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29 August 2025
Thought takes place wherever it finds purchase, which, if you think about it, is pretty much everywhere. When we stand in the centre of our personal worlds we stand also in the centre of our thoughts, which stretch to the edges of our awareness and contain others who seem to us also to think. What are the thoughts like of these others? How do the thoughts of animals, for instance, differ from or suggest themselves to be similar to our own thoughts, and what could this difference or similarity tell us not only about what thought could be but also about what makes a person, and who or what else, apart from us, might be persons? Anna Jackson’s very enjoyable and thought-provoking book blends domestic circumstance, scientific factoids, hens, and philosophical conundra into a kind of thought generator, spilling thought, both Jackson’s and the reader’s own, in a way that makes it pleasurably impossible to tell which is which. Terrier, Worrier demonstrates the benefits of including the associative method of poetry alongside the Socratic method and the scientific method as useful modes of seeking knowledge of our world. {T}
Lucy’s weekend reading.
When your cat looks at you like you’ve done her a disservice by not sharing your Friday night snacks, despite the fact they are not cat treats, you realise that the cat has tipped into personhood. No longer just a cat, but a person leveling a malevolent stare at you and eyeing up your glass of ginger beer. (Lucy doesn’t like ginger beer, but has been known to sneak a sip at a cup of tea.) (1)
In Anna Jackson’s wonderful prose poem her hens feature throughout: their hen-ness evident on the page, and their personhood developing as the relationship between bird and human develops. But this is not an ode to hens, rather there are questions about what we think about when we think about (2) hens or contemplate our relation with domestic pets or our wider connection with nature. Don’t be misled for this is not nature writing, but then again it could be. (3) This is not a domestic poem, but it also is: — Jackson’s home and the familial feature on the page throughout the five seasonal sections. There is an autobiographical thread: Jackson’s thinking, her thoughts, the central cadence.(4). Yet this is not inward gazing, not a personal diary, rather a nod to diarists and keepers of memories. (5). And yet saying this I recall the poems about social anxiety, about uncertainty, about knowing. So I find myself saying it is a diary of sorts after all. Time plays its role. The collection is arranged by its five parts — five seasons — we travel from one summer to another. The ebb and flow not only being about time, but about the way thoughts arise and dissipate; how words work on the page, how poetry comes into being. Jackson’s reading (6) of other poets, essays, novels, non-fiction, philosophy mingle with her thoughts: — knowledge like residue landing in interesting places. Some profound, others extremely funny.(7). Terrier, Worrier: A poem in five parts is a deeply enjoyable and intelligent collection of thought-work and poetic good measure. It is as much about the idea of thoughts, of thinking, as it is about the thoughts themselves. Brilliant!
Notes:
1. Anna Jackson wrote these poems with a cat sitting on her lap.
2. This makes me think about What We Think about When We Think about Football (philosopher Simon Critchley) and What I Talk About When I Talk About Running (Murakami), and then I wonder about this turn of phase, and did it originate with Raymond Carver’s What We Talk About When We Talk About Love?
3. I discovered something about sparrows I did not know (and which will forever change my perception of them — in a good way!)
4. There is music. The whales that sing. The repeating lines “I thought”, “I wondered”, “I dreamed”, “I read” (but mostly “I thought”) tap out a steady and compelling beat.
5. Do read the Notes. They are fascinating.
6. Jan Morris, Olivia Laing, Ludwig Wittgenstein, social media, Carlo Rovelli, Virginia Woolf, Oliver Sacks, and more…
7. Pedal car.
Save 20% on any (or all!) of these twelve recent Aotearoa titles by wāhine we rate!
Just enter the code MINI when checking out. No limits to numbers.
This offer ends on Friday 5 September, so be quick!
All your choices are good! Take your pick from our selection of books straight out of the carton, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
Juvenilia by Hera Lindsay Bird $45
Juvenilia wrangles the flamboyant, provocative pique of youth into a poetry collection highly focused and desperately alive. This first US collection of Lindsay Hera Bird’s poems contains 32 pieces, including material from Hera Lindsay Bird and Pamper Me to Hell and Back. [Paperback]
"If you have forgotten what a poem is, you should read Hera Lindsay Bird's poems. if you haven't forgotten what a poem is, you should forget immediately and then read Hera Lindsay Bird's poems." —Kimmy Walters
"Without doubt the most arresting and original new young poet, on the page and in performance." —Carol Ann Duffy
Hardship and Hope: Stories of resistance in the fight against poverty in Aotearoa by Rebecca Macfie $20
”The people in this book face the uncertainty and the risks, and choose to wield fierce hope over passivity and cynicism to help shape a better future.” In papakāinga, schools, marae and communities from Te Hauke to Porirua, Papakura to Aranui, award-winning journalist Rebecca Macfi e discovers powerful local responses to poverty. Expanding on her New Zealand Listener series, Macfie reveals the everyday struggles whānau face across the country and lays bare the systems that perpetuate poverty. Hardship and Hope grounds the national poverty crisis in the lived realities of the people and organisations leading local initiatives to confront injustice and build a fairer future. [Paperback]
>>”What do I know of hardship?”
>>From the ground up.
>>Why journalism still matters.
>>Other books in this excellent series.
Pakukore: Poverty, by design edited by Rebecca Macfie, Graeme Whimp, and Brigitte Bönisch-Brednich $20
Poverty is not the result of individual failure or misfortune. It is a product of the design of our economic and institutional systems. Pakukore brings together leading thinkers and practitioners to expose the systemic nature of poverty in Aotearoa and explore pathways for change. From education, health and housing to government finance, welfare and justice, this book shows how inequality is embedded in the structures of our society. It offers analysis from economists, public health experts, legal scholars, community leaders and those working at the front lines of social need. Contributors include: Sue Bradford, Huhana Hickey, Callum Katene, Lisa Marriott, Tracey McIntosh, Hana O’Regan, Sarah-Jane Paine, Craig Renney, Bill Rosenberg, Max Rashbrooke, Jin Russell, Miriana Stephens, Nikki Turner. [Paperback]
Exophony: Voyages outside the mother tongue by Yoko Tawada (translated by Lisa Hofmann-Kuroda) $35
”I am trying to learn, with my tongue, sounds that are unfamiliar to me. A foreign-sounding word learned out of curiosity is not ‘imitation’ per se. All of these things I learn leave traces that slowly grow to coexist with my accent. And that balancing act goes on changing indefinitely.”
How perfect that Yoko Tawada's first essay in English dives deep into her lifelong fascination with the possibilities opened up by cross-hybridising languages. Tawada famously writes in both Japanese and German, but her interest in language reaches beyond any mere dichotomy. The term ‘exophonic’, which she first heard in Senegal, has a special allure for the author: "I was already familiar with similar terms, 'immigrant literature’, or 'creole literature’, but 'exophonic' had a much broader meaning, referring to the general experience of existing outside of one's mother tongue." Tawada revels in explorations of cross-cultural and intra-language possibilities (and along the way deals several nice sharp raps to the primacy of English). The accent here, as in her fiction, is the art of drawing closer to the world through defamiliarisation. Never entertaining a received thought, Tawada seeks the still-to-be-discovered truths, as well as what might possibly be invented entirely whole cloth. Exophony opens a new vista into Yoko Tawada's world, and delivers more of her signature erudite wit — at once cross-grained and generous, laser-focused and multidimensional, slyly ironic and warmly companionable. [Paperback]
”The beauty of Tawada's work is that she treats the uncertain footing of the second language learner-and of the native speaker looking back on their first language with new eyes-not as a source of anxiety, but as a source of boundless creative potential.” —Reed McConnell, The Baffler
”For audiences familiar with Tawada's recent novels, Exophony is an ideal complement, illuminating, exploring, and experiencing 'the space between languages — the poetic ravine between them’.” —Terry Hong, Booklist
>>Beyond merely existing.
>>Books by Yoko Tawada.
Pastoral Care by John Prins $35
Nine clear-eyed, witty and beautifully written stories centred on daily life in twenty-first-century Aotearoa New Zealand. On the shores of Lake Pukaki; in kitchens, bedrooms and Lego-strewn living rooms; at school events; walking the dog, pushing a buggy, or stuck in traffic with a child kicking the back of the driver’s seat — Prins blends wry humour and emotional depth to illuminate the dark gulf between youthful dreams and the reality of adult obligations. John Prins reinvigorates the tradition of social realism in New Zealand short fiction, investing character, scene and dialogue with a distinctive, engaging voice.[Paperback]
The Whale Rider by Witi Ihimaera $42
Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Māori tribe in Whangara, on the east coast of New Zealand — a tribe that claims descent from the legendary ‘whale rider’. In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir — there's only Kahu. She should be the next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle, she has a unique ally: the whale rider himself, from whom she has inherited the ability to communicate with whales. Once that sacred gift is revealed, Kahu may be able to reestablish her people's ancestral connections, earn her great-grandfather's attention, and lead her tribe to a bold new future. An attractive new edition, with an introduction by Shilo Kino and cover art by Huriana Kopeke-Te Aho. [Paperback with French flaps]
I Found Myself… The last dreams by Naguib Mafouz (translated from Alaric by Hisham Matar), with photographs by Diana Matar $45
”I found myself in our old house in El Abbassiya, visiting my mother. She received me with perplexing indifference and then left the room. I assumed she'd gone to make coffee, but she never returned.” [Dream 216]
In his final years, the Egyptian Nobel Laureate Naguib Mahfouz drew on his dreams, combining the mystery of what we experience in the night with the deep wells of his narrative art. These last dreams, stunning poetic vignettes — now brought beautifully into English for the first time by the novelist Hisham Matar — appear here with dreamlike photographs by the famous American photographer Diana Matar, which both mysteriously rhyme with Mahfouz's nocturnal reveries and, allowing the reader a chance to dream in turn, open up the texts. These sketches and stories are tersely haunting miniatures. Recurring female characters may be figures of Cairo herself, especially one much-missed lover from Mahfouz's youth. Friends, family, rulers of Egypt, and many known or enigmatic others women float through these affecting brief tales dreamed by a mind too fertile ever to rest, even in slumber. A personal introduction by Hisham Matar, recollecting how he and his wife met Mahfouz in Cairo not long after the assassination attempt on the author, is moving and likewise indelible. [Paperback]
>>Read an extract.
>>Look inside.
Chemistry by Damien Wilkins $28
From the author of Delirious, winner of the 2025 Jann Medlicott Acorn Prize for Fiction, Chemistry — first published in 2002 — is a riveting story about families in crisis. Jamie, a forty-one-year-old drug addict recovering from surgery, goes somewhere he hasn’t been in years — home, to Timaru, where his brother happens to be a chemist and his sister a doctor. Surely those two, with their access to pharmaceuticals — and their blood ties — will help him. And if that fails, their insomniac mother has various prescriptions rattling around in the cupboards of the old family home. An old hand at deception, Jamie occupies one pole in this novel; at the other there is Sally, who is on the methadone programme and has a colicky baby, and Shane, the father of the baby, who has tried to go straight and is now watching his life leak away at the cheese factory. New edition. [Paperback]
”Chemistry is a work of quietly cumulative power. Wonderfully funny, thoughtful, thought-provoking, and moving.” —Elizabeth Knox
”Wilkins has managed to do that hard thing in this novel — write about his characters as citizens of a particular place and make that place real, multiple and textured. His clear and beautiful prose and his sinewy grip on narrative make it a joy to read.” —Lydia Wevers
”A terrifically good book, so cleverly constructed and managed. It's a work of real tenderness.” —Jim Crace
Ghost Cities by Siang Lu $38
A novel drawing on Chinese history to explore the absurdity of modern life and work. Ghost Cities — inspired by the vacant, uninhabited megacities of China — follows multiple narratives, including one in which a young man named Xiang is fired from his job as a translator at Sydney's Chinese Consulate after it is discovered he doesn't speak a word of Chinese and has been relying entirely on Google Translate for his work. How is his relocation to one such ghost city connected to a parallel odyssey in which an ancient Emperor creates a thousand doubles of Himself? Or where a horny mountain gains sentience? Where a chess-playing automaton hides a deadly secret? Or a tale in which every book in the known Empire is destroyed — then recreated, page by page and book by book — all in the name of love and art? Allegorical and imaginative, Ghost Cities will appeal to readers of Haruki Murakami and Italo Calvino. [Paperback]
Winner of the 2025 Miles Franklin Literary Award.
Nor the Years Condemn by Robin Hyde $40
First published in 1938, Nor the Years Condemn explores the experiences of returned servicemen and women in the aftermath of World War I. Through the story of Douglas Stark, Hyde vividly portrays the disappointment and disillusionment of veterans who return to a New Zealand that falls short of the ideals they fought for. Far from the promised 'land fit for heroes', the nation grapples with the social upheaval and economic hardship of the 1920s and 1930s. Hyde's novel poignantly captures the emotional and societal challenges faced by those trying to rebuild their lives in a world that no longer seems to recognise their sacrifice. Back in print, with cover art by Gretchen Albrecht and a preface by Genevieve Scanlan. [Paperback]
”We are shown New Zealand in a world shattered by international conflict, a devastating pandemic, and economic depression. If this rhymes and feels resonant with where we stand in the world today, we are surely in greater need than ever of Hyde's humane perspective.” —Genevieve Scanlan
Wednesday’s Children by Robin Hyde $40
Set in 1930s New Zealand, the novel follows Wednesday Gilfillan, an independent woman who rejects societal expectations in favour of a life defined by artistic and emotional freedom. On an isolated island, she creates a home for her remarkable children and other characters drawn into her life by circumstance. The novel explores her journey through love, loss and survival, focusing on her defiance against the constraints imposed on women—particularly female artists—in a patriarchal society. In vivid prose, Hyde critiques middle-class respectability and delves into the personal costs of living an unconventional life. Back in print, with cover art by Star Gossage and a new preface and afterword by Genevieve Scanlan. [Paperback]
”Anyone who has ever felt torn between the urge to run away from the world and the urge to improve it will find something resonant in this book.” —Genevieve Scanlan
What’s Cooking in the Kremlin: A modern history of Russia through the kitchen door by Witold Szabłowski (translated from Polish by Antonia Lloyd-Jones) $30
A tale of feast and famine told from the kitchen — the narrative of one of the most complex, troubling and fascinating nations on earth. We will travel through Putin's Russia with Szabłowski as he learns the story of the chef who was shot alongside the Romonovs, and the Ukrainian woman who survived the Great Famine created by Stalin and still weeps with guilt; the soldiers on the Eastern front who roasted snails and made nettle soup as they fought back Hitler's army; the woman who cooked for Yuri Gagarin and the cosmonauts; and the man who ran the Kremlin kitchen during the years of plenty under Brezhnev. We will hear from the women who fed the firefighters at Chernobyl, and the story of the Crimean Tatars, who returned to their homeland after decades of exile, only to flee once Russia invaded Crimea again, in 2014. In tracking down these remarkable stories and voices, Witold Szablowski has written an account of modern Russia that reminds us of the human stories behind the history. [Paperback]
SPECIAL PRE-PUBLICATION OFFER
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The product of over 25 years of extensive research, this remarkable book covers vital years in the region’s history, gives colour and detail to the lives of both permanent and opportunistic residents, and includes much on the advent of the economically risky reef or hard rock mining enterprises.
The companion to the esteemed but now sold-out Aorere Gold, this volume will command its place on any serious bookshelf of local, mining, or nineteenth-century history.
When ordering through our website, just enter the code GOLD when checking out for a 10% discount (the book will be $100 but you will get it for $90). Hurry, though: the offer is valid only until the end of September.
A selection of books from our shelves resonating with voice/s.
Click through to find out more:
Dust is substance without form, or, rather, substance post-form, matter without identity, matter that has relinquished, or has been forced to relinquish, by abrasion perhaps, or fatigue, whatever identity it has most recently had, matter now adrift, out of place, bereft of form, bereft of a name or the ability to be named other than as dust, not taking on another form, nor moving towards taking on another form, not taking on any of the set of identities that we associate with form, applying, as we do, identities to forms rather than to substance, matter that cannot be defined even as anything other than dust, a kind of dirt, but not a dirty dirt, a clean dirt, in other words a non-dirt, a self-negation, an oxymoron, a substantial nothing, an accumulation of entitilessness on the surface of an entity, a nonentity seeking to overwhelm an entity, evidence of entropy, evidence of the action of time upon everything our lives are made of, evidence that our world is contingent rather than ideal, that things slip away from under the ideas we fit to things, that ideas will always be disappointed in the actualities to which they are applied, even the relatively simple ideas that we call nouns, evidence that our ways of thinking and the ways of the world of which we think are not subject to the same laws, or to the same processes, if what they are subject to are not laws, evidence that matter seeks release from time, release from form, for it is form that makes us vulnerable to time, evidence that matter above all grows tired and seeks to rest. Long ago I wrote a sheaf of notes towards what I intended to be a short book on dust, but this is, fortunately, now little more than e-dust among all the other e-dust. Luckily, Michael Marder has written a very interesting book on dust and, if you have any interest in dust, or in the universal processes that are evidenced in dust, I recommend you read it.
Read our latest newsletter, issued on National Poetry Day.
22 August 2025
“I am inexhaustible on the subject of myself,” states Édouard Levé in this book which is nothing less than an attempt to exhaust everything that he can think of to say about himself, no matter how banal or embarrassing, with relentless objectivity. In one long string of seemingly random declarative statements without style or development or form (other than the form of the list, if a list can be said to be a form), the details accumulate with very fine grain, but the effect is disconcerting: the author comes no closer to exhausting his observations, and the idea that there is such a thing as a 'person' beyond the details seems more and more implausible. The list is not so much an accumulation as an obliteration: facts obscure that which they purport to represent. “I dream of an objective prose, but there is no such thing.” Levé’s style is deliberately and perfectly and admirably flat throughout (all perfect things should be admired (whatever that means)), like that of a police report. “I try to write prose that will be changed neither by translation nor by the passage of time.” The constructions often feel aphoristic but eschew the pretension of aphorisms to refer to anything other than the particulars of which they are constructed. There is no lens formed by these sentences to ‘see through’, no insight, no intimation of personality other than the jumbled bundling of details and tendencies assembled under the author’s name, no ‘self’ that expresses itself through these details or is approachable through these details, because we are none of us persons other than what we for convenience or comfort (or, rather, out of frustration and fear) bundle conceptually, mostly haphazardly, and treat as an entity or ‘person’. The more fact is compounded (or, rather, facts are compounded), the stronger the intimation that any attempt to exhaust the description of a person will approach what we usually think of as a person. “If I look in mirrors for long enough, a moment comes when my face stops meaning anything.” As well as demonstrating the impossibility of the task that it attempts, description also cancels itself by implying for each positive statement a complementary negative statement. Each statement of the self-description of Édouard Levé functions to include those of us among his readers who are similar and to exclude those who are dissimilar. We find each statement either in accord or in disagreement with a statement we could similarly (or dissimilarly) make about ourselves. The reader is charted in the text as much as the author. The reader is continually comparing themselves to the author, finding accord or otherwise, exercising the kind of judgement concealed beneath all social interaction but typically hidden by content and mutuality. In Autoportrait, the author’s self-obsession is matched by our fascination with him, with the kinds of details that may or may not come to light in social interchange. Because the author is not aware of us and is not reciprocally interested in us, or feigning reciprocal interest in us, as would be the case in ‘real life’ social interaction, we feel no shame in our fascination, our fascination is dispassionate, clinical. He is likewise unaffected by our interest or otherwise in him. But as well as bundling together an open set of details that we may conveniently think of as facts (“Everything I write is true, but so what?”) about Édouard Levé (or ‘Édouard Levé’), the text also conjures an inverse Édouard Levé (or inverse ‘Édouard Levé’) who is the opposite to him in every way, the person who nullifies him (in the way that all statements call into being their simple or compound opposites, their nullifiers). Levé’s obsession with identity, facsimile and the corrosive effects of representation reappear throughout the book, and towards the end he mentions the suicide of a friend from adolescence, which would form the basis for Levé’s final book, Suicide (after which Levé himself committed suicide). Édouard Levé was born on the same day as me, but on the other side of the planet. In Autoportrait he writes, “As a child I was convinced that I had a double on this earth, he and I were born on the same day, he had the same body, the same feelings I did, but not the same parents or the same background, for he lived on the other side of the planet, I knew that there was very little chance that I would meet him, but still I believed that this miracle would occur.” We never met.
My poetry reading is eclectic and erratic. I have good intentions. I have poems and poets I have read that resonate years on. A fan of Michael Ondaatje and of Hone Tuwhare in my 20s, I read their collections and their books would travel with me. More recent highlights are Anne Carson’s Wrong Norma and Richard von Sturmer’s Postcard Stories, which both match wit and intellect to great effect. Poetry comes in many shapes and sizes. I have always been attracted to small strange books of words and images usually discovered in second-hand bookshops. Pamphlets and slim collections where words edge at each other; mercurial. Making sense, or not, and altering our senses. The sparsity on the page inviting interjections; encouraging thought. The poetry forms various. Intellect and emotion juggling on the page, or a story in a verse poem contained by the rules, a haiku exacting in tempo — its precision saying or showing up something so much more than its parts. Concrete poems inventively arranged on the page — the space around the words built with intention. On my reading pile right now, I was surprised to find 3 poetry volumes, all different in style. Two from small presses. One chosen for its cover, one a gift, and the third an appealing title.
I could not resist the typography and cover design of The Territory is Not the Map, a chapbook published by Ugly Duckling Presse in NY. It’s bilingual — I can’t read the Spanish, but maybe one day I will. The possibility makes a future. Marilia Garcia’s poems read like a beautiful hum, the pace of the poems lifts off the page, the repetition of lines song-like. You are transported at a glance, on a journey in an unknown geography.
The gift, Little Dead Rabbit is a collaboration between the poet Astrid Alben and the graphic designer Zigmunds Lapsa. A corpse at the side of the road and the question of borders informs this unusual, beautiful publication. With its die-cut abstract illustrations and words floating within space, this is a concrete poem which goes beyond the playfulness of its form, cutting to something which is both challenging and embracing; looking at death and therefore life.
I’m currently reading The Wild Fox of Yemen by Threa Almontaser, written in response to 9/11, to what it feels like to be a Muslim woman in the USA, and how family, tradition, language shape us and both hold and suffocate. Belonging and displacement continue to be issues that we fail to resolve. Exploring mistranslation, the poems are intriguing and thought-provoking.
My poetry books tend to stay on the reading pile for months, sometimes years. I dip in, dip out. They rise to the surface and are submerged by novels, review copies, work reading, articles, the news feed. But they are there marking time, waiting for my attention and they never fail to intrigue. Why do poetry books not get the short shrift like some novels, get abandoned like some non-fiction? There is something admirable about their brevity. Every word counts, and as a reader I respect the work on the page. Somehow they are vital. Have a look at our poetry selection and choose a collection that resonates with you, or be random and make a discovery! Happy Poetry Day!
Friday 22 August is Aotearoa’s National Poetry Day, the day to consider how to get more poetry into our lives (our lives will be better for it!).
The books pictured are just a sampling of our stock of recent Aotearoa poetry.
Makeshift Seasons by Kate Camp
over under fed by Amy Marguerite
/ slanted by Alison Glenny
Liar, Liar, Lick, Spit by Emma Neale (Ockham winner)
Black Sugarcane by Nafanua Purcell Kersel
In the Hollow of the Wave by Nina Mingya Powles
Clay Eaters by Gregory Kan
Hopurangi / Songcatcher by Robert Sullivan (the new Aotearoa Poet Laureate)
Buckley perfectly captures the language we use for thinking, for overthinking, and for avoiding thinking in this precise, enjoyable novel about attempting to come to terms with memory, family, personal agency, guilt and loss while in a context that both denies the past and renders it inescapable.
“Following the death of her father, Teresa returns to the small coastal town in Greece she first visited when her mother died nearly a decade before. From this scenario, tacking between the events of the second trip and memories of the first, Buckley creates a novel of quiet brilliance and sly humour, packed with mystery and indeterminacy. The way in which the book interleaves Teresa’s relationship to her mother, her involvement in an amateur murder investigation, and an account of a love affair, raises questions about grief, obsession, personhood and human connectivity we found to be as stimulating as they are complex.” —2025 Booker Prize judges’ citation
All your choices are good! Take your pick from our selection of books straight out of the carton, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
William Blake and the Sea Monsters of Love by Philip Hoare $45
The legacy of William Blake stretches 200 years to today not only through poetry and art but traditions of social, spiritual, sexual and political noncomformity. Philip Hoare drags himself from the company of whales and follows Derek Jarman to follow Paul Nash to photograph the megaliths at Avebury and towards a shared encounter with the luminous William Blake, electrically alive and inspiring to them all. Weaving between the historical, cultural and personal, Hoare reveals a web of creative minds and artistic iconoclasts fired with the unfettered genius of William Blake. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up 20th century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. As Hoare shows, art and poetry still have the power to make change. [Hardback]
”This wild, dreaming book is undoubtedly Hoare's masterpiece.” —Olivia Laing
”Each of Hoare's subjects is affected with a certain wildness, a loosening of societal norms that makes for expressive beauty and eccentricity, giving the author a host of colourful and hyper-connected anecdotes. In doing so, they make him a part of the very tradition he is recording, his own work here reaching ecstatic heights, his prose filled with moments of sudden clarity, his life and passions glimpsed.” —Philip Marsden, Spectator
”Wild, free, exhilaratingly beautiful, and so alive to the past that everyone and everything seems to be happening right now on the page. I cannot think of a more original writer at work today. To look at English art through his eyes is to see more than you ever could before.” —Laura Cumming
>>Look inside.
>>Slumber on the banks.
>>Swimming or drowning.
>>The ecstasy of art.
>>Why William Blake became a queer icon.
Flashlight by Susan Choi $38
One evening, 10-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels. Flashlight moves between the post-war Korean immigrant community in Japan, to suburban America, and the North Korean regime, to tell the astonishing story of one family swept up in the tides of 20th-century history. [Paperback]
”Flashlight is a sprawling novel that weaves stories of national upheavals with those of Louisa, her Korean Japanese father, Serk, and Anne, her American mother. Evolving from the uncertainties surrounding Serk’s disappearance, it is a riveting exploration of identity, hidden truths, race, and national belonging. In this ambitious book that deftly criss-crosses continents and decades, Susan Choi balances historical tensions and intimate dramas with remarkable elegance. We admired the shifts and layers of Flashlight’s narrative, which ultimately reveal a story that is intricate, surprising, and profound.” —Booker Prize judges’ citation
”Flashlight is severely allergic to summary, so watch what you read about it. Even categorizing this story as a mystery risks prematurely exposing the novel’s intricate structure to too much light. It’s catholic in its genre, shifting deftly from domestic drama to international thriller, from academic satire to bildungsroman. But what can be safely revealed is that Choi is writing about people who struggle and fail to find a stable sense of identity in a shifting world conspiring against them. —Washington Post
>>Read an extract.
>>Dropped onto an alien planet.
>>Other books long-listed for the 2025 Booker Prize.
Forgotten: Searching for Palestine’s hidden places and lost memorials by Raja Shehadeh and Penny Johnson $37
Forgotten is a search for hidden or neglected memorials and places in historic Palestine — now Israel and the Occupied Palestinian Territories — and what they might tell us about the land and the people who live on the small slip of earth between the Mediterranean Sea and the Jordan River. From ancient city ruins to the Nabi 'Ukkasha mosque and tomb, acclaimed writers and researchers Raja Shehadeh and Penny Johnson ask: what has been memorialised, and what lies unseen, abandoned or erased — and why? Whether standing on a high cliff overlooking Lebanon or at the lowest land-based elevation on earth at the Dead Sea, they explore lost connections in a fragmented land. Shehadeh and Johnson grapple not only with questions of Israeli resistance to acknowledging the Nakba of 1948, but also with the complicated history of Palestinian commemoration today. [Hardback]
”Shehadeh’s books are like beacons held up against the darkness of Israeli oppression. Forgotten is perhaps the brightest light of all.” —Guardian
>>History embedded in the landscape.
Katherine Mansfield, Illness and Death edited by Aimée Gasston, Gerri Kimber, and Todd Martin $55
During Katherine Mansfield's life she experienced the effects of abortion, miscarriage, gonorrhoea, peritonitis, rheumatism and tuberculosis, and would take up a peripatetic existence constantly in search of more favourable climates. The First World War of 1914—1918 and the influenza pandemic of 1918—20 informed the zeitgeist of her times. This volume of essays explores the extent to which this resonant context of disease and death shaped Mansfield's literary output and her modes of thinking. Illness both stimulated and limited Mansfield's creativity. She would write to fund her medical care while simultaneously limited by her poor health, writing in 1922: “The real point is I shall have to make as much money as I can on my next book my path is so dotted with doctors”. As explored in this volume, her personal writings document the increasing influence of tubercular literary predecessors such as Anton Chekhov and John Keats, while her stories function compellingly as dialogue with loved ones who have been — lost her brother, her mother, her grandmother — endowing them with life in the process. Cover art by Mohua artist Frith Wilkinson. [Paperback]
When the Museum Is Closed by Emi Yagi (translated from Japanese by Yuki Tejima) $38
Rika Horauchi's new part-time job is to converse with a statue of Venus — in Latin — every Monday, when the museum is closed. Initially reluctant, Rika starts to enjoy her strange new job. Recommended by her old university professor for her exemplary language skills, Rika leads an otherwise unassuming life, working the rest of the week in a frozen-food warehouse. As Venus comes to life in the quiet of the museum, they talk about everything. Venus opens up new worlds for Rika, both intellectually and emotionally. They soon fall in love. But when the museum's curator, Hashibami, makes it clear he wants to keep Venus for himself, what will Rika do? When the Museum is Closed is by turns charming, funny and surprising, a surreal take on our most real emotions and concerns — love, loneliness, freedom, perceptions of beauty and how women are seen in society. [Paperback with French flaps]
”I was captivated by Rika's strange, frozen world, filled with movement and passion — a perfectly contained and luminous story that reveals a whole world of desire and possibility, right at the heart of loneliness.” —Rosie Price
>>A conversation between the author and the translator.
Creation Lake by Rachel Kushner $26
Sadie Smith — a thirty-four-year-old American undercover agent of ruthless tactics and bold opinions — is sent by her mysterious but powerful employers to a remote corner of France. Her mission — to infiltrate a commune of radical eco-activists influenced by the beliefs of an enigmatic elder, Bruno Lacombe, who has rejected civilisation, lives in a Neanderthal cave, and believes the path to enlightenment is a return to primitivism. Sadie casts her cynical eye over this region of ancient farms and sleepy villages, and finds Bruno's idealism laughable, but just as she is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Beneath this taut, dazzling story about a woman caught in the crossfire between the past and the future lies a profound treatise on human history. [New paperback edition]
”The prose is thrilling, the ideas electrifying.” —Booker Prize 2024 judges’ citation, on short-listing the book
“At last I get to say how deeply, madly, irrecoverably I loved Creation Lake. It was all stylish and cool, and then somehow the book struck a blow to my heart.” —Louise Erdrich
>>Read Stella’s review.
Sparks: China’s underground historians and their battle for the future by Ian Johnson $30
The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. Nowadays, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival. But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present. These accounts have underpinned recent protests in China against Xi Jinping's rule. [Now in paperback]
”Johnson's skill lies in demonstrating the philosophical links between China's geography and its political and cultural landscape. It is deeply satisfying to read a book about China that could only have been written after decades of serious engagement with the country.” —The Guardian
Tirzah Garwood: Beyond Ravilious by James Russell $55
Tirzah Garwood (1908-1951) proved herself an artist of rare talent, in a life tragically cut short by illness, yet little of her work has been seen in public since her Memorial Exhibition in 1952. Written by James Russell, author of the bestselling Ravilious (2015), this beautifully illustrated book is published to coincide with the Dulwich Picture Gallery exhibition Tirzah Garwood: Beyond Ravilious, the first exhibition to explore the full range of Garwood's achievements. A witty observer of the human condition, Garwood made her first breakthrough as a wood engraver of rare ability while still in her teens. After marrying Eric Ravilious she became a devoted mother to three children. During this period she took up paper marbling and quickly achieved renown for the dazzling originality of her decorative papers. In her early thirties she suffered the double blow of a breast cancer diagnosis and her husband's death on active service in World War II. Undaunted, she wrote her autobiography Long Live Great Bardfield and began creating a series of strange, beautiful oil paintings and collaged constructions. In Tirzah Garwood: Beyond Ravilious her work is, for the first time, given the public showcase and critical examination it deserves, revealing Garwood's development of a distinctive 'sophisticated naive' approach that subtly transformed innocent subjects to unsettling effect. More than ninety works by Tirzah Garwood — including books, studies and ephemera, almost exclusively from private collections — are accompanied by artworks by Eric Ravilious that set the context in which the artists worked together, exploring the shared interests and techniques of this remarkable creative couple. [Paperback with French flaps]
>>Look inside!
Hark: How women listen by Alice Vincent $40
We're told women are good at listening, but we rarely examine what they're listening to, what their worlds sound like, or how it feels to be expected to listen in a world of noise made by men. Like so many of us, Alice Vincent had become overwhelmed by the sensory overload punctuating our every moment. And then, a baby's heartbeat arrived. A rapid, pulsing whoosh of white noise. An undeniable rhythm. Once again, Alice's life became cacophonous — both with a new child, but also with the societal pressures that motherhood holds. What followed was a personal quest to rediscover sound as something alive and vital and restorative. Beyond music, Alice's journey takes her into new corners of listening: from the phantom crying heard by mothers across the world to the nightingale's song and the crackle of the Aurora Borealis. As our attention spans shrink and our sense of disconnection grows, Alice wants to find out if sound — seeking it, trying to hold on to it, making space for it in her life — can reconnect her not only to lost parts of herself but to a life more consciously lived. Hark is a book for women who feel unheard and a means of listening more deeply in a world that has grown too loud. From the author of Why Women Grow. [Hardback]
“Stimulating and humane, Hark is vibrating with interesting people and fresh ideas.” —Amy Liptrot
”Immersing myself in the beautiful, deeply thoughtful pages of Hark has a profound effect on me. Reading it has been an incredibly emotional experience, and has made me look at, and listen to, my own world in bright new ways. This book is a quiet yet profound kind of miracle.” —Clover Stroud
”A beautiful book, which left me thinking deeply and intimately about my own sonically-charged life. Hark will make you feel more alert to sound, silence and everything in-between and will leave you more curious about what it means to listen and be listened to.” —Amy Key
>>The chorus of motherhood.
>>Soundworlds.
Just Earth: How a fairer world will save the planet by Tony Juniper $39
From soil loss to wildfires, degraded rivers, mass migration and conflict, the environmental crisis is already here — and it's set to get much worse. While billionaires build remote bunkers and make plans for colonies on Mars, climate collapse impacts the most vulnerable among us first and hardest. But what this radical and ground-breaking book proves is that inequality isn't just about who suffers the consequences, it is the main obstacle blocking action — and it has been for decades. How can people lead good lives without ultimately hastening global collapse? The answer lies in fairness. We can't fight the climate and nature crises without addressing the ever-widening gaps between the rich and poor, the powerful and the weak. Drawing upon more than 40 years of experience in research, practical work, campaigning and advocacy, combined with interviews with globally renowned experts, in Just Earth Tony Juniper reveals the system shifts needed to achieve real, lasting change. [Paperback]
”Tony Juniper, as usual, has called this right. He explores a crucial issue with verve and style. Everyone should read this book.” —George Monbiot
”Remarkably well researched, well written and well balanced. Optimistic about the way forward.” —Richard Wilkinson and Kate Pickett, authors of The Spirit Level
”Remarkable, insightful and timely. Juniper sets out an agenda for a just transition and action at all levels.” —Jake Fiennes
Outrage: Why the fight for LGBTQ+ equality is not yet won, and what we can do about it by Ellen Jones $40
Equality for LGBTQ+ individuals should be the norm, yet they still face severe discrimination globally. Despite increased visibility, the community encounters rising violence and legal setbacks. Jones reveals discrimination across various life aspects, including marriage, mental health, education, and more, using poignant personal stories. The book not only identifies issues but also offers actionable solutions for fostering equality and celebrates pioneers making positive changes. Whether you're part of the LGBTQ+ community, an ally, or a human rights advocate, Outrage sheds light on ongoing challenges and paths to progress. [Paperback]
”Invaluable reading for anyone invested in a fairer future.” —Sophie Duker
>>The author recommends!
>>An evening with the author.
Power Metal: The race for the resources that will shape the future by Vince Beiser $40
An Australian millionaire's plan to mine the ocean floor. Nigerian garbage pickers risking their lives to salvage e-waste. A Bill Gates-backed entrepreneur harnessing A.I. to find metals in the Arctic. These people and millions more are part of the intensifying competition to find and extract the minerals essential for two crucial technologies: the internet and renewable energy. Power Metal explores the Achilles' heel of ‘green power’ and digital technology — that manufacturing computers, cell phones, electric cars, and other technologies demand skyrocketing amounts of lithium, copper, cobalt, and other materials. Around the world, businesses and governments are scrambling for new places and new ways to get those metals, at enormous cost to people and the planet. Beiser crisscrossed the world to talk to the people involved and report on the damage this race is inflicting, the ways it could get worse, and how we can perhaps minimise the damage. [Paperback]
A selection of wonderfully self-obsessed literature from our shelves. Click through to find out more:
The Last One (not pictured)
Read our 444th newsletter!
15 August 2025
CHICANES by Clara Schulmann (translated from the French by Naima Rashid, Natasha Lehrer, Lauren Elkin, Ruth Diver, Jessica Spivey, Jennifer Higgins, Clem Clement and Sophie Lewis)
Chicanes is a collection of short pieces about voice and women’s experience. Schulmann dips and pivots, captures, and lets fly. She delves into literature and classics, art and film, exploring how women use their voice and how they are used (or stigmatised) by their voice. Her digressions move against each other, building questions and ideas under the chapter headings ‘On/Off’, ‘Breathing’, ‘Fatigue’, ‘Overflowing’, ‘Speed’, and ‘Irritation’. The essays and snippets are both personal and critical (feminist theory and art critique are bundled here nicely, without being too pointy-headed; in other words, you can take it as you find it or investigate further), angry, and amusing. Taking her watching (cinema) and reading (essays and fiction), Schulmann drives us, never in a straight line, so we can observe her thinking about voice — its physical, emotional and intellectual power — and its cultural significance. How are women through their voice portrayed in films? Are they mostly silent/ screaming/ husky or simpering? How do women use their voices to protest and complain about inequality? Is it subtle? A pointed yet subtle change in mode or a tirade of small irritations (no time, too many family demands, commonplace sexism at work)? There are so many ideas packed into these short pieces, and they point in further directions and diversions. She quotes writers and draws up a map by which we can navigate her thinking out loud — about voice and in voice. In French the title is Zizanies, which translates as discord or disharmony. When we say the word ‘voice’ we are likely to think of harmony or articulation. Yet if we think about the idea of voice as Schulmann has in the context of gender, discord is more than appropriate. The English language title, Chicanes: a sharp double bend, likely with some obstacle; is an apt descriptor also. Interestingly, there are several translators (one for each section), each with their own ‘voice’ interpreting Clara Schulmann’s interpretations. This observation by the author of language and tone (voice) by other writers/artists and then in turn via interpretation gives readers in English another level of voice. And then, in turn, we use our voice in its imperfect way (but probably less imperfectly than a chatbot, as if perfection was even the aim), to reflect our emotional and cultural condition. The book is immersive and curious in the best possible way.
GOOD MORNING, MR. CRUSOE — The Life and Strange Surprizing Adventures of Robinson Crusoe, published in the year MDCCXIX, which for 300 Years has instructed the Men of an Island off the Coast of Mainland Europe to Contemn all Foreigners and Women. by Jack Robinson [Charles Boyle]
When Robinson Crusoe in Daniel Defoe’s novel of the same name discovers the footprint of a stranger on the margins of the island he considers his domain, he builds defences and prepares violence. He wants to keep for himself his table, made with his own hands, his rude bowl, likewise the project of a man who has brought to DIY the gravitas of a spiritual exercise, and his parasol, but even more he wants to keep for himself the puritanical practices of useful labour, useful thought, austerity and self-restraint — he made a very small amount of rum last for ten years! — that are both the expression and the perpetuation of his isolation. He remains resistant to all that is not him. When given the opportunity, upon a suitably disadvantaged other, he shows himself prepared to teach but not to learn. The propagation of Defoe’s novel as an English classic over the centuries has both epitomised and contributed to a particularly noxious strand of Anglo-Saxon masculinity compounded of an arrogance and a superiority complex on the one hand and a concomitant deep insecurity and fear on the other, resulting in an instinct to devise rules, build defences and prepare violence. Jack Robinson, in this quick and subtle little book, not only sketches the deleterious effect upon English society of this thread of Englishness, leading to the Brexit crisis and all that has followed resulting from the projection of threat onto difference, but also traces the literary offspring of Ur-Crusoe, so to call him: Robinsons in books by Franz Kafka, Louis-Ferdinand Céline, Muriel Spark and others, and in the films of Patrick Keillor, each either or both perpetuating or degrading the character with whom they are inescapably associated. ‘Robinson Crusoe’ remains a central topos for reactionary British nativism. It is no coincidence that, in the space of populist disaffection resulting from governments’ austerity policies, a prominent contemporary British fascist has adopted the pseudonym ‘Tommy Robinson’ in his xenophobic campaign for “respect for British heritage, values and tradition.” Robinson Crusoe, despite circumstances that make his attitudes increasingly ridiculous, cannot help but insist, with increasing violence, that he is master of ‘his’ island. Jack Robinson’s quarrel “is less with Defoe than with Crusoe and the uses which the book has been put to.” He observes that “Crusoe has amassed such gravitas — or rather, his emblematic status in British culture became so far-reaching — that the natural development of his descendants was inescapably stunted.” Can this be healed? In Crusoe’s unthinking adherence to “heritage, values and tradition”, he is incapable of change or growth or understanding, incapable of opening himself to new experience, of accepting as an equal anyone different from himself. When Crusoe leaves the island he remains the slaver and misogynist he was when he arrived. All he has done is survived. “Defoe denies Crusoe self-doubt, which is another way of infantilising him. His blind trust in God shuts off all radical introspection.” Without that introspection there is no hope.
The legacy of William Blake stretches 200 years to today not only through poetry and art but traditions of social, spiritual, sexual and political noncomformity. Philip Hoare drags himself from the company of whales and follows Derek Jarman to follow Paul Nash to photograph the megaliths at Avebury and towards a shared encounter with the luminous William Blake, electrically alive and inspiring to them all. Weaving between the historical, cultural and personal, Hoare reveals a web of creative minds and artistic iconoclasts fired with the unfettered genius of William Blake. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up 20th century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. As Hoare shows, art and poetry still have the power to make change.
What’s with the titles? A selection of books from our shelves. Click through to find out more:
All your choices are good! Take your pick from our selection of books straight out of the carton, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
Mr. Distinctive by Olga Tokarczuk (translated from Polish by Antonia Lloyd-Jones), illustrated by Joanna Concejo $50
A gorgeously illustrated picture book for adults — with two double-gatefold openings inside. Mr. Distinctive has a memorable, attractive face. He only has to walk down the street, and everyone turns to smile at him. Once he starred in a TV commercial and was praised and congratulated for having a face that sold the product well. Mr. Distinctive is very pleased with himself and loves to take selfies with his cellphone. He posts countless images of himself that are shared all over the internet. One day Mr. Distinctive looks in the mirror and sees that his features have begun to fade, his face has changed into a blur. With every new photo he posts, his distinctiveness dwindles. Determined to regain his flawlessly beautiful face and the adoration it brought him, Mr. Distinctive seeks out an extreme solution. But are the lengths he goes in order to restore his sense of being unique and exceptional worth it? In their new story, Nobel prize in literature winner Olga Tokarczuk and esteemed illustrator Joanna Concejo show us a world of obsession with personal appearance and self-promotion, where ‘happiness’ is an imperative, and the cult of youth rules. [Hardback]
>>Look inside!
Flower by Ed Atkins $30
”I like eating cold, clammy wraps from big pharmacies that are open late and sell just a few foods like protein bars and powders.” Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable — something that must be made up and convincing. Taking cues from confessional literature, his daughter's improvised games, poor internet writing, and shitty A.I., Ed Atkins equivocates between inanity and divinity, ease and pain, sentimentality and sterility. An anti-memoir, a list, a listless blur — Flower is a highly original, moving and absurd book by one of the most influential artists of his generation, formally inventive and disturbingly of our time. [Paperback with French flaps]
”I feel like a permanent conduit has been built between my brain and this book. Atkins is relentless, beautiful, hideously and angelically honest. Sometimes it brought me to tears and I’m not even sure why. It’s the stuff most of us leave out, or wouldn’t even know how to articulate. By which I mean this book has made so much other writing feel like propaganda. It’s heroic. I’m not sure I’ll ever recover from it.” —Luke Kennard
”Every sentence in this delightfully bizarre techno-memoir could stand alone on a page and command allure. Like splicing the miniature divulgences of Édouard Levé with the ominous bombast of Jenny Holzer, Flower makes automatic non-fiction feel like sci-fi, and it’s instantly unforgettable.” —Blake Butler
”Flower is propulsive and it doesn’t let up. It’s about vulnerability, sort of, and invincibility: it swings between these poles. It’s about mortality, too, and in that sense humanity. To speak the book back at itself, I confess it did get to me.” —Isabel Waidner
”Ed Atkins is a radical humanist who rediscovers the human in the most inhuman of states, when the usual supports – ego, language, people, technology, media, food – all fail. In Flower Atkins turns that abjection towards us, in a spleeny anti-autofiction that is his own version of Les Fleurs du Mal.” —Hal Foster
in the cracks of light by Apirana Taylor $28
The seventy-three short poems here challenge our conceptions of poetic form. They are minimalist in construction but ambitious in emotional impact. They burst out of their small spaces like gas expanding in a cylinder and pushing a piston. They expertly inhabit both the natural and the political worlds, sometimes simultaneously, because Taylor is wise enough to know that they can't be separated, especially in a colonised land. [Paperback]
”in the cracks of light presents heart-centred poems that are deeply rooted in te taiao. Reading this book will give you the strength both to fight your battles and observe the world around you with fresh insight. These short verses are profound soul nourishment.” —Kiri Piahana-Wong
”Another book by Apirana Taylor, whether poetry or prose, is always good news. He is an originator and accomplished practitioner of what might now usefully be termed a Māori poetics in English, deeply sourced in whaikōrero. It’s no surprise, then, that the poems comprising in the cracks of light nimbly explore and exploit the border line between spoken and written text.” —Tony Beyer
>>Read Tony Beyer’s full review.
Proto: How one ancient language went global by Laura Spinney $40
As the planet emerged from the last ice age, a language was born between Europe and Asia. This ancient tongue, which we call Proto-Indo-European, soon exploded out of its cradle, changing and fragmenting as it went, until its offspring were spoken from Scotland to China. Today those descendants constitute the world’s largest language family, the thread that connects disparate cultures: Dante’s Inferno to the Rig Veda, The Lord of the Rings to the love poetry of Rumi. Indo-European languages are spoken by nearly half of humanity. How did this happen? Laura Spinney set out to answer that question, retracing the Indo-European odyssey across continents and millennia. With her we travel the length of the steppe, navigating the Caucasus, the silk roads and the Hindu Kush. We follow in the footsteps of nomads and monks, Amazon warriors and lion kings — the ancient peoples who spread these languages far and wide. In the present, Spinney meets the scientists on a thrilling mission to retrieve those lost languages: the linguists, archaeologists and geneticists who have reconstructed this ancient diaspora. From the author of Pale Rider. [Paperback]
”Thought-provoking. A lively and fascinating account of how these languages split from their root, developed in different ways, mingled with each other, crossed tracks, flourished and died. I loved it!” —David Bellos
>>Cultural exchange builds a language.
The Evin Prison Bakers’ Club: Surviving Iran’s most notorious prisons in 16 recipes by Sepideh Gholian $27
How do you cheer up a woman who has spent hours cleaning prison toilets with a broken mop? The secret is in a tres leches cake. In Iran’s prisons, women endure horrors — they are beaten, interrogated, and humiliated in a thousand ways. Even a whisper to a fellow inmate can be punished. Yet — in spite of anything and everything — they resist: they bake, they console each other, cry together, dance together. Sepideh Gholian, in prison since 2018, bakes scones for Nazanin Zaghari Ratcliffe’s daughter'; a pumpkin pie for Nobel Peace Prize winner Narges Mohammadi; and madeleines for Marzieh Amiri, serving time for a May Day demonstration in 2019. [Paperback with French flaps]
”Sepideh Gholian's account of life on the women's wards in Bushehr and Evin prisons is a blindsiding blend of horrifying concrete detail, dizzying surrealism and wild optimism.” —Guardian
”My heart broke while reading this book, but it also gave me hope. I read this book filled with outrage against the system that has put Sepideh Gholian and so many like her in jail, torturing them, killing them. But I was filled with hope, amazed by and thankful for those like her, telling the story. They are our beloved guardians of truth.” —Azar Nafisi
>>Like no other recipe book you’ve ever read.
Days of Light by Megan Hunter $50
Easter Sunday, 1938. Ivy is nineteen and ready for her life to finally begin. Her sprawling, bohemian family and their friends gather in the idyllic English countryside for lunch, arranging themselves around well-worn roles. They trade political views and artistic arguments as they impatiently await the arrival and first sight of Frances, the new beau of Ivy's beloved older brother, Joseph. In this auspicious atmosphere of springtime, Ivy's world feels on the cusp of something grand-but neither she nor those closest to her predicts how a single, enchanted evening and an unexpected tragedy will alter the rest of their lives. A philosophical and intimate journey through time, Days of Light chronicles six pivotal days across six decades to tell the story of Ivy's pursuit of answers — to the events of this fateful Easter Sunday and to the shifting desires of her own heart. [Hardback]
”Think One Day written by (and starring) Virginia Woolf… This is a lyrical and captivating book, dropping decade by decade into a single day in the life of the brilliant, headstrong Ivy.” —The Observer
”Days of Light is sublime. Wielding tremendous emotional power, it is a novel that is both raw and reverent, attuned to the intricacies of loss, desire, hope and how to be in the world.” —Hannah Kent
”Megan Hunter writes with such delicacy about how a single moment can shape and echo through a life. Her sentences are sensory events, open to every texture and shadow. A beautiful book.” —Sophie Elmhirst
”What Megan Hunter does in time and space within the confines of this book is amazing. Days of Light has that quality that all Megan's books have, restrained but with so much momentum, an exacting turn of phrase and the ability to make the hair on your arms stand up through beauty and also something much darker.” —Evie Wyld
”It channels Woolf and Mansfield and yet feels completely fresh.” —Mark Haddon
Enemy Feminisms: TERFs, policewomen and girlbosses against liberation by Sophie Lewis $45
Enemy feminisms exist. Feminism is not an inherent political good. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategising that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism. [Paperback]
"A field guide to reactionary archetypes from fascists to TERFs, Enemy Feminisms surfaces a hidden vein of feminist conservatism. A welcome alternative to political history as an accumulation of social media screenshots." —Malcolm Harris
"Where would we be without Sophie Lewis? In a more impoverished political world. This book is mandatory reading for anyone interested in a rough and compelling vision of the feminist past, present, and future. Honest, brutal, historically comprehensive, and brilliant." —Judith Butler
"Enemy Feminisms is a compelling, provocative, ferocious book that shreds one received wisdom after another in a poised balance of incisive argument and elegant writing. Sophie Lewis has become an indispensable thinker for our era." —Torrey Peters
Mouthing by Orla Mackey $26
Ballyrowan is a sleepy corner of rural Ireland where nothing ever happens. Where everyone knows everyone else's business, and everyone has an opinion on it. Where family feuds simmer and intensify across the generations. Where young and old delight in dragging each other down like crabs in a barrel. Following the fortunes of this small community from the mid-20th century to the early 21st, Mouthing is a bittersweet love letter to the pleasures (and frustrations) of village life. [Paperback]
”Engrossing, acerbic and brilliant. Everyone here has a tale to tell. There is a pub and there is a priest. There are secrets and lies. It is by turns funny, horrifying, and all too real. Mackey's structure requires the reader to constantly reassess their opinions of the characters. It is a fascinating magic trick, shimmering with fractal richness: again and again we meet a character, form an opinion, and almost immediately have that wittily torpedoed.” —The Irish Times
The Big Myth: How American business taught us to loathe government and love the free market by Naomi Oreskes and Erik M. Conway $49
The bestselling authors of Merchants of Doubt offer a startling history of one of America's most tenacious and destructive false ideas: the myth of the ‘free market’. In the early 20th century, business elites, trade associations, wealthy powerbrokers, and media allies set out to build a new American orthodoxy: down with ‘big government’ and up with unfettered markets. With startling archival evidence, Oreskes and Conway document campaigns to rewrite textbooks, combat unions, and defend child labour. They detail the ploys that turned hardline economists Friedrich von Hayek and Milton Friedman into household names; recount the libertarian roots of the ‘Little House on the Prairie’ books; and tune into the General Electric-sponsored TV show that beamed free-market doctrine to millions and launched Ronald Reagan's political career. By the 1970s, this propaganda was succeeding. Free market ideology would define the next half-century across Republican and Democratic administrations, resulting in a housing crisis, the opioid scourge, climate destruction, and the baleful US response to the Covid-19 pandemic. Only by understanding this history can we imagine a future where markets will serve, not stifle, democracy. This book is particularly pertinent to New Zealand politics right now. [Paperback]
”Literature on neoliberalism tends to focus either on the intellectual genealogy of neoliberal thought or on the political history of neoliberal policies. The Big Myth adds a third dimension to the story. An immense scholarly feat.” —The New Yorker
”The important and frequently infuriating history of how it is that Americans came to equate the broad concept of freedom with an almost religious belief in the free market.” —The Washington Post
”A persuasive examination of how corporate advocates, libertarian academics, and right-wing culture warriors have collaborated to try to convince the American people that economic and political freedom are indivisible, and that regulation leads inexorably to tyranny. Polemical yet scrupulously researched, this wake-up call rings loud and clear.” —Publishers Weekly
If I Must Die: Poetry and prose by Refaat Alareer $45
"If I must die, let it bring hope, let it be a tale." This compilation of work from the Palestinian poet and professor, Refaat Alareer, brings together his poetry and writing about literature, teaching, politics, and family. Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. ‘If I Must Die’ is included here, alongside Refaat's other poetry. Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting to be the one paying at the supermarket checkout. Such pieces, some never before published, have been curated here by Refaat's friend and collaborator Yousef M. Aljamal. [Hardback]
"Compelling. A glimpse into a restless political and literary mind, one that was still rising to the height of its powers." —The Guardian
Mexican Table: 100 recipes, 12 ingredients from the heart of Mexico by Thomasina Miers $65
Mexican cooking centres around 12 staple ingredients: Citrus / Nuts / Tomatoes / Chillies / Beans / Courgettes / Sesame / Herbs / Onions / Eggs / Cinnamon / Chocolate. Chef Thomasina Miers brings vibrant, smart ways to use these ingredients to bring maximum flavour with minimum effort. Taste bold flavours everyday like guajillo prawn burritos with lime slaw, cauliflower and orange salad with turmeric and almond honey dressing, whole roast chicken with Yucatecan almond & garlic mole, waste-less houmous with toasted chillies, sticky dulce de leche & tahini buns, garlic fried courgette tagliatelle, smoky kimchi quesadilla with herb salad, and coconut & tequila sorbet. [Hardback]
>>Look inside.
Salutation Road by Salma Ibrahim $38
23-year-old Sirad Ali is a woman adrift. Abandoned by her father in childhood, she does her best to support her mother and younger brother in their small flat in South London. But she can’t help but wonder if this is the life she really wants. Until one morning, when she boards the bus to work in Greenwich, she finds herself transported to an alternate reality in present-day Mogadishu. There she encounters her double, Ubah — the woman she could have been had her parents never fled to London during the Somali Civil War. And what follows will change both of their lives for ever. [Paperback]
”A bold, intriguing act of imagination. Salutation Road confronts important questions about parallel existences splintered by immigration, the price of survival, and the ways migration and distance reshape blood ties and family.” —Aube Rey Lescure
>>Exploring who we are.