WHISK — Cookbooks at VOLUME — From Contemplation to Satisfaction

Quince Philosopher

A kava bowl of quinces had been glowing beautifully in the living room, but now it was time to act. Recently I found some ancient jelly in the cupboard. Quince circa 2002. It looked fine, as in no mildewy mouldy stuff, but it’s incredibly dark red,in fact probably black. Consuming this doesn’t seem likely, but it did remind me how delcious quince jelly is. Saturday it rained. Perfect for hot work at the stove. Reaching for Kylee Newton’s The Modern Preserver revealed not only a lovely jelly recipe (Quince and Cardamom), but also Membrillo (paste). I had enough quinces for both, so grabbed a sharpish knife and some muscle power, and began. This was a two-day job, as the recipe required an overnight straining for the jelly liquid. (In fact, this wasn’t necessary, as most of the juice drained through almost at once.)

While the first batch was cooking, I flexed my muscles for the peeling and coring of the remaining quinces. This is when you need to focus on the end result! We once made Quince Paste for Christmas gifting and I remember it, rightly or wrongly, being quite a process. This Membrillo recipe included lemion peel and vanilla and smelt wonderful smimmering away gently. The quinces changed colour to a beautiful rich yellow, ready to whizz into that soft puree. And then it was back on the stove! And plenty of stirring. Making this again, I would cook the quinces for a bit longer in each stage. I stuck with the recipe timing, but whether it was the type of quince or our sluggish element, I didn’t quite capture the glowing red of the jelly as you will see below. Anyway the fruit was soft and the fragrance wonderful, and ready for the final slow slow bake in the oven. The tempature instruction being: your lowest possible setting!

Here I broke the rules a little, and spooned my puree into small paper cases, thinking they would make good serving sizes. And half a round is perfect for snack! (That lovely plate is made by Esther. @ceramicsbyesther). And the Membrillo is delicous. Definitely worth the effort.

And so to the next day’s work! The jam pan (inherited from my nana) came out of the bottom cupboard to do its hard work. More boiling and stirring! It required a stool nearby for resting. While the recipe indicated 20 minutes of gentle boiling (once the liquid had come to the boil), I almost doubled the time (possibly the result of our timid element) keeping a close eye on that terrible disappoinment called burning! (It didn’t burn.) I wanted a firm jelly, but not rubbery, and watching closely, testing frequently, and noting the changes in consistancy and colour, was worthwhile. I like this recipe. The cardamom is subtle and the small amount of lemon juice takes the edge off the sweetness, but not by much. The colour of quince jelly is divine. A glowingly satisfying result.

Postscript: We did eat dinner. It was a yellow theme. Pumpkin season. Hurrah for $4 Crowns!

This tasty dish from one of my favourite Ottolenghi’s: Flavour. Cinnamon, star anise, a little heat with chilli and black pepper, pumpkin and onions roasted, on a bed of tomato-infused couscous and layered with spinach from the garden. Perfect for autumn.

Every purchase of a cookbook from VOLUME during April goes in the draw to win a copy of Portico by Leah Koenig.

VOLUME BooksWHISK
LANNY by Max Porter — reviewed by Thomas

Wherever humans gather they begin to do each other harm. The size of human gathering that optimises this harm is called, in England, a village. Neither small enough for differences to be accommodated nor large enough for them to be ignored, a village allows its inhabitants full exercise of their capacities for intolerance, for suspicion, for collective cruelty. In Max Porter’s poetic and affecting short novel Lanny, a couple move to one such village with their highly imaginative son, Lanny. The first part of the book is told in the alternating voices of the parents and of Pete, the elderly artist from whom Lanny receives art lessons. Lanny’s mother is trying to pull out of a period of depression, writing a crime thriller, and his father continues to commute to London, both a presence and an absence in the lives of the other members of his family. We see the ethereal Lanny through their eyes, but it is perhaps Pete who identifies most with his original ways of thinking and original ways of seeing. Narrated in the voices of these characters, the text provides access only to what they are prepared to acknowledge, leaving uncertain spaces. There is a fourth ‘voice’ in this first part of the book, that of ‘Dead Papa Toothwort’, a personification of a force of nature suppressed in modern life, a principle of decay and regrowth, assailing social fixity and seen primarily in its negative aspect as a force of destruction or death. From beneath the structures of stultification that comprises, to Porter, English village life, even Englishness itself, from the land, from growing and rotting things, from nature, comes the force that will bring down those structures. The first part of the book is saturated with ominous feeling as Toothwort approaches and wanders the village. As with the plant from which he gets his name, Toothwort is parasitic: like death, he has no form but the form he borrows, no words but the words he borrows. “He does the voices,” writes Porter, after Shakespeare, referring to himself, perhaps, as much as to his character. The Toothwort sections are comprised largely of odd snippets and freighted phrases such as are overheard in passing the conversations of others, lines often arranged on the page in a typographically eccentric way like the verbal detritus they are. Just as Toothwort uses phrases gleaned from the village to remake into his purposes, so does the author. A text always contains the ominous presence of the author’s intention, the author as a fateful presence, constructing the sentences but at the same time drawing them towards their death. Toothwort appears in the guise of ordinary things because the ordinary really is full of horror and the kind of undoing that he represents. He is “reckoning with the terrible joke of the flesh and the rubbery links between life and death.” Toothwort wanders the village and ‘chooses’ Lanny, the being most like himself. The second part of the book is told in myriad unattributed but distinct voices of people in the village, along with Lanny’s parents, Pete, and people involved in the search for Lanny after he disappears. These muttered, declaimed, gossipped or published passages demonstrate how, after a crisis is not quickly resolved, the worst aspects of people often come to the fore and people speak and act their prejudices, suspicions, jealousies and resentments, using them to vault to conclusions that relieve their uncertainty. Pete is beaten, Lanny’s mother slurred, anyone with a difference resented or suspected. The village builds itself into an unhealthy state of what could only be called excitement. These ‘external’ snippets are uncomfortable. The reader, like the villagers, is a voyeur, implicated in the crisis that exists for and because of those - villagers and readers - who observe and shape the crisis. We jump to conclusions and reveal our prejudices as do the villagers. We resent the author who reveals us to ourselves as the stories of the voyeurs swamp the facts (or, rather, the absence of facts). The third part of the book begins in the most internal of modes: the dreams of those closest to Lanny (his parents and Pete), dreams of Toothwort-catalysed possible Lannys and possible fates for Lanny. The sequence resolves into a dream of Lanny’s mother, of how Toothwort reveals Lanny to her in this dream, of how she wakes, “breathes in the flesh particles of generations of villagers before her and it tastes like mould and wet tweed,” and finds him, and of what comes after. Lanny’s mother is “caught between what is real and what is not,” however, and I can’t excise my suspicion that the entire sequence, including its resolution, is her dream or desire, a ‘possible’ but not necessarily ‘true’ story, a trajectory in her mind, a disengagement from other, external, possibly more ‘true’ stories - but isn’t fiction always like this? This is a remarkable book. Porter has the uncanny ability to evoke the ordinary and then make it reveal a certain beauty and depth and horror just as it slips away from our ability to hold it in our minds. 

VOLUME BooksReview by Thomas
The World of the Brontës, 1000-piece jigsaw puzzle — reviewed by Stella

What is it about cooler months that make puzzling so appealing? I enjoy all sorts of puzzles, of both the word and number variety, but love the challenge of a jigsaw puzzle with its bonus of a visually compelling end result. So it's ideal to have a birthday in March and to receive a fresh jigsaw in the time for autumnal rains and darker nights. I'm loving The World of the Brontës. Before even finding those sides and corners I had to read the little story of the Brontës and get the lowdown on the family, the many characters, the houses and the pets which are dotted throughout the puzzle to find. Centre stage of this puzzle is the great and terrifying fire at Thornfield Hall depicted by lively swirling flames. There's the moody moor for Catherine's ghost in a colour palette of bruised purples and in a surreal sky of pinks and yellows the world of picture books and fantastical land of Gondal. Having read The Tenant of Wildfell Hall last year (aloud), I was pleased to see the inclusion of the long-suffering, but defiant, Helen Huntingdon with her young son included, even if at her feet are her painting materials cast asunder. And of course, there are the Brontës themselves, Maria and Elizabeth, Charlotte, Bramwell, Emily and Anne. The houses are both the real and the imagined, and the piecing together of these similar looking bricks and stonework is a pleasurable exercise with small clues in the window surrounds, roof structure and tile colours. In other words, not obvious, but neither impossible. The illustrator Eleanor Taylor  has included so many wonderful details from the Brontë sisters' ouvres and cleverly melded these many elements into a cohesive image. Great fun and a compelling distraction. 

VOLUME BooksReview by Stella
NEW RELEASES (12.4.24)

There were some exciting arrivals this week. Click through to our website to secure your copies.

Marlow’s Dream: Joseph Conrad in Antipodean Ports by Martin Edmond $45

Before Joseph Conrad’s writing career was established in 1899 with the serialised publication of Heart of Darkness, he was a merchant seafarer and eventually a shipmaster of vessels that regularly sailed between Europe and its antipodes, with several visits to Australia and New Zealand, stopping at numerous other ports along the way. In Marlow's Dream, Martin Edmond shows in vivid detail how Conrad both collected and began to arrange the tales that would later appear in his fiction during these voyages. Intertwining Conrad's biography with his own, Edmond demonstrates how Conrad's stories were lifted straight out of his experiences as an itinerant mariner who had spent many days in antipodean ports between 1878-93.
"No writer has more to tell us about our oceanic past and its human dramas than Joseph Conrad. Now Martin Edmond adds something new to Conrad's world, a hard thing to do. By placing Conrad among the Antipodean people he knew and the Antipodean ports he frequented as a sailor, the fictions become more vivid, more real, while the raffish cosmopolitanism of old Australasian port life becomes less remote. We are closer both to Conrad and the past. A marvelous achievement!" —Simon During (University of Queensland)
"Edmond wants to understand Conrad's fiction from the inside, and he wants to do this in a way that will make sense to an audience wider than the limited readership of academic literary criticism." —Andrew Dean (Deakin University)

 

Ash by Louise Wallace $30

Thea lives under a mountain — one that’s ready to blow. A vet at a mid-sized rural practice, she has been called back during maternity leave and is coping – just – with the juggle of meetings, mealtimes, farm visits, her boss’s search for legal loopholes and the constant care of her much-loved children, Eli and Lucy. But something is shifting in Thea – something is burning. Or is it that she is becoming aware, for the first time, of the bright, hot core at her centre? Then comes an urgent call. Ingeniously layered, Ash is a story about reckoning with one’s rage and finding marvels in the midst of chaos.
”I have not felt this seen by a book, ever. Ash worked through me like a drug: I will be going back again and again. The craft is exquisite, the comedy deeply satiating. What Louise Wallace has achieved in Ash is a monumental call to all the women who have been called good girls and bitches with the same breath. Ash simmers and smokes with honesty. It makes sparks fly.” —Claire Mabey

 

What I’d Rather Not Think About by Jente Posthuma (translated from Dutch by Sarah Timmer Harvey) $35

What if one half of a pair of twins no longer wants to live? What if the other can't live without them?This question lies at the heart of Jente Posthuma's deceptively simple What I'd Rather Not Think About. The narrator is a twin whose brother has recently taken his own life. She looks back on their childhood, and tells of their adult lives — how her brother tried to find happiness, but lost himself in various men and the Bhagwan movement, though never completely. In brief, precise vignettes, full of gentle melancholy and surprising humour, Posthuma tells the story of a depressive brother, viewed from the perspective of the sister who both loves and resents her twin, struggles to understand him, and misses him terribly.
”What makes What I’d Rather Not Think About rise above the average mourning novel is its utter authenticity. Posthuma associates, philosophises, links memories to everyday actions, draws on films and television series and tries to interpret in a laconic, light-footed and pointed way. ‘Less is more’ with Jente Posthuma. And again, she seems to be saying: nothing is “whole” here, in the subhuman. Everything rumbles, frays, and creaks.” —Nederlands Letterenfonds

 

White Nights by Urszula Konek (translated from Polish by Kate Webster) $40

White Nights is a series of thirteen interconnected stories concerning the various tragedies and misfortunes that befall a group of people who all grew up and live(d) in the same village in the Beskid Niski region, in southern Poland. Each story centres itself around a different character and how it is that they manage to cope, survive or merely exist, despite, and often in ignorance of, the poverty, disappointment, tragedy, despair, brutality and general sense of futility that surrounds them.
”The book’s strength lies in its ability to capture the intense, dreamlike quality of its setting, where the natural phenomenon of ‘white nights’ serves as a backdrop for the characters’ introspective journeys. White Nights is a dark, lyrical exploration of the ways in which people seek meaning and belonging in a transient world.” —International Booker Prize judges’ citation

 

The Russian Detective by Carol Adlam $65

An exquisitely drawn graphic novel, a crime thriller with a strong feminist vein, set in nineteenth century Russia. Journalist and magician Charlie Fox returns to her home town of Nowheregrad to investigate the murder of a glass manufacturer’s daughter, but learns some things about herself, too. Lovingly done, well researched, and full of delights and surprises.
”Could not be more rich or more beautiful if it tried. This is a book that replays multiple readings — its illustrations are so deeply atmospheric and so inordinately beautiful.” —Observer

 

Mater 2-10 by Hwang Sok-yong (translated from Korean by Sora Kim-Russell and Youngjae Josephine Bae) $40

Centred on three generations of a family of rail workers and a laid-off factory worker staging a high-altitude sit-in, Mater 2-10 vividly depicts the lives of ordinary working Koreans, starting from the Japanese colonial era, continuing through Liberation, and right up to the twenty-first century. 
”Mater 2-10 is a vital reminder that, while the Berlin Wall may have fallen, the Cold War lives on in a divided Korea. It traces the roots of postwar persecution of labour activists smeared as ‘commies’. Decades of torture of political opponents in Japanese-built prisons are revealed as a ‘legacy of the Japanese Empire’. Hwang’s aim, he writes, was to plug a gap in Korean fiction, which typically reduces industrial workers to ‘historical specks of dust’. Not only does he breathe life into vivid protagonists, but the novel so inhabits their perspective that we share the shock and disbelief as their hard-won freedom is snatched away.” —Maya Jaggi, The Guardian

 

Crooked Plow by Itamar Vieira Junior (translated from Portuguese by Johnny Lorenz) $25

“I heard our grandmother asking what we were doing. ‘Say something!’ she demanded, threatening to tear out our tongues. Little did she know that one of us was holding her tongue in her hand.”
Deep in Brazil's neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother's bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever. Heralded as a new masterpiece, this fascinating and gripping story about the lives of subsistence farmers in Brazil's poorest region, three generations after the abolition of slavery, is at once fantastic and realist, covering themes of family, spirituality, slavery and its aftermath, and political struggle.
”Bibiana and Belonisía are two sisters whose inheritance arrives in the form of a grandmother’s mysterious knife, which they discover while playing, then unwrap from its rags and taste. The mouth of one sister is cut badly and the tongue of the other is severed, injuries that bind them together like scar tissue, though they bear the traces in different ways. Set in the Bahia region of Brazil, where approximately one third of all enslaved Africans were sent during the height of the slave trade, the novel invites us into the deep-rooted relationships of Afro-Brazilian and Indigenous peoples to their lands and waters – including the ways these communities demand love, gods, song, and dream – despite brutal colonial disruptions. An aching yet tender story of our origins of violence, of how we spend our lives trying to bloom love and care from them, and of the language and silence we need to fuel our tending.” —International Booker Prize judges’ citation

 

A Different Light: First photographs of Aotearoa edited by Catherine Hammond and Shaun Higgins $65

In 1848, two decades after a French inventor mixed daylight with a cocktail of chemicals to fix the view outside his window onto a metal plate, photography arrived in Aotearoa. How did these 'portraits in a machine' reveal Maori and Pakeha to themselves and to each other? Were the first photographs 'a good likeness' or were they tricksters? What stories do they capture of the changing landscape of Aotearoa? From horses laden with mammoth photographic plates in the 1870s to the arrival of the Kodak in the late 1880s, New Zealand's first photographs reveal Kingi and governors, geysers and slums, battles and parties. They freeze faces in formal studio portraits and stumble into the intimacy of backyards, gardens and homes. A Different Light brings together the extraordinary and extensive photographic collections of three major research libraries — Tamaki Paenga Hira Auckland War Memorial Museum, Alexander Turnbull Library and Hocken Collections Uare Taoka o Hakena. Beautifully presented, with many of the images never before published.

 

The Home Child by Liz Berry $45

In 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return to Britain or see her family again. She is a Home Child, one of thousands of British children sent to Canada to work as indentured farm labourers and domestic servants. In Nova Scotia, Eliza's world becomes a place where ordinary things are transfigured into treasures - a red ribbon, the feel of a foal's mane, the sound of her name on someone else's lips. With nothing to call her own, the wild beauty of Cape Breton is the only solace Eliza has — until another Home Child, a boy, comes to the farm and changes everything. Inspired by the true story of Liz Berry's great aunt, this novel in verse is an evocative portrait of a girl far from home.
”A profound act of witness to a long injustice, and a beautifully crafted conjuring of a life lived as truly as possible.” —Guardian

 

Dear Colin, Dear Ron: The selected letters of Colin McCahon and Ron O’Reilly edited by Peter Simpson $65

The painter Colin McCahon and the librarian Ron O'Reilly first met in 1938, in Dunedin, when McCahon was 19 and O'Reilly 24. They remained close, writing regularly to each other until 1981, when McCahon became too unwell to write. Their 380 letters covered McCahon's art practice, the contemporary art scene, ideas, philosophy and the spiritual life. Dazzling in their range, intensity and candour, the letters track a unique friendship and partnership in art. Simpson's selection represents the first time these letters have been transcribed and collected in what is an act of great generosity to future scholars. It adds a new dimension to an understanding of McCahon and his career and is a rich and lively addition to any art lover's McCahon library. O'Reilly's son Matthew O'Reilly and McCahon's grandson Finn McCahon-Jones contribute insightful essays that round out the unique perspective the letters afford. The book is illustrated with 64 images, all discussed in the letters.

 

Krabat and the Sorcerer’s Mill by Ottfied Preussler (translated from German by Anthea Bell) $30

New Year's has passed. Twelfth Night is almost here. Krabat, a fourteen-year-old beggar boy dressed up as one of the Three Kings, is traveling from village to village singing carols. One night he has a strange dream in which he is summoned by a faraway voice to go to a mysterious mill — and when he wakes he is irresistibly drawn there. At the mill he finds eleven other boys, all of them, like him, the apprentices of its Master, a powerful sorcerer, as Krabat soon discovers. During the week the boys work ceaselessly grinding grain, but on Friday nights the Master initiates them into the mysteries of the ancient Art of Arts. One day, however, the sound of church bells and of a passing girl singing an Easter hymn penetrates the boys' prison: At last a plan is set in motion that will win them their freedom and put an end to the Master's dark designs.
"One of my favorite books." —Neil Gaiman

 

worm, root, wort… & bane by Ann Shelton $54

Artist Ann Shelton’s latest book, worm, root, wort… & bane delves into the rich history of plant-centric belief systems and their suppression. Part artist scrapbook, part photo book, part quotography, and part exhibition catalogue, this publication explores the medicinal, magical, and spiritual uses of plant materials, once deeply intertwined with the lives of European forest, nomadic, and ancient peoples. worm, root, wort… & bane re-assembles fragments of historical knowledge alongside the first 19 artworks from Shelton’s photographic series, i am an old phenomenon (2022-ongoing). The plant sculptures photographed are constructed by the artist, who has worked with plants since childhood and long been interested in the history of floral art and its expansive gendered resonances. Overflowing with 300+ images and quotations, this book traces the loss of plant knowledge held wise women, witches, and wortcunners in post-feudal Europe, as Christianity spread and capitalism emerged. The book follows our changing relationships with plants, through the Victorian era to the present — offering cause to reflect on the consequences of the ongoing estrangement between humans and the natural world.

 
VOLUME BooksNew releases
Book of the Week: MARLOW'S DREAM: Joseph Conrad in Antipodean Ports by Martin Edmond

Before he was catapaulted into the literary sphere at the age of 42 with the publication of Heart of Darkness in 1899, Joseph Conrad worked as a merchant seaman and frequented ports in Australia and New Zealand between 1878 and 1893 (he captained the Otago until he declined to repeat a sugar-trade run between Australia and Mauritius). Martin Edmond does a superb job of tracing Conrad’s ghost in the Antipodes, and reveals how many elements, incidents and characters in his fiction draw directly from his experiences in this part of the world. As always, Edmond’s style, precision and personal, thoughtful approach to writing non-fiction make the book a pleasure to read.

VOLUME BooksBook of the week
THE FACULTY OF DREAMS by Sara Stridsberg — reviewed by Thomas

The Faculty of Dreams by Sara Stridsberg (translated from Swedish by Deborah Bragan-Turner)

In this beautifully abject and uncomfortable biographical novel, Sara Stridsberg suspends her subject, Valerie Solanas, indefinitely at the point of death in San Francisco’s disreputable Bristol Hotel in 1988 and subjects her to a long sequence of interrogations by a self-styled ‘narrator’, superimposing upon the distended moment of death two additional narratives stands: of her life from childhood until the moment  Solanas shot Andy Warhol in 1968, and from the trial via the mental hospital to society's margins and the Bristol hotel. Stridsberg has strung a multitude of short dialogues in these strands, typically preceded by the narrator setting the scene, so to call it, in the second person, and then scripting conversations between Solanas and the narrator, or with Solanas’s mother, Dorothy, or with her friend/lover Cosmogirl, or with Warhol or ‘the state’ or a psychiatrist or a nurse, or with the opportunistic Maurice Girodias, whose Olympia Press published Solanas’s remarkable SCUM Manifesto , a radical feminist tirade against the patriarchy at once scathingly acute and deliciously ironic. Stridsberg (aided by her translator into English, Deborah Bragan-Turner) conjures Solanas’s voice perfectly, animating the documentary material in a way that is both sensitive and brutal. This is, of course, both against and absolutely in line with Solanas’s wishes, making herself available to “no sentimental young woman or sham author playing at writing a novel about me dying. You don’t have my permission to go through my material.” The Solanas of the dialogues is often largely the deathbed Solanas, suspended in a liminal state between times and on the edge of consciousness, whereas her interlocutors are more affixed to their relevant times, for instance her mother Dorothy forever caught in Solanas’s childhood - in which Valerie was abused by her father and, later, by her mother’s boyfriends - yet hard to get free of, due to “that life-threatening bond between children and mothers.” The scene/dialogue mechanism that comprises most of the novel appears to remove authorial intrusion from the representation of Solanas’s life more effectively than a strictly ‘factual’ biography would have done, while all the time flagging the fictive nature of the project. “I fix my attention on the surface. On the text. All text is fiction. It wasn’t real life; it was an experience. They were just fictional characters, a fictional girl, fictional figurants. It was fictional architecture and a fictional narrator. She asked me to embroider her life. I chose to believe in the one who embroiders.” Stridsberg does a remarkable job at being at once both clinical and passionate, at undermining our facile distinctions between tenderness and abjection, between beauty and transgression, between radical critique and mental illness, between verbal delicacy and the outpouring of “all these sewers disguised as mouths.” Solanas shines out from the abjection of America, unassimilable, a person with no place, no possible life. “It was an illness, a deranged, totally inappropriate grief response. I laughed and flew straight into the light. There was nothing to respond appropriately to.” At the end of the book the three strands of narrative draw together and terminate together: Solanas shoots Warhol at the moment of her own death two decades later, and the personae are released. All except Warhol, who lived in fear of Solanas thereafter: “People say Andy Warhol never really came back from the dead, they say that throughout his life he remained unconscious, one of the living dead.”

VOLUME BooksReview by Thomas
THIS IS A.D.H.D: An Interactive and Informative Guide by Chanelle Moriah — reviewed by Stella

Chanelle Moriah was diagnosed with autism at 21 and ADHD (Attention Deficit/ Hyperactivity Disorder) at 22. They are the author and Illustrator of I Am Autistic and This Is ADHD. These are practical and informative handbooks for neurodivergent folk and by extension their whanau, friends and colleagues. I’ve just finished reading This is ADHD and I found it extremely useful, as well as interesting. It has helped me start to understand what life is like for someone with ADHD. Why simple tasks become so complicated, what neurodivergence can be, how behaviours can be misinterpreted, and how other disorders (depression and anxiety to name two) can impact the ADHDer. Whether you are (or your loved one is) diagnosed or not, this book will be helpful. In the first reading, it has given me more understanding and knowledge about ADHD, and hopefully prepared me to be a better parent and support person. The book is set out with a bold pattern and colour palette, with passages highlighted, and plenty of lists and tick-boxes. The text is in a hand-written style (not a typed font), which surprised me. Moriah has made this book the way that makes sense to them and sits comfortably for someone with ADHD. I was also surprised at the references that jump you forward and back in the book, but after reading about boredom and ADHD this all made sense. There are plenty of spaces and pages to write on, with only a swirl of colour — no completely blank pages. There are many short chapters on numerous aspects (some which will be relevant to the individual, others not — Moriah stresses that ADHD is diverse), including sleep, mood, anxiety, talking too much, zoning out, dopamine, and learning styles. Moriah tells it as it is: they give plenty of options and tools for dealing with some of the challenges of ADHD, but also celebrate the benefits. This is ADHD is empowering, interactive and an excellent resource for anyone interested in neurodiversity.

VOLUME BooksReview by Stella
NEW RELEASES (5.4.24)

Move through autumn with a book in your hand!
Click through to place your orders:

A Flat Place by Noreen Masud $40

Noreen Masud has always loved flat landscapes — their stark beauty, their formidable calm, their refusal to cooperate with the human gaze. They reflect her inner world- the 'flat place' she carries inside herself, emotional numbness and memory loss as symptoms of childhood trauma. But as much as the landscape provides solace for this suffering, Britain's flatlands are also uneasy places for a Scottish-Pakistani woman, representing both an inheritance and a dispossession. Pursuing this paradox across the wide open plains that she loves, Noreen weaves her impressions of the natural world with the poetry, folklore and history of the land, and with recollections of her own early life, rendering a startlingly strange, vivid and intimate account of a post-traumatic, post-colonial landscape — a seemingly flat and motionless place which is nevertheless defiantly alive.
”It would be easy to assume that A Flat Place, dealing as it does in the currency of trauma, racism and exile, is a bleak book. But this memoir is too interested in what it means and how feels to be alive in a landscape to be anything other than arresting and memorable. In the flatlands of Britain, and in the memories they evoke of the flat places of Pakistan, Masud both finds a way to comprehend her own story and establishes a strong voice that confirms her as a significant chronicler of personal and national experience. A Flat Place is a slim volume, but that belies its expansive scope.” —Financial Times

 

Te Waka Hourua Whītiki, Mātike, Whakatika! $30

Following the treaty redaction action at Te Papa by Te Waka Hourua in December 2023, this book authored by the artists themselves is a first-hand recollection and reflection of their experience, complemented with some memorabilia of the action, and its impact in the public discourse. Te Waka Hourua is a tangata whenua-led, direct action, climate and social justice rōpū. Their kaupapa is as described by their whakaaturanga: “Our waka hourua has set its course. We feel it is beyond time to shed light on the truth of our current and existential situation; endless destruction by an elite minority at the expense of the majority, and of hospitable life on planet earth.”

 

Here Today, Gone Tomorrow: Wellington street art by Jamie D. Baird $70

Art or vandalism, protest or social commentary — how you see street art depends on where you stand. Jamie Baird’s Here Today Gone Tomorrow documents his 40-year fascination with these ephemera as “a testament to human imagination, innovation and cultural diversity.” The fascinating book, with over 1200 photographs taken over four decades, really captures the variety and vitality that is Wellington's unofficial culture and true life.

 

Granta 165: Deutschland edited by Thomas Meeney $35

From Lower Saxony to Marienbad, the carwash to the planetarium, this issue of Granta reflects on Germany today. Featuring non-fiction by Alexander Kluge, Peter Handke, Fredric Jameson, Lauren Oyler, Michael Hofmann, Peter Kuras, Adrian Daub, Peter Richter, Lutz Seiler, Ryan Ruby, Jan Wilm and Jürgen Habermas. As well as a conversation between George Prochnik, Emily Dische-Becker and Eyal Weizman. The issue introduces two young novelists on the German scene – Leif Randt and Shida Bazyar – forthcoming work from Yoko Tawada, a short story from Clemens Meyer, and autofiction by Judith Hermann. Plus, poetry by Elfriede Czurda and Frederick Seidel. Photography by Martin Roemers (with an introduction by the poet Durs Grünbein); Ilyes Griyeb (with an introduction by Imogen West-Knights) and Elena Helfrecht (with an introduction by Hanna Engelmeier).

 

Martyr! by Kaveh Akbar $38

Cyrus Shams is lost. The orphaned son of Iranian immigrants, Cyrus never knew his mother. Killed when her plane was shot down over the Persian Gulf in a senseless accident, Cyrus has spent his life grappling with the meaningless nature of his mother’s death.  Now he is set to learn the truth of her life. When Cyrus’s obsession with the lives of the martyrs – Bobby Sands, Joan of Arc – leads him to a chance encounter with a dying artist, he finds himself drawn towards the mysteries of his past: an uncle who rode through Iranian battlefields dressed as the Angel of Death; and toward his mother, who may not have been who or what she seemed. As Cyrus searches for meaning in the scattered clues of his life, a final revelation transforms everything he thought he knew. 
”As a poet, Akbar is a master of economy of language, and that mastery remains untouched in this 350-page novel. The writing in Martyr! dances on the page, effortlessly going from funny and witty to deep and philosophical to dialogue that showcases the power of language as well as its inability to discuss certain things. It brilliantly explores addiction, grief, guilt, sexuality, racism, martyrdom, biculturalism, the compulsion to create something that matters, and our endless quest for purpose in a world that can often be cruel and uncaring. Akbar was already known as a great poet, but now he must also be called a great, fearless novelist.” —NPR

 

Service by Sarah Gilmartin $37

When Hannah learns that famed chef Daniel Costello is facing accusations of sexual assault, she's thrust back to the summer she spent as a waitress at his high-end Dublin restaurant. Drawn in by the plush splendour of the dining rooms, the elegance of the food, the wild parties after service, Hannah also remembers the sizzling tension of the kitchens. And how the attention from Daniel morphed from kindness into something darker... His restaurant shuttered, his lawyers breathing down his neck, Daniel is in a state of disbelief. Decades of hard graft, of fighting to earn recognition for his talent - is it all to fall apart because of something he can barely remember? Hiding behind the bedroom curtains from the paparazzi's lenses, Julie is raking through more than two decades spent acting the supportive wife, the good mother, and asking herself what it's all been for. Their three different voices reveal a story of power and abuse, victimhood and complicity. This is a novel about the facades that we maintain, the lies that we tell and the courage it takes to face the truth.

 

A Brief Atlas of the Lighthouses at the End of the World by González Macías (translated from Spanish by Daniel Hahn) $50

From a blind lighthouse keeper tending a light in the Arctic Circle, to an intrepid young girl saving ships from wreck at the foot of her father's lighthouse, and the plight of the lighthouse crew cut off from society for forty days, this is a book full of illuminating stories that transport us to the world's most isolated and interesting lighthouses. Over thirty tales, each accompanied by beautiful illustrations, nautical charts, maps, architectural plans and curious facts. Includes the Stephens Island lighthouse in the Marlborough Sounds.

 

We Need to Talk About Death: An important book about grief, celebrations, and love by Sarah Chavez, illustrated by Annika Le Large $25

A beautifully illustrated, frank and affirming book about death though history and around the world, and also in our own lives. Death is an important part of life, and yet it is one of the hardest things to talk about — for adults as well as children. Reading this book, children will marvel at the flowers different cultures use to represent death. They will find out about eco-friendly burials, learn how to wrap a mummy, and go beneath the streets of Paris to witness skull-lined catacombs! Readers will also ride a buffalo alongside Yama, the Hindu god of death, come face-to-face with the terracotta army a Chinese emperor built to escort him to the afterlife, and party in the streets to celebrate the Day of the Dead in Mexico. Through these examples the book showcases the amazing ways humans have always revered those who have died. Full of practical tips, this book won't stop the pain of losing a loved one or a pet, but it may give young readers ideas for different ways they can celebrate those who have passed away, and help begin the healing process.

 

The One Straw Revolution by Masanobu Fukuoka (translated from Japanese by Larry Korn) $30

Call it "Zen and the Art of Farming" or a "Little Green Book," Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical. It is an inspiring, necessary book about agriculture because it is not just about agriculture. "Trained as a scientist, Fukuoka rejected both modern agribusiness and centuries of agricultural practice, deciding instead that the best forms of cultivation mirror nature's own laws. Over the next three decades he perfected his so-called "do-nothing" technique: commonsense, sustainable practices that all but eliminate the use of pesticides, fertilizer, tillage, and perhaps most significantly, wasteful effort. Whether you're a guerrilla gardener or a kitchen gardener, dedicated to slow food or simply looking to live a healthier life, you will find something here.

 

Erasing Palestine: Free speech and Palestinian freedom by Rebecca Ruth Gould $37

Having been accused of antisemitism for writing an account of the injustices she witnessed in Palestine, Rebecca Ruth Gould embarks on a journey to understand how the fight against antisemitism has been weaponised not to defend civil rights, but to deny them. In this exploration, she comes to a broader understanding of how censorship threatens the intersectional movements against racism and prejudice in all its forms, including antisemitism and anti-Palestinian racism. Gould warns of the consequences if academic freedom is not protected and highlights the importance of free speech for the politics of liberation.
”A detailed, in-depth study that gets to the heart of one of the contemporary world's most contentious issues. A bold and expert expose of the real reasons behind the West's current antisemitism industry: the silencing of Palestinians and their erasure from history.” —Ghada Karmi,
”Never have we been more in need of hearing the heroic voices of Palestinian activists and their supporters, still unwaveringly resisting the ongoing Israeli seizure of their land and daily control over their lives and movement. In this meticulously researched, moving and persuasive book, Rebecca Ruth Gould surveys the ever-mounting silencing of any support for justice for Palestinians with specious accusations of anti-Semitism against any and all of those joining the struggle to end Israel's brutal occupation, including against the author herself. “ —Lynne Segal

 

Portico: Cooking and Feasting in Rome’s Jewish kitchen by Leah Koenig $62

Over 100 recipes, and photographs of Rome's Jewish community, the oldest in Europe. The city's Jewish residents have endured many hardships, including 300 years of persecution inside the Roman Jewish Ghetto. Out of this strife grew resilience, a deeply knit community, and a uniquely beguiling cuisine. Today, the community thrives on Via del Portico d'Ottavia (the main road in Rome's Ghetto neighborhood) — and beyond. Leah Koenig's recipes showcase the cuisine's elegantly understated vegetables, saucy braised meats and stews, rustic pastas, resplendent olive oil-fried foods, and never-too-sweet desserts. Home cooks can explore classics of the Roman Jewish repertoire with Stracotto di Manzo (a wine-braised beef stew), Pizza Ebraica (fruit-and-nut-studded bar cookies), and, of course, Carciofi alla Giudia, the quintessential Jewish-style fried artichokes. A standout chapter on fritters — showcasing the unique gift Roman Jews have for delicate frying — includes sweet honey-soaked matzo fritters, fried salt cod, and savory potato pastries (burik) introduced by the thousands of Libyan Jews who immigrated to Rome in the 1960s and '70s. Every recipe is tailored to the home cook, while maintaining the flavor and integrity of tradition. Suggested menus for holiday planning round out the usability and flexibility of these dishes. A cookbook for anyone who wants to dive more deeply into Jewish foodways, or gain new insight into Rome

 

Electric Life by Rachel Delahaye $22

Estrella is the ‘perfect’ society: an immaculate, sanitised, hyper-connected environment where everything is channelled through the digital medium. There is no dirt, no pain, no disease and no natural world. Feelings like boredom are frowned upon and discouraged. Alara is dropped down to London Under and into a new-old world that bewilders and disorientates her. How will she survive in a society where noise, dirt and sometimes pain are everyday experiences, and where food is not synthetic and tastes real? Will she accomplish her mission? Who can she trust? How will she get back to her family and her worry-free life in Estrella? This fast-paced and thrilling story set in a fictional yet believable future explores important themes and asks some big questions about where our society could be heading.

 

The Spectacular Science of Art: From the Renaissance to the Digital Age by Rob Colson, illustrated by Moreno Chiacchiera $25

What is colour theory? How do artists use maths in their paintings? How do scientists spot forgeries in a laboratory? And many, many more!The bright, busy artworks will encourage science-hungry children to pore over every detail and truly get to grips with the science that underpins everything around us. Clear information is delivered on multiple levels, allowing readers to dip in and out at speed, or take a deep dive into their favourite subjects.

 

Island of Whispers by Frances Hardinge, illustrated by Emily Gravett $38

On the misty island of Merlank, the lingering dead can cause unspeakable harm if they're not safely carried to the Island of the Broken Tower, where they can move on. Milo's father always told him that he wasn't suited for dealing with the dead and could never become the Ferryman — but one day, he's unexpectedly thrust into the role. And his father is his first passenger . . . Milo's father was killed by the Lord of Merlank, in pursuit of his dead daughter who he's unwilling to give up. It's a race to the island as Milo must face swarms of sinister moths, strange headless birds, and dangerous storms to carry his ghostly passengers across the secret seas.  

 
VOLUME BooksNew releases
Book of the Week: TURNCOAT by Tīhema Baker

The public service is hot news this week with cuts announced and more cuts to come. It fact, all year the Wellington folk who make the wheels of government turn have been in the churn of the news cycle. Not far behind are increasingly loud noises from the coalition government about co-governance and the place of Te Tiriti o Waitangi. It seems like a very good time to read Tīhema Baker’s satirical, but highly perceptive, novel Turncoat.

Daniel is a young, idealistic Human, determined to make a difference for his people. He lives in a distant future in which Earth has been colonised by aliens. His mission: infiltrate the Alien government called the Hierarch and push for it to honour the infamous Covenant of Wellington, the founding agreement between the Hierarch and Humans.

With compassion and insight, Turncoat explores the trauma of Māori public servants and the deeply conflicted role they are expected to fill within the machinery of government. From casual racism to co-governance, Treaty settlements to tino rangatiratanga, Turncoat is a timely critique of the Aotearoa zeitgeist, holding a mirror up to Pākehā New Zealanders and asking: “What if it happened to you?”

Find out more:

We will be discussing Turncoat at our TALKING BOOKS session in May!

VOLUME BooksBook of the week
LONG ISLAND by Colm Tóibín — reviewed by Stella

An unexpected knock on the door brings an unwelcome stranger conveying news that Eilis can hardly believe. It’s 1976 and Eilis Lacey lives in Long Island with her husband, Tony, and their two teenage children, surrounded by his Italian family. Eilis has found a way to belong in this forthright family and has even eked out a little independence with a part-time office job. Falling into middle age, her marriage is comfortable and predictable. The news that arrives rocks her world to the core and unsettles her, reviving prejudices and doubts in her code of conduct and her expectations of others. Tony has fathered a child, not hers, and the baby when it is born is going to be deposited on the father and his family. Eilis won’t, unsurprisingly, have a bar of it, and decides she needs to get away. Her mother is turning eighty and this is a good enough reason as any to return to Ireland. As Tony, and particularly his mother, make plans for the forthcoming baby, Eilis finds herself cut out of any discussion or decision-making. Returning to her home village of Enniscorthy is hardly the escape she imagined. Nothing has changed. It is as stultifying as ever. The same preoccupations keep the rumour mill turning and the same prejudices about social class and morality persist. It may be 1970 everywhere else but here it could be the 1950s. Judgement, pettiness, and grudges circle under the everyday pleasantries.  Yet despite this, it is here that Eilis will face her greatest challenge — being true to her feelings. Her love for Jim Farrell has been dormant all those years. When we leave Eilis in Brooklyn, she is running away, and in Long Island she is escaping again. Nothing is straightforward. Tóibín has a gift for capturing intimate relationships — their nuances, inconsistencies, and delusions. Under the seemingly benign runs a thread of tension. There is the obvious complication of Nancy, Eilis's former best friend, and her dreams of a better life out of the chip shop with the willing publican Jim. And then the problem of Tony and the children — can Eilis make a new life for herself in America? As the story progresses Eilis, Jim, and Nancy are on a collision course that can not be avoided. Yet Long Island is not merely driven by the captivating plot, it is a commentary on expectation and illusion, where everyone has their private dream, but no one is honest to each other nor themselves. Where social mores hold behaviour in check even in the most intimate moments. Brilliantly written with a deft touch, it is only at the end that the breath you have been holding will be exhaled, but only briefly.

  • Long Island will be published in May. Order now and get a 10% discount by entering the code COLM when checking out. Offer valid until 14 April.

  • We will be discussing Long Island in our online book group, Talking Books, on 11 June. Join us!

VOLUME BooksReview by Stella
Book of the Week: KAIROS by Jenny Erpenbeck (translated by Michael Hofmann)

“An expertly braided novel about the entanglement of personal and national transformations, set amid the tumult of 1980s Berlin. Kairos unfolds around a chaotic affair between Katharina, a 19-year-old woman, and Hans, a 53-year-old writer in East Berlin. Erpenbeck’s narrative prowess lies in her ability to show how momentous personal and historical turning points intersect, presented through exquisite prose that marries depth with clarity. She masterfully refracts generation-defining political developments through the lens of a devastating relationship, thus questioning the nature of destiny and agency. Kairos is a bracing philosophical inquiry into time, choice, and the forces of history.” — International Booker Prize judges' citation

VOLUME BooksBook of the week
THE WALL by Marlen Haushofer — reviewed by Thomas

The Wall by Marlen Haushofer (translated from German by Shaun Whiteside)

A woman accompanies her cousin and her cousin’s husband to their hunting lodge in Upper Austria and, when they don’t return from a walk to the village that evening, she discovers that she is encapsulated within an impenetrable transparent wall, outside which all humans and animals have been petrified (such as the old man frozen in the act of washing his face under a tap at a visible farmhouse). Thinking herself the only remaining human on earth, the narrator devotes herself to planting potatoes and beans, milking and tending the cow trapped with her inside the wall, tending the bullock the cow gives birth to, building relationships with the dog and a cat and its kittens, laying in supplies of firewood and hay for the winter, and killing the occasional deer or trout for food. Through the minutiae of her mundane yearly work, including her taking the cattle to the alpine pasture for the summer, and in her responses to the impersonal forces of place and climate, the narrator, in a ‘neutral’ prose account that she does not expect anyone to read but writes merely to keep sane, conveys the shifts in her thinking as she makes a new life for herself and comes to terms with her isolation, the freedom she feels from identity, name, face, society and meaning, the relief at no longer feeling the gulf that separated her from other people, the responsibility she feels towards the animals she cares for and that she believes depend upon her for their survival (to the extent that she does not explore the possibility of passing under the wall where the stream passes under), the ecstatic personless oneness with her world she feels the first summer in the alpine meadow, the terrifying emptiness waiting always at the edges of her awareness, and the passing of time carrying her and all she cares about towards extinction. From early in the book the narrator tells us that an awful thing has happened, and this casts its shadow over even the most rapt of her descriptions of the natural world. In the final pages, in no more than a brief paragraph, the narrator describes the sudden appearance of a man who kills first the bullock and then the dog with an axe before she shoots him and throws his body over the escarpment from the alpine meadow. I have not spoilt the book by telling you this. The pervasive feeling of the book is one of dread, within which all our love, our caring and our work can provide a small bubble in which it is just possible to survive as we move from one day to the next.

VOLUME BooksReview by Thomas