nothing of this region, there's so much to discover and enjoy. The quaint and quirky chapters include: A Bit(e) of History Granny (Babička) Beer Snacks such as Marinated Cheese (Nakládaný Hermelín) Soups such as Chanterelle and Dill (Kulajda) The Main Event such as Beef Goulash (Hovězí guláš) Meatless Mains such as Lucky Lentils (Čočka na kyselo) Something Sweet such as Strawberry Dumplings (Jahodové knedlíky) Bohemian Baking such as Honey Cake (Medovník). [Hardback]
>>Look inside.
Books may burn but no book is to be burnt.
A selection from our shelves. Click through to find out more: