Posts tagged Book lists
OCKHAM NEW ZEALAND BOOKS AWARDS 2024 — Winners

Some superb books have been recognised in this year’s awards, from a strong year of Aotearoa publishing. Read the judges’ comments below, and click through to our website for your copies.

 

JANN MEDLICOTT ACORN PRIZE FOR FICTION

Lioness by Emily Perkins (Bloomsbury Publishing) $25

A searing and urgent novel crackling with tension and intelligence, Lioness starts with a hiss and ends with a roar as protagonist Therese’s dawning awareness and growing rage reveals itself. At first glance this is a psychological thriller about a privileged wealthy family and its unravelling. Look closer and it is an incisive exploration of wealth, power, class, female rage, and the search for authenticity. Emily Perkins deftly wrangles a large cast of characters in vivid technicolour, giving each their moment in the sun, while dexterously weaving together multiple plotlines. Her acute observations and razor-sharp wit decimate the tropes of mid-life in moments of pure prose brilliance, leaving the reader gasping for more. Disturbing, deep, smart, and funny as hell, Lioness is unforgettable.

 

MARY AND PETER BIGGS AWARD FOR POETRY

Chinese Fish by Grace Yee (Giramondo Publishing) $30

Grace Yee’s is a striking aesthetic – it blurs genres, it dances around the page, it crosses languages by fusing Cantonese-Taishanese and English, both official and unofficial. Her craft is remarkable. She moves between old newspaper cuttings, advertisements, letters, recipes, cultural theory, and dialogue. Creating a new archival poetics for the Chinese trans-Tasman diaspora, the sequence narrates a Hong Kong family’s assimilation into New Zealand life from the 1960s to the 1980s, interrogating ideas of citizenship and national identity. It displaces the reader, evoking the unsettledness of migration. In Chinese Fish, Yee cooks up a rich variety of poetic material into a book that is special and strange; this is poetry at its urgent and thrilling best.

 

BOOKSELLERS AOTEAROA NEW ZEALAND AWARD FOR ILLUSTRATED NON-FICTION

Don Binney — Flight Path by Gregory O’Brien (Auckland University press) $90

Even as an experienced biographer, Gregory O’Brien has achieved a near impossible task in Don Binney: Flight Path. He has encapsulated the artist’s full life, honestly portraying his often contrary personality, and carefully interrogating a formidably large body of work and its place in Aotearoa New Zealand’s art history. O’Brien’s respect for Binney includes acknowledging that he could be both charming and curmudgeonly, and as a result he offers a complete picture of this complex and creative man. Equally compelling are the book’s faithfully reproduced artworks, exemplifying the best in design, layout and reproduction. From the cover onwards, the images of the paintings take us to the place where Binney observed the land and the birds, capturing the qualities of whenua that meant so much to him.

 

GENERAL NON-FICTION AWARD

An Indigenous Ocean: Pacific essays by Damon Salesa (Bridget Williams Books) $50

In An Indigenous Ocean, Toeolesulusulu Damon Salesa weaves together academic rigour, captivating stories and engaging prose to reframe our understanding of New Zealand’s colonial history in the South Pacific. This scholarly but highly accessible collection of essays carves out space for indigenous voices to tell their own narratives. Grounded in a deep understanding of Pacific history and cultures, Salesa addresses the contemporary social, political, economic, regional and international issues faced by Pacific nations. This seminal work asserts the Pacific’s ongoing impact worldwide, despite marginalisation by New Zealand and others, and will maintain its relevance for generations.

 

MŪRAU O TE TUHI – MĀORI LANGUAGE AWARD

Te Rautakitahi o Tūhoe ki Ōrākau by Tā Pou Temara (Ngāi Tūhoe) (Kotahi Rau Pukapuka, Auckland University Press) $40

He motuhenga marika tēnei pukapuka inā hoki ko tāu e pānui ana ko ngā kupu tuku iho a ngā tūpuna ake o te kaituhi i rongo rā i ngā kōrero a ētehi o te rautakitahi a Tūhoe i haere rā ki te tinei i te ahi ki tawhiti, koia te pakanga rongonui o Ōrākau. Hihiri ana a Hinengaro i a Tā Pou Temara e taki ana i ngā kōrero tuku iho, me te aha he mea kōrero ki te reo o Tūhoe koinei te reo i tupu ai ia. Tuituia ana e ia ōna ake whakaaro puta noa i te pukapuka kia noho mai ko tētehi pukapuka kounga nei mā te hunga e pīkoko ki te reo me te kaihītori ā-kāinga e kai ngākau ana i ngā kōrero o Ngā Riri Whenua o Aotearoa.
This book is truly unique, in that what you read are the narratives which have been handed down to the author through his grandparents, who heard the accounts from that very brave band of Te Urewera and Ngāi Tūhoe who travelled to extinguish the fires from afar at the famous Battle of Ōrākau. Tā Pou Temara enriches us with not only their stories but also a retelling of their narratives in the language of Tūhoe, the language he grew up in. He weaves his own thoughts through the book, which makes it a valuable read for both lovers of the Māori language and at-home-historians interested in the New Zealand Land Wars.

 

MĀTĀTUHI FUNDATION BEST FIRST BOOK AWARDS

 

HUBERT CHURCH PRIZE FOR FICTION

Ruin, And other stories by Emma Hislop (Te Herenga Waka University Press) $35

Each story in this powerful collection exhibits an artful control of situation, character, and language to examine the fallout of painful events which largely occur offstage. Emma Hislop’s portrayals are perceptive, providing the women in her stories the space to grapple with disquieting questions that lack easy answers, while the insistent humanity of her characterisations suggests cause for hope. There is not a spare word in these refined and compelling stories, which introduce a striking new voice to our literature.

 

E.H. MCCORMICK PRIZE FOR GENERAL NON-FICTION

There’s a Cure for This by Emma Wehipeihana (Ngāti Tukorehe, Ngāti Porou) (Penguin Books) $35

Emma Wehipeihana’s engaging, eloquent, witty and sometimes confronting memoir is an extremely impressive first book. It is structured as a series of powerful essays about her journey as a wahine Māori through both her early life and her time in medical school. Emerging as a doctor, she recounts with candour and wry humour the racism she and other Māori experience, and she highlights, in an infinitely readable way, the structural inequalities in the health system.

 

JESSIE MACKAY PRIZE FOR POETRY

At the Point of Seeing by Megan Kitching (Otago University Press) $25

At the Point of Seeing is one of the most accomplished debuts readers are likely to encounter. The collection uses structure to amplify meaning, and its luxuriant lexicon and sometimes knotty syntax are always invigorating rather than confusing. But this book is never a mere exercise in building poems mechanically. Megan Kitching’s poems are warm-blooded, compassionate, and inquiring. They take the reader into an Aotearoa landscape and a moral universe that they will want to explore over and over again.

 

JUDITH BINNEY PRIZE FOR ILLUSTRATED NON-FICTION

Rugby League in New Zealand: A people’s history by Ryan Bodman (Bridget Williams Books) $60

You don’t have to have seen a rugby league game, or even like sport, to be enchanted by Ryan Bodman’s debut book. This is a meticulously researched and engagingly written social history, packed full of stories about what rugby league has meant not just to the players and their supporters, but also to entire communities. The photographs – showing crowd support, action shots, smiling children, and female players – give us a fascinating insight into the story of the sport, whether on the margins or in the mainstream.

 
OCKHAM NEW ZEALAND BOOK AWARDS —2024 short lists

16 excellent books have been short-listed for this year’s OCKHAM NEW ZEALAND BOOK AWARDS.

Find out what the judges have to say, and click through to secure your copies:

 

JANN MEDLICOTT ACORN PRIZE FOR FICTION

A Better Place by Stephen Daisley (Text Publishing) $38

The tragedies of war and prevailing social attitudes are viewed with an unflinching but contemporary eye as Stephen Daisley’s lean, agile prose depicts faceted perspectives on masculinity, fraternity, violence, art, nationhood and queer love in this story about twin brothers fighting in WW2. With its brisk and uncompromising accounts of military action, and deep sensitivity to the plights of its characters, A Better Place is by turns savage and tender, absurd and wry.

 

Audition by Pip Adam (Te Herenga Waka Univeristy Press) $35

Three giants hurtle through the cosmos in a spacecraft called Audition powered by the sound of their speech. If they are silent, their bodies continue to grow. Often confronting and claustrophobic, but always compelling, Audition asks what happens when systems of power decide someone takes up too much space and what role stories play in mediating truth. A mind-melting, brutalist novel, skillfully told in a collage of science fiction, social realism, and romantic comedy.

 

Birnam Wood by Eleanor Catton (Te Herenga Waka University Press) $38

When Mira Bunting, the force behind guerilla gardening collective Birnam Wood, meets her match in American tech billionaire Robert Lemoine, the stage is set for a tightly plotted and richly imagined psychological thriller. Eleanor Catton’s page-turner gleams with intelligence, hitting the sweet spot between smart and accessible. And like an adrenalised blockbuster grafted on to Shakespearian rootstock, it accelerates towards an epic conclusion that leaves readers’ heads spinning.

 

Lioness by Emily Perkins (Bloomsbury) $25

After marrying the older, wealthier Trevor, Teresa Holder has transformed herself into upper-class Therese Thorn, complete with her own homeware business. But when rumours of corruption gather around one of Trevor’s property developments, the fallout is swift, and Therese begins to reevaluate her privileged world. Emily Perkins weaves multiple plotlines and characters with impressive dexterity. Punchy, sophisticated and frequently funny, Lioness is an incisive exploration of wealth, power, class, female rage, and the search for authenticity.

 

MARY AND PETER BIGGS AWARD FOR POETRY

 

At the Point of Seeing by Megan Kitching (Otago University Press) $25

With a polymath’s ear and a photographer’s eye, Megan Kitching creates sharp, complex pictures of the landscapes and lifescapes of Aotearoa. Many of her best poems focus on unruly coastal zones as points of contact, where history is always being made and remade, but she doesn’t ignore the human domain with its ‘petty hungers or awkward flutters’. Importantly, her work insists on the fact that difficult social and political questions cannot be separated from aesthetic ones.

 

Chinese Fish by Grace Yee (Giramondo Publishing) $30

Grace Yee’s sequence narrates a family’s assimilation into New Zealand life from the 1960s to the 1980s with a striking aesthetic. We navigate swerves in personae, extratextuality, illustrations, Cantonese-Taishanese phrases and English translations provided on the back pages. Yee skillfully bends genres and displaces the reader, evoking the unsettledness of migration. An invigorating read with its tapestry of scenes, characters, food, and language, Chinese Fish contributes a new archival poetics to the Chinese trans-Tasman diaspora.

 

Root Leaf Flower Fruit by Bill Nelson (Te Herenga Waka University Press) $30

This intriguing verse novel leads us at a walking pace – sometimes tumbling and scraping – across country and suburb, and volatile seasons. There are pivots in perspective and a rich sense of deep time as we encounter nature, injury and recovery, and a settler farming legacy. Bill Nelson’s writing has a sonic quality, protean line breaks, and surprise story threads. The final section with its hint of the New Zealand gothic, is gripping.

 

Talia by Isla Huia (Te Āti Haunui a-Pāpārangi, Uenuku) (Dead Bird Books)

These poems buzz with energy: intellectual, linguistic, literary. Sharply conceived, engaged in conversation and debate across poetry, place, history, and language, Isla Huia’s work brings unexpected material into productive collision. English and te reo Māori meet this way, as do lines and echoes from older poets with present concerns. Huia has an inspired ear and engaged eye, and her poems’ sonic range and sense of adventure combine with a crafter’s care on the page.

 

BOOKSELLERS AOTEAROA NEW ZEALAND AWARD FOR ILLUSTRATED NON-FICTION

 

Don Binney: Flight Path by Gregory O’Brien (Auckland University Press) $90

In this wonderfully rich and honest portrait of the artist Don Binney, Gregory O’Brien is never an unquestioning cheerleader for his subject. So while readers see and appreciate his famous works and learn about his interest in both geology and royalty, they also discover his sometimes prickly and sardonic personality. Binney neither liked nor identified with the description ‘bird man’, but hear the name Don Binney and his soaring solo birds come instantly to mind.

 

Fungi of Aotearoa: A Curious Forager’s Field Guide by Liv Sisson (Penguin Random House) $45

Liv Sisson’s fungi field guide is a joyous combination of information and advice that is totally practical, potentially lifesaving and deliciously quirky. If you don’t know a black landscaping morel from a death cap or a stinky squid from a dog vomit, look no further. Fungi might not move but they are notoriously hard to photograph, so full credit to Paula Vigus and the other photographers for making the mostly tiny subject matter look enticing, and even monumental.

 

Marilynn Webb: Folded in the Hills by Lauren Gutsell, Lucy Hammonds and Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi) (Dunedin Public Art Gallery) $70

From its irresistibly tactile cover to the end note from the Webb estate that the humble Marilynn would have been honoured by the book, this is a magnificent publication. Creating a book from an exhibition has many fishhooks, but the writers, contributors and designer have produced a book that shines. Webb’s life story and her artistic practice are told in both te reo Māori and English, and her art is lovingly and accurately reproduced on the page.

 

Rugby League in New Zeaqland: A People’s History by Ryan Bodman (Bridget Williams Books) $60

One of Ryan Bodman’s many achievements with this, his first book, is the fact that you don’t have to know or even be interested in rugby league to enjoy it. He presents us with a genuinely fascinating social history which includes identity, women in sport, gangs, politics and community pride in their teams. The photographs taken on and off the field are an absolute treasure-trove of a record of the sport.

 

GENERAL NON-FICTION AWARD

 

An Indigenous Ocean: Pacific Essays by Damon Salesa (Bridget Williams Books) $50

Damon Salesa’s collection of essays re-frames our understanding of Aotearoa New Zealand’s colonial history in the South Pacific. A seminal work, An Indigenous Ocean asserts Pacific agency and therefore its ongoing impact worldwide, despite marginalisation by New Zealand and others. Salesa brings together academic rigour, captivating stories and engaging prose, resulting in a masterful book that will endure for generations.

 

Laughing in the Dark: A Memoir by Barbara Else (Penguin Random House) $40

In this beautifully crafted memoir, Barbara Else reflects on her writing career and its impact on her life. Else’s narrative is both resolute and nuanced, artful and authentic. A story that perhaps could only be told decades after the death of her first husband, Jim Neale – the archetypal patriarchal man in the 1960s and 1970s – Else also explores how toxic masculinity took its toll on him while examining when she herself needed to be held to account.

 

Ngātokimatawhaorua: Biography of a Waka by Jeff Evans (Massey University Press) $50

Beginning with an expedition into the Puketi forest alongside master waka builder Rānui Maupakanga, Jeff Evans takes us on a vivid journey of discovery as he tells tell the story of the majestic waka taua Ngātokimatawhaorua, a vessel that is both a source of pride and a symbol of wayfaring prowess. Evans’ biography showcases both the whakapapa of the waka, including the influence of Te Puea Hērangi, and its role in the renaissance of voyaging and whakairo (carving) traditions.

 

There’s a Cure for This: A Memoir by Emma Wehipeihana (Ngāti Tukorehe, Ngāti Porou) (Penguin Random House) $35

Engaging, eloquent and occasionally confronting, Emma Wehipeihana’s [Emma Espiner’s] memoir is comprised of a series of powerful essays about her journey as a Māori woman through both her early life and her time in medical school. Emerging as a doctor, she recounts the racism she and others experience and highlights the structural inequalities in New Zealand’s health system. This book brims with candour, pathos, and wry humour.

 
VOLUME BooksBook lists
OCKHAM NEW ZEALAND BOOK AWARDS —2024 short lists


16 excellent books have been short-listed for this year’s OCKHAM NEW ZEALAND BOOK AWARDS.

Find out what the judges have to say, and click through to secure your copies:

 

JANN MEDLICOTT ACORN PRIZE FOR FICTION

A Better Place by Stephen Daisley (Text Publishing) $38

The tragedies of war and prevailing social attitudes are viewed with an unflinching but contemporary eye as Stephen Daisley’s lean, agile prose depicts faceted perspectives on masculinity, fraternity, violence, art, nationhood and queer love in this story about twin brothers fighting in WW2. With its brisk and uncompromising accounts of military action, and deep sensitivity to the plights of its characters, A Better Place is by turns savage and tender, absurd and wry.

 

Audition by Pip Adam (Te Herenga Waka Univeristy Press) $35

Three giants hurtle through the cosmos in a spacecraft called Audition powered by the sound of their speech. If they are silent, their bodies continue to grow. Often confronting and claustrophobic, but always compelling, Audition asks what happens when systems of power decide someone takes up too much space and what role stories play in mediating truth. A mind-melting, brutalist novel, skillfully told in a collage of science fiction, social realism, and romantic comedy.

 

Birnam Wood by Eleanor Catton (Te Herenga Waka University Press) $38

When Mira Bunting, the force behind guerilla gardening collective Birnam Wood, meets her match in American tech billionaire Robert Lemoine, the stage is set for a tightly plotted and richly imagined psychological thriller. Eleanor Catton’s page-turner gleams with intelligence, hitting the sweet spot between smart and accessible. And like an adrenalised blockbuster grafted on to Shakespearian rootstock, it accelerates towards an epic conclusion that leaves readers’ heads spinning.

 

Lioness by Emily Perkins (Bloomsbury) $25

After marrying the older, wealthier Trevor, Teresa Holder has transformed herself into upper-class Therese Thorn, complete with her own homeware business. But when rumours of corruption gather around one of Trevor’s property developments, the fallout is swift, and Therese begins to reevaluate her privileged world. Emily Perkins weaves multiple plotlines and characters with impressive dexterity. Punchy, sophisticated and frequently funny, Lioness is an incisive exploration of wealth, power, class, female rage, and the search for authenticity.

 

MARY AND PETER BIGGS AWARD FOR POETRY

 

At the Point of Seeing by Megan Kitching (Otago University Press) $25

With a polymath’s ear and a photographer’s eye, Megan Kitching creates sharp, complex pictures of the landscapes and lifescapes of Aotearoa. Many of her best poems focus on unruly coastal zones as points of contact, where history is always being made and remade, but she doesn’t ignore the human domain with its ‘petty hungers or awkward flutters’. Importantly, her work insists on the fact that difficult social and political questions cannot be separated from aesthetic ones.

 

Chinese Fish by Grace Yee (Giramondo Publishing) $30

Grace Yee’s sequence narrates a family’s assimilation into New Zealand life from the 1960s to the 1980s with a striking aesthetic. We navigate swerves in personae, extratextuality, illustrations, Cantonese-Taishanese phrases and English translations provided on the back pages. Yee skillfully bends genres and displaces the reader, evoking the unsettledness of migration. An invigorating read with its tapestry of scenes, characters, food, and language, Chinese Fish contributes a new archival poetics to the Chinese trans-Tasman diaspora.

 

Root Leaf Flower Fruit by Bill Nelson (Te Herenga Waka University Press) $30

This intriguing verse novel leads us at a walking pace – sometimes tumbling and scraping – across country and suburb, and volatile seasons. There are pivots in perspective and a rich sense of deep time as we encounter nature, injury and recovery, and a settler farming legacy. Bill Nelson’s writing has a sonic quality, protean line breaks, and surprise story threads. The final section with its hint of the New Zealand gothic, is gripping.

 

Talia by Isla Huia (Te Āti Haunui a-Pāpārangi, Uenuku) (Dead Bird Books)

These poems buzz with energy: intellectual, linguistic, literary. Sharply conceived, engaged in conversation and debate across poetry, place, history, and language, Isla Huia’s work brings unexpected material into productive collision. English and te reo Māori meet this way, as do lines and echoes from older poets with present concerns. Huia has an inspired ear and engaged eye, and her poems’ sonic range and sense of adventure combine with a crafter’s care on the page.

 

BOOKSELLERS AOTEAROA NEW ZEALAND AWARD FOR ILLUSTRATED NON-FICTION

 

Don Binney: Flight Path by Gregory O’Brien (Auckland University Press) $90

In this wonderfully rich and honest portrait of the artist Don Binney, Gregory O’Brien is never an unquestioning cheerleader for his subject. So while readers see and appreciate his famous works and learn about his interest in both geology and royalty, they also discover his sometimes prickly and sardonic personality. Binney neither liked nor identified with the description ‘bird man’, but hear the name Don Binney and his soaring solo birds come instantly to mind.

 

Fungi of Aotearoa: A Curious Forager’s Field Guide by Liv Sisson (Penguin Random House) $45

Liv Sisson’s fungi field guide is a joyous combination of information and advice that is totally practical, potentially lifesaving and deliciously quirky. If you don’t know a black landscaping morel from a death cap or a stinky squid from a dog vomit, look no further. Fungi might not move but they are notoriously hard to photograph, so full credit to Paula Vigus and the other photographers for making the mostly tiny subject matter look enticing, and even monumental.

 

Marilynn Webb: Folded in the Hills by Lauren Gutsell, Lucy Hammonds and Bridget Reweti (Ngāti Ranginui, Ngāi Te Rangi) (Dunedin Public Art Gallery) $70

From its irresistibly tactile cover to the end note from the Webb estate that the humble Marilynn would have been honoured by the book, this is a magnificent publication. Creating a book from an exhibition has many fishhooks, but the writers, contributors and designer have produced a book that shines. Webb’s life story and her artistic practice are told in both te reo Māori and English, and her art is lovingly and accurately reproduced on the page.

 

Rugby League in New Zeaqland: A People’s History by Ryan Bodman (Bridget Williams Books) $60

One of Ryan Bodman’s many achievements with this, his first book, is the fact that you don’t have to know or even be interested in rugby league to enjoy it. He presents us with a genuinely fascinating social history which includes identity, women in sport, gangs, politics and community pride in their teams. The photographs taken on and off the field are an absolute treasure-trove of a record of the sport.

 

GENERAL NON-FICTION AWARD

 

An Indigenous Ocean: Pacific Essays by Damon Salesa (Bridget Williams Books) $50

Damon Salesa’s collection of essays re-frames our understanding of Aotearoa New Zealand’s colonial history in the South Pacific. A seminal work, An Indigenous Ocean asserts Pacific agency and therefore its ongoing impact worldwide, despite marginalisation by New Zealand and others. Salesa brings together academic rigour, captivating stories and engaging prose, resulting in a masterful book that will endure for generations.

 

Laughing in the Dark: A Memoir by Barbara Else (Penguin Random House) $40

In this beautifully crafted memoir, Barbara Else reflects on her writing career and its impact on her life. Else’s narrative is both resolute and nuanced, artful and authentic. A story that perhaps could only be told decades after the death of her first husband, Jim Neale – the archetypal patriarchal man in the 1960s and 1970s – Else also explores how toxic masculinity took its toll on him while examining when she herself needed to be held to account.

 

Ngātokimatawhaorua: Biography of a Waka by Jeff Evans (Massey University Press) $50

Beginning with an expedition into the Puketi forest alongside master waka builder Rānui Maupakanga, Jeff Evans takes us on a vivid journey of discovery as he tells tell the story of the majestic waka taua Ngātokimatawhaorua, a vessel that is both a source of pride and a symbol of wayfaring prowess. Evans’ biography showcases both the whakapapa of the waka, including the influence of Te Puea Hērangi, and its role in the renaissance of voyaging and whakairo (carving) traditions.

 

There’s a Cure for This: A Memoir by Emma Wehipeihana (Ngāti Tukorehe, Ngāti Porou) (Penguin Random House) $35

Engaging, eloquent and occasionally confronting, Emma Wehipeihana’s [Emma Espiner’s] memoir is comprised of a series of powerful essays about her journey as a Māori woman through both her early life and her time in medical school. Emerging as a doctor, she recounts the racism she and others experience and highlights the structural inequalities in New Zealand’s health system. This book brims with candour, pathos, and wry humour.

ART AND ARCHITECTURE SUMMER SPECIALS

This summer, discover new art, be inspired, add to your reference shelves; get your imagination fired up for your next building project or craft pursuit; or simply enjoy the sheer pleasure of leafing through a beautiful book filled with intriguing images and ideas.
This is your opportunity to pile up a selection of superb books on art, architecture, photography, craft, and design, from both Aotearoa and overseas — all at satisfyingly reduced prices.

Judging from previous years, our advice is: be quick — there are single copies only of most titles and many of them cannot be reordered (even at full price). 
Build your art library or get someone a little inspiration for the coming year!

VOLUME BooksBook lists
Art and Architecture Summer Specials

This summer discover new art, be inspired, and add to your reference shelves; get your imagination fired up for your next building project or craft pursuit; or simply enjoy the sheer pleasure of leafing through a beautiful book filled with intriguing images and ideas.

This is your opportunity to pile up a selection of superb books on art, architecture, photography, craft, and design, from both Aotearoa and overseas — all at satisfyingly reduced prices. Judging from previous years, our advice is: be quick — there are single copies only of most titles and many of them cannot be reordered (even at full price).

Build your art library or get someone a little inspiration for the coming year.

VOLUME BooksBook lists
A field of buttons (the 2023 gift selector)
VOLUME BooksBook lists
BOOKER PRIZE SHORT LIST 2023

Read the winner of the 2023 BOOKER PRIZE! Read the other excellent books on the short list! Although full of hope, humour and humanity, the books address many of 2023’s most pressing concerns: climate change, immigration, financial hardship, the persecution of minorities, political extremism and the erosion of personal freedoms. They feature characters in search of peace and belonging or lamenting lost loves. There are books that are grounded in modern reality, that shed light on shameful episodes in history and which imagine a terrifying future.

Click through to buy your copies! Read the books! Tell us what you think!

 

THE WINNER OF THE 2023 BOOKER PRIZE:

Prophet Song by Paul Lynch
A mother faces a terrible choice, in Paul Lynch’s exhilarating, propulsive and confrontational portrait of a society on the brink. On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find the GNSB on her doorstep. Two officers from Ireland’s newly formed secret police want to speak with her husband. Things are falling apart. Ireland is in the grip of a government that is taking a turn towards tyranny. And as the blood-dimmed tide is loosed, Eilish finds herself caught within the nightmare logic of a collapsing society — assailed by unpredictable forces beyond her control and forced to do whatever it takes to keep her family together. 
Prophet Song follows one woman’s attempts to save her family in a dystopic Ireland sliding further and further into authoritarian rule. It is a shocking, at times tender novel that is not soon forgotten.  It is propulsive and unsparing, and it flinches away from nothing. This is an utterly brave performance by an author at the peak of his powers, and it is terribly moving. Prophet Song has one of the most haunting endings you will ever read. The book lives long in the mind after you’ve set it down.” —Booker judges’ citation
”I haven't read a book that has shaken me so intensely in many years. The comparisons are inevitable — Saramago, Orwell, McCarthy — but this novel will stand entirely on its own.” —Colum McCann
”It was gripping and chilling, and terribly prescient — a novel with a darkly important message about this particular moment in time.” —Sara Baume
>>Radical empathy.
>>Read an extract.

 

THE OTHER SHORT-LISTED BOOKS

Study for Obedience by Sarah Bernstein
In her accomplished and unsettling second novel, Sarah Bernstein explores themes of prejudice, abuse and guilt through the eyes of a singularly unreliable narrator. A woman moves from the place of her birth to a ‘remote northern country’ to be housekeeper to her brother, whose wife has just left him. Soon after she arrives, a series of unfortunate events occurs: collective bovine hysteria; the death of a ewe and her nearly-born lamb; a local dog’s phantom pregnancy; a potato blight. She notices that the community’s suspicion about incomers in general seems to be directed particularly in her case. She feels their hostility growing, pressing at the edges of her brother’s property. Inside the house, although she tends to her brother and his home with the utmost care and attention, he too begins to fall ill.
Study for Obedience is an absurdist tale about how a stranger’s arrival in an unnamed town slowly unearths deep undercurrents of xenophobia, and it feels very like an allegory for the rise of ideological radicalism today. It is also a stirring meditation on survival. It has the uncanny charm of feeling like both a historical work – with its pastoral settings, petty superstitions, and suspicious villagers – and something bracingly modern. In this way it very cleverly, and with great irony, draws a link between a past we’d like to believe is behind us and our very charged present. The humour here is dry as a bone, very Bernhard-esque; it is obliquely and surprisingly funny.” —Booker judges’ citation
”Bernstein paints from a palette of dread. This masterly follow-up to her debut acts as a meditation on survival, the dangers of absorbing the narratives of the powerful, and a warning that the self-blame of the oppressed often comes back to bite.” —Observer
>>The question of innocence is a complicated one.
>>Read an extract.
>>Read Thomas’s review of The Coming Bad Days.

 

This Other Eden by Paul Harding
Full of lyricism and power, Paul Harding's spellbinding novel celebrates the hopes, dreams and resilience of those deemed not to fit in a world brutally intolerant of difference. Inspired by historical events, This Other Eden tells the story of Apple Island: an enclave off the coast of the United States where castaways — in flight from society and its judgment — have landed and built a home.  In 1792, formerly enslaved Benjamin Honey arrives on the island with his Irish wife, Patience, to make a life together there. More than a century later, the Honeys’ descendants remain, alongside an eccentric, diverse band of neighbours. Then comes the intrusion of ‘civilization’: officials determine to ‘cleanse’ the island. A missionary schoolteacher selects one light-skinned boy to save. The rest will succumb to the authorities’ institutions — or cast themselves on the waters in a new Noah’s Ark.
”It’s rare to encounter a work of historical fiction that is at once so lyrical and so empathetic. While many readers will be struck by Harding’s inimitable voice, many more will also be drawn to his beautifully etched portraits of the inhabitants of Apple Island. Though set in the past, it’s impossible to ignore the novel’s contemporary resonance, especially in its exploration of how those in power, convinced of their righteousness, abuse others whose identities and way of life don’t conform to their own.” —Booker judges’ citation
”Masterful. This Other Eden is a story of good intentions, bad faith, worse science, but also a tribute to community and human dignity and the possibility of another world. In both, it has much to say to our times.” —The Guardian
>>Mostly written on post-it notes.
>>Read an extract.

 

Western Lane by Chetna Maroo
Chetna Maroo's tender and moving debut novel about grief, sisterhood, a teenage girl's struggle to transcend herself — and squash. Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo. But on the court, she is not alone. She is with her pa. She is with Ged, a 13-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe. 
Western Lane is a mesmerising novel about how silence can reverberate within a family in the aftermath of grief. The story unfolds on a squash court; the reader quickly learns how sport can act as a balm for the living. It is also about sisterhood, and about the love that remains after a devastating loss. The language in this novel is truly something to be savoured. Western Lane contains crystalline prose that also feels warm and tender, which can be a difficult balance to strike. Bereavement is something which we will all experience one day in some shape or form, and the complexity of familial dynamics is another universal theme which Western Lane explores with great sincerity and depth of feeling.” —Booker judges’ citation
”The work of a writer who knows what they want to do, and who has the rare ability to do it.” —The Guardian
>>Focussed attention.
>>Read an extract.

 

The Bee Sting by Paul Murray
A patch of ice on the road, a casual favour to a charming stranger, a bee caught beneath a bridal veil — can a single moment of bad luck change the direction of a life? Dickie’s once-lucrative car business is going under — but rather than face the music, he’s spending his days in the woods, building an apocalypse-proof bunker. His exasperated wife Imelda is selling off her jewellery on eBay while half-heartedly dodging the attentions of fast-talking cattle farmer Big Mike. Meanwhile, teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And 12-year-old PJ, in debt to local sociopath ‘Ears’ Moran, is putting the final touches to his grand plan to run away. Yes, in Paul Murray’s brilliant tragicomic saga, the Barnes family is definitely in trouble. So where did it all go wrong? And if the story has already been written — is there still time to find a happy ending? 
The Bee Sting is the very funny, sad and truthful story of the Barnes family, set in contemporary Ireland and written with considerable wit and compassion. The characters are unforgettable. They persist with hope and are capable of startling moments of love and generosity, despite their myriad flaws and problems. Imelda Barnes is a wonderful creation — initially we see her exterior waspishness and materialism but as the book progresses, Murray skilfully reveals the family secrets which have led them all to their present situation. Imelda’s response to the hardship of her childhood is at once courageous, self-deluding and entirely human.” —Booker judges’ citation
”It can't be overstated how purely pleasurable The Bee Sting is to read. Murray's brilliant new novel, about a rural Irish clan, posits the author as Dublin's answer to Jonathan Franzen . A 650-page slab of compulsive high-grade entertainment, The Bee Sting oozes pathos while being very funny to boot. Murray's observational gifts and A-game phrase-making render almost every page — every line, it sometimes seems — abuzz with fresh and funny insights. At its core this is a novel concerned with the ties that bind, secrets and lies, love and loss. They're all here, brought to life with captivating vigour in a first-class performance to cherish.” —The Observer
>>A possible future.
>>Read an extract.

 

If I Survive You by Jonathan Escoffery
In 1979, as political violence consumes their native Kingston, Topper and Sanya flee to Miami. But they soon learn that the welcome in America will be far from warm.  Trelawny, their youngest son, comes of age in a society that regards him with suspicion and confusion. Their eldest son Delano’s longing for a better future for his own children is equalled only by his recklessness in trying to secure it.  As both brothers navigate the obstacles littered in their path – an unreliable father, racism, a financial crisis and Hurricane Andrew — they find themselves pitted against one another. Will their rivalry be the thing that finally tears their family apart? 
”In Jonathan Escoffery’s vital, captivating debut novel, each chapter takes us deeper into a family album of stories, revealing the life and survival of a family, fleeing the violence of early Seventies’ Jamaica for the uncertain sanctuary of a new beginning in America. From the heartbreaking to the hilarious, Escoffery effortlessly conducts the various voices, contradictory in their perspectives, their dreams and desires, while wrestling with the age-old immigrant dilemma — who are my people and where do I belong? As with the best fiction, all of life is here in unflinching detail: the vagaries of capitalism, our yearning for a safety net, international migration, the American Dream, the fragility of existence, climate change, catastrophic misunderstandings and the road not taken." —Booker judges’ citation
>>”Humour is a coping mechanism used by people aware of their powerlessness.”
>>Read an extract.

 
VOLUME BooksBook lists
New and Interesting Wine Books

If you are looking for a perfect gift for the wine connoisseur or a book to add to your reference library, here is a tasting of new, forthcoming, and interesting titles.

Provocative and irreverent, A Vintner’s Tale is the story of change and innovation in one of New Zealand’s notable industries and an important record of the people who made the world take notice. Written by wine industry veteran Peter Hubscher.

From our southern clime neighbour, a look at the last two decades of Austalian wine making is articulated in Alternative Reality. Max Allen, lecturer in Wine Studies at Melbourne University, award-winning journalist and writer, long-time contributor to Gourmet Traveller Magazine, covers the ground with key people and key moments, along with comprehensive information about more than 150 alternative grape varieties currently grown in Australia and what the wines made from these grapes taste like.

Highly regarded writer Jon Bonné’s lastest book is a tempting and atttractive two volume pleasure. The comprehensive and authoritative The New French Wine takes readers on a tour through every wine region of France, featuring some 800 producers and more than 7,000 wines, plus evocative photography and maps, as well as the incisive narrative and compelling storytelling that has earned Jon Bonné accolades and legions of fans in the wine world.

In Adventures of Rose Wine in Provence discover the history of rosé — known for its gorgeous spectrum of pale pink colors, its aromatic and fruity flavor, and its growing success. Travel through Provence along the Rosé Road, from St. Tropez to St. Barts and beyond; enjoy stories and portraits alongside stunning photographs of Provence's magnificent shores and chateaus and to the places where rosé is celebrated from the luxurious Hotel Eden Rock to historic Club 55.

For something ecclectic and erudite, knowledgable wine writer Neal Martin has produced a singular book, The Complete Bordeaux Vintage Guide 1870-2020 . “..brillaint…addictively dip-in-able…already an indispensable classic reference book." - Victoria Moore, The Telegraph

Staying with bordeaux, this guide to 35 wineries is a must. Bordeaux 1855 is comprehensive and lavishly illustrated and includes detailed maps. Perfect for wine aficionados planning a trip to France as well as wine-loving armchair travelers.

Interested in history and cultural consideration vis-a-vis wine? Then these will appeal:

Rod Phillip’s French Wine is a history of wine in France: from Etruscan, Greek, and Roman imports and the adoption of wine by beer-drinking Gauls to its present status within the global marketplace. “It's a book to read for its unstoppable torrent of fascinating and often surprising details." —Andrew Jefford, Decanter

In Wine: A Cultural History  art historian John Varriano ranges across literature and art, religion and rituals, celebrations and social occassions, medicine and the wine industry, to explore the cultural impact of the both beloved and critiqued beverage.

A recent addition to the excellent ‘Object Lessons’ series is Meg Bernhard’s Wine. Drawing from science, religion, literature, and memoir, Benhard meditates on the power structures bound up with making and drinking this ancient, intoxicating beverage.

Click through on the links to find out more about these new and recent wine titles. Order via our website volumebooks.online or simply email us with your requests.

VOLUME BooksBook lists, WHISK
Ockham New Zealand Book Awards — 2023 winners

The OCKHAM NEW ZEALAND BOOK AWARDS recognise some of the outstanding books published in Aotearoa in the last year.

Read what the judges have to say about the winners of each section, and then click through to secure your copies.

JANN MEDLICOTT ACORN PRIZE FOR FICTION

The Axeman’s Carnival by Catherine Chidgey (Te Herenga Waka University Press)

The Axeman’s Carnival is a novel that has been clasped to New Zealanders’ hearts. It is narrated by the unforgettable Tama, a fledgling magpie taken in and raised by Marnie on the Te Waipounamu high country farm she shares with champion axeman husband Rob. Without anthropomorphism, Tama is constantly entertaining with his take on the foibles and dramas of his human companions. An underlying sense of dread is shot through with humour and humanity. Chidgey’s masterful writing explores the diversifying of rural life, the predicament of childlessness, the ageing champ, and domestic violence. She provides a perspicacious take on the invidious nature of social media and a refreshingly complex demonstration of feminist principle. The Axeman’s Carnival is unique: poetic, profound and a powerfully compelling read from start to finish.”



MARY AND PETER BIGGS AWARD FOR POETRY

Always Italicise: How to Write While Colonised by Alice Te Punga Somerville (Te Āti Awa, Taranaki) (Auckland University Press)

“Alice Te Punga Somerville’s collection, Always Italicise: How to Write While Colonised, voyages out like a waka seeking new ground, visiting four areas of life: language in ‘Reo’, identity in ‘Invisible Ink’, work in ‘Mahi’ and love in ‘Aroha’. Readers are challenged but crucially invited in to accept that challenge and reach a new understanding of what it is to be a Māori woman scholar, mother and wife in 2022, encountering and navigating uncomfortable and hostile spaces. Always Italicise shines for its finely crafted, poetically fluent and witty explorations of racism, colonisation, class, language and relationships. A fine collection, establishing and marking a new place to stand.”



BOOKSELLERS AOTEAROA NEW ZEALAND AWARD FOR ILLUSTRATED NON-FICTION

Jumping Sundays: The Rise and Fall of the Counterculture in Aotearoa New Zealand by Nick Bollinger (Auckland University Press)

“With its homage to the look and feel of a countercultural tract, Jumping Sundays is a triumph of production and design. The cover alone is one of the best of the year and signals the visual excellence that follows: vibrant endpapers, distinctive typography and bountiful images on an appropriately uncoated stock. Yet Jumping Sundays is more than just a well-designed book. Drawing on archival research and rich personal narratives, Nick Bollinger has written a compelling account of an epoch-making period, linking international trends to the local context in a purposeful-yet-playful way. A joy to read and to hold, Jumping Sundays is a fantastic example of scholarship, creativity and craft.”



GENERAL NON-FICTION AWARD

The English Text of the Treaty of Waitangi by Ned Fletcher (Bridget Williams Books)

The English Text of the Treaty of Waitangi is a meticulously constructed work of scholarship that provides surprising and essential analysis of Te Tiriti. It will shift and inform debates about the intentions of those who constructed and signed the Treaty and how we interpret it today. Though it is weighty, Ned Fletcher’s book leads readers through a series of clear and well-evidenced hypotheses. It provides colourful and necessary detail about the characters and context involved in the creation of the English text of Aotearoa’s founding document. Fletcher’s comprehensive examination sheds new light on the document's implications and contributes fresh thinking to what remains a very live conversation for all of us that call this country home.”



BEST FIRST BOOK AWARDS

HUBERT CHURCH PRIZE FOR FICTION

Home Theatre by ​Anthony Lapwood (Ngāti Ranginui, Ngāi Te Rangi, Ngāti Whakaue, Pākehā) (Te Herenga Waka University Press)

“Home Theatre, a collection of interlinked short stories, is unfailingly inventive. Narratives move between the twentieth and twenty-first century, with strong characterisation and genuine voice. The stories are humane and warm at the same time as being cerebral and challenging. Anthony Lapwood writes skilfully in all genres, ranging smoothly from domestic stories to science fiction to love stories to historical fiction, and sometimes all four at once. He demonstrates a keen interest in technology, both contemporary and of the past. Lapwood’s writing is sophisticated and of great promise.”


JESSIE MACKAY PRIZE FOR POETRY

We’re All Made of Lightning by Khadro Mohamed (We Are Babies Press, Tender Press)

“Khadro Mohamed’s We’re All Made of Lightning takes us to distant lands, Egypt and Somalia, in heightened sensory language as she grieves for her homeland. Heart-breaking vulnerability and anger are revealed after a man had taken a knife and sliced straight through the sky on the March 15 attacks. Time, memory, dreams and reality are fluid and woven into lyrical poems and prose poems that consider what she would take if she were to go back to where she came from.”


JUDITH BINNEY PRIZE FOR ILLUSTRATED NON-FICTION

Kai: Food Stories & Recipes from my Family Table by Christall Lowe (Bateman Books)

Kai has everything you’d expect from an internationally recognised food photographer: elegant and enticing images, topped with well-placed illustrations and the compelling use of colour. But it is the substance of the book that shines. Whānau stories and recipes provide the reader with a wider insight into te ao Māori, creating a homage to food that is both grounded in tradition yet modern. Kai is the Edmonds cookbook for our time.”


E.H. MCCORMICK PRIZE FOR GENERAL NON-FICTION

Grand: Becoming my Mother’s Daughter by Noelle McCarthy (Penguin Random House)

“This exquisite debut masterfully weaves together the threads of Noelle McCarthy’s life, and her relationship with her mother, in a memoir that connects with truths that unite us all. Poignant and poetic language renders scenes with honesty and colour. Intimate, but highly accessible, the fragility and turbulence of the mother-daughter relationship is at times brutally detailed. Despite this, Grand is an uplifting memoir, delicate and self-aware, and a credit to McCarthy’s generosity and literary deftness.”



>>The other short-listed books are excellent, too!

Read the 2023 International Booker Prize short list

The short list for the 2023 INTERNATIONAL BOOKER PRIZE contains some outstanding books. Read what the judges have to say, and then click through for your copies: 

Standing Heavy by GauZ' (translated from French by Frank Wynne): ”A sharp and satirical take on the legacies of French colonial history and life in Paris today. Told in a fast-paced, and fluently translated, style of shifting perspectives, Standing Heavy carries us through the decades.”

Time Shelter Georgi Gospodinov (translated from Bulgarian by Angela Rodel): "A wide-ranging, thought-provoking, macabre and humorous novel about nationality, identity and ageing, and about the healing and destructive power of memory."

Still Born by Guadalupe Nettel (translated from Spanish by Rosalind Harvey): “Two best friends share an aversion to ‘the human shackles’ of motherhood, only to discover that life has other plans. With a twisty, enveloping plot, the novel poses some of the knottiest questions about freedom, disability, and dependence – all in language so blunt it burns.”

Boulder by Eva Baltasar (translated from Catalan by Julia Sanches): “Boulder is a sensuous, sexy, intense book. Eva Baltasar condenses the sensations and experiences of a dozen more ordinary novels into just over 100 pages of exhilarating prose. An incisive story of queer love and motherhood that slices open the dilemmas of exchanging independence for intimacy.”

Whale by Cheon Myeong-kwan (translated from Korean by Chi-Young Kim): "A carnivalesque fairy tale that celebrates independence and enterprise, a picaresque quest through Korea’s landscapes and history, Whale is a riot of a book. Cheon Myeong-Kwan’s vivid characters are foolish but wise, awful but endearing, and always irrepressible. This is a hymn to restlessness and self-transformation."

The Gospel According to the New World by Maryse Condé (translated from French by Richard Philcox): ”The book borrows from the tradition of magical realism and draws us into a world full of colour and life. This is a book that succeeds in mixing humour with poetry, and depth with lightness.”

>>Order your copies now.
>>The other long-listed books are also excellent
The winner will be announced on 23 May.

 


 The short lists for the 2023 Ockham New Zealand Book Awards highlight sixteen of the finest books published in Aotearoa in the last year.
The winners will be announced on 12 May.
Find out what the judges think of the books, and secure your copies now: 



JANN MEDLICOTT ACORN PRIZE FOR FICTION

  • book

    Better the Blood

    Michael Bennett (Ngāti  Pikiao, Ngāti Whakaue) 
    (Simon & Schuster)

    Michael Bennett’s finely tuned thriller opens with an historical atrocity before moving to a contemporary series of murders. Detective Hana Westerman is caught between being a good cop or a kupapa collaborator, and the cases become frighteningly personal. Excellently paced and populated by complex characters, this intricate novel centres on conflict between utu and on the aroha, hūmarie and manaaki needed to move forward.
    >>Your copy

  • book

    Kāwai: For Such a Time as This

    Monty Soutar (Ngāti Porou, Ngāti Awa, Ngāi Tai ki Tāmaki, Ngāti Kahungunu)

    (Bateman Books)
    In senior Māori historian Monty Soutar’s powerful novel we learn histories that transport us across place, time, and generations. We become wrapped in the passion and honour of a mid-18th century ao Māori. Tikanga and mātauranga Māori, rangatiratanga, and love for the whenua and the iwi immerse us; butchery, enslavement, and spiritual curses smash. Mana foments the fires of war. Can later generations reassert balance?
    >>Your copy

  • book

    Mrs Jewell and the Wreck of the General Grant

    Cristina Sanders 
    The Cuba Press

    Based on the true story of an 1866 shipwreck, this re-telling of the endurance of the survivors on a sub-Antarctic island is impeccably researched and peopled by rounded, realistic and complex characters. Dramatic and well paced, it is rich with vivid descriptions of sea, land and weather, and Cristina Sanders offers insight into the physical and psychological effects of being stranded in an inhospitable environment. Historical fiction at its best.
    >>Your copy.

  • book

    Catherine Chidgey 
    Te Herenga Waka University Press
    Catherine Chidgey’s novel is a rich mix of humour and tragedy, suspenseful, insightful and compelling. It’s a contemporary down-on-the-failing-farm tale with a highly inventive and entertaining twist: the narrator is a sentient magpie, Tama, who flies from its pages fully formed and loveable. The story unfolds with many laugh-aloud moments coupled with an overriding sense of dread. Chidgey’s writing is masterful, abounding with poetic language and intensely descriptive settings.
    >>Your copy.

MARY AND PETER BIGGS AWARD FOR POETRY

  • book

    Always Italicise: How to Write While Colonised

    Alice Te Punga Somerville (Te Āti Awa, Taranaki)
     
    Auckland University Press

    Alice Te Punga Somerville’s meticulously crafted collection resonates with aroha, wit, sadness and anger. Advice to “italicise all of the foreign words in her poems” becomes a catalyst to exploring the dynamics of racism, colonisation, and writing in English as a Māori writer. Poems float like gourds strung with musings and personal recounts. English words incline as foreign words, but te reo syllables evade linguistic ambushes, camouflaged soundscapes and erasure. They stand upright, mark Space-Time like pou.
    >>Your copy

  • book

    People Person

    Joanna Cho 
    Te Herenga Waka University Press

    Joanna Cho explores relationships, identity and survival with an aching, ironic honesty. A people person may have a name bought from a fortune-teller, drive battered cars, light up rooms with their hearts, or miss the smell of kawakawa ointment. Cho navigates expectations and choices in imagined and recalled stories, skilfully connecting folklore with autobiographical snapshots from South Korea and Aotearoa. Whimsical, surreal, magical and mundane elements meld and clash in poetic vignettes.
    >>Your copy

  • book

    Sedition

    Anahera Maire Gildea (Ngāti Tukorehe)  
    Taraheke | Bush Lawyer

    Sedition flows through generations of dis-ease, enlivens tongues stilled by loss and trauma, excavates a genealogy of resistance. It’s a contemplative, defiant collection that resists the commodification of culture and whenua, and the ongoing perversity of neo-colonialism. Poems float upon the notion that we walk into the future facing our past, which embodies and shapes us. Anahera Maire Gildea agitates, untangles and reweaves threads of outrage, dystopia and anguish as she resolutely redraws detrimental power.
    >>Your copy.

  • book

    We’re All Made of Lightning

    Khadro Mohamed 
    We Are Babies Press, Tender Press

    Khadro Mohamed’s elegiac collection features a speaker torn between multiple worlds. Pendulating from prose to lyric, it is a ghostly work in which dreams and memory bleed into each other, as do its places: Egypt, Somalia, Newtown and Kilbirnie. Even time becomes concurrent, and for Mohamed, the past is right there in the present. In this collision of languages and worlds, the possibility and impossibility of home is both grieved and celebrated.
    >>Your copy

BOOKSELLERS AOTEAROA NEW ZEALAND AWARD FOR ILLUSTRATED NON-FICTION

  • book

    With its distinctive cover, bold typography and risograph hues on uncoated stock, this book demands to be read from page one. Weaving original sources into an engaging narrative, Nick Bollinger has crafted a considered and fitting history. Photographs from private collections add to its rich production, balancing text and illustration in ways that belie its size. Like the period it surveys, Jumping Sundays is a game-changer.
    >>Your copy.

  • book

    Robin White: Something is Happening Here
    Edited by Sarah Farrar, Jill Trevelyan and Nina Tonga 

    Te Papa Press and Auckland Art Gallery Toi o Tāmaki

    This is more than an exhibition turned art book. Stunning reproductions, historical essays and the insights of two dozen contributors do justice to the institution that is Robin White. As iconic screenprints flow seamlessly into large format barkcloth, White’s border-crossing practice is temporally divided with the savvy use of typographic spreads. Space, too, is given to the voices of her Kiribati, Fijian and Tongan collaborators. Strikingly elegant yet comprehensive, excellence is what’s happening here.
    >>Your copy.

  • book

    Secrets of the Sea is a treasury of interesting facts, beautiful photography and remarkable prose. Beyond the luscious illustrations is a perfect blend of science, history and mātauranga Māori that gives the text depth and relevance and reveals in fascinating (and urgent) ways the interconnectedness of the human and extra human world. Visually compelling and hugely accessible, this impactful book will delight the marine biologist, sea aficionado and general reader alike.
    >>Your copy

  • book

    Te Motunui Epa

    Rachel Buchanan (Taranaki, Te Ātiawa) 
    Bridget Williams Books

    Innovative and immensely topical, Te Motunui Epa is a triumph of storytelling and a challenge to the confines of traditional historiography. Rachel Buchanan’s meticulous research and compelling writing is complemented by the very best in graphic design – from its light-catching cover to the black-bordered array of archival documents. Generous while unafraid to confront the colonial hurt at the heart of the story, this is a deceptively powerful and enduring work.
    >>Your copy

GENERAL NON-FICTION AWARD

  • book

    A Fire in the Belly of Hineāmaru: A Collection of Narratives about Te Tai Tokerau Tūpuna

    Melinda Webber (Ngāti Kahu, Ngāti Hau, Ngāti Hine, Ngāpuhi, Ngāti Whakaue) and Te Kapua O’Connor (Ngāti Kurī, Pohūtiare)  
    Auckland University Press

    An exquisite and innovative book that uses a form of storytelling, pūrākau, to construct further stories that elucidate and challenge. It adds a layer of narrative truth to what we know about Te Tai Tokerau and, more importantly, shifts existing perceptions. It reveals the richness of knowledge in whakapapa which, especially for Te Tai Tokerau rangatahi, will spark significant personal and collective inspiration.
    >>Your copy

  • book

    Downfall: The Destruction of Charles Mackay

    Paul Diamond (Ngāti Hauā, Te Rarawa, Ngāpuhi)  
    Massey University Press

    This beautifully produced and generous book is a fascinating account of an extraordinary moment in small-town colonial New Zealand with its vivid line-up of characters, a revenge plot, blackmail and local Pākehā political intrigue. Alongside gripping, skilled and elegant popular historical storytelling, readers will find well-researched and closely observed insights into aspects of our national character, and our struggles with social decency.
    >>Your copy

  • book

    Grand: Becoming my Mother’s Daughter

    Noelle McCarthy 
    Penguin Random House

    This memoir presents both a woman confronting her own shame and the shame of generations with visceral honesty. It offers a treatise on forgiveness and a light of hope. Noelle McCarthy’s command of language imbues readers with sight, sound, smell and taste. It is complete as an individual narrative, while the centrality of the mother-daughter relationship and the weight that loads onto the process of knowing oneself offers much to our collective emotional intelligence.
    >>Your copy

  • book

    The English Text of the Treaty of Waitangi

    Ned Fletcher 
    Bridget Williams Books

    Ned Fletcher’s extensively researched and meticulously constructed book provides a valuable contribution to scholarship, history and law, and makes a timely and evolved interjection into the conversations of this country. Readers are led to evidenced conclusions via Fletcher’s clear hypotheses, structural commitment to reason and thorough examination of the characters and context involved in the creation of the English text of Aotearoa’s founding document.
    >>Your copy. 

VOLUME BooksBook lists

  

Enjoy browsing our annual VISUAL CULTURE SALE. This is your opportunity to pile up a selection of superb books on art, architecture, photography, design, theory, illustration, film, textiles, craft, and graphic novels, from both Aotearoa and overseas — all at satisfyingly reduced prices. Judging from previous years, our advice is: be quick — there are single copies only of most titles and many of them cannot be reordered (even at full price). >>Click through to start choosing

We are pleased to announce the launch of our annual VISUAL CULTURE SALE

. This is your opportunity to pile up a selection of superb books on art, architecture, photography, design, theory, illustration, film, textiles, craft, and graphic novels, from both Aotearoa and overseas — all at satisfyingly reduced prices. Judging from previous years, our advice is: be quick — there are single copies only of most titles and many of them cannot be reordered (even at full price). >>

Click through to start choosing

VOLUME BooksBook lists